{"id":983,"date":"2019-02-10T18:18:42","date_gmt":"2019-02-10T17:18:42","guid":{"rendered":"http:\/\/redaktori.com\/?p=983"},"modified":"2019-02-10T18:18:42","modified_gmt":"2019-02-10T17:18:42","slug":"enderrimet-permbledhja-e-pare-poetike-e-naimit","status":"publish","type":"post","link":"https:\/\/redaktori.com\/?p=983","title":{"rendered":"\u201c\u00cbnd\u00ebrrimet\u201d \u2013 p\u00ebrmbledhja e par\u00eb poetike e Naimit"},"content":{"rendered":"

Prof. Nasho Jorgaqi<\/strong><\/p>\n

\u201c\u00cbnd\u00ebrrimet\u201d (\u201cTejahylat\u201d) u shkrua nga poeti yn\u00eb n\u00eb persisht dhe u botua n\u00eb Stamboll m\u00eb 1884, kur ai ishte n\u00eb mosh\u00ebn 38 vje\u00e7are. Persishten Naimi e pat m\u00ebsuar shpejt. Q\u00eb fare i ri u njoh e u lidh shpirt\u00ebrisht me poezin\u00eb klasike persiane. Dihet se Saadiu dhe Hafizi ishin poet\u00ebt e tij t\u00eb d\u00ebshiruar, prej t\u00eb cil\u00ebve mori dhe formimin e par\u00eb letrar. Akoma gjimnazist, Naimi filloi t\u00eb vjersh\u00ebroj\u00eb persisht. Persishtja ishte at\u00ebher\u00eb gjuha e kultur\u00ebs dhe e poezis\u00eb n\u00eb vendet e Lindjes, ashtu si\u00e7 qe latinishtja n\u00eb per\u00ebndim gjat\u00eb mesjet\u00ebs. \u201cPersishtja, \u2013 shkruante Samiu, \u2013 \u00ebsht\u00eb nj\u00eb gjuh\u00eb e krijuar p\u00ebr poezi, kurse poezia \u00ebsht\u00eb e shpikur p\u00ebr at\u00eb gjuh\u00eb\u201d. Kuptohet se p\u00ebr nj\u00eb njeri q\u00eb donte t\u00eb hynte n\u00eb fush\u00ebn e poezis\u00eb, t\u00eb varg\u00ebzuarit persisht ishte aso kohe nj\u00eb gur prove. K\u00ebt\u00eb prov\u00eb, si duket, e kaloi dhe poeti yn\u00eb.<\/p>\n

Naimi, sipas \u201cKalendarit kombiar\u201d (1926) kishte gati q\u00eb kur m\u00ebsonte n\u00eb Janin\u00eb, nj\u00eb v\u00ebllim prej 200 faqesh me vjersha persisht. K\u00ebto ishin, me sa duket, ushtrime poetike n\u00eb k\u00ebt\u00eb gjuh\u00eb, t\u00eb cilat ai nuk i p\u00ebrfshiu n\u00eb p\u00ebrmbledhjen \u201c\u00cbnd\u00ebrrimet\u201d. N\u00eb v\u00ebllimin e tij t\u00eb par\u00eb p\u00ebrmblodhi kryesisht vjersha t\u00eb shkruara gjat\u00eb dhjet\u00ebvje\u00e7arit 1873-1883. Pra me sa shihet, k\u00ebto nuk jan\u00eb vjersha t\u00eb rinis\u00eb, si\u00e7 \u00ebsht\u00eb th\u00ebn\u00eb deri m\u00eb tani, po krijime q\u00eb i takojn\u00eb nj\u00eb moshe pak a shum\u00eb t\u00eb pjekur, kur ai ka fituar nj\u00eb p\u00ebrvoj\u00eb jete dhe ka hedhur bazat e kultur\u00ebs e t\u00eb formimit t\u00eb vet\u00eb.<\/p>\n

N\u00eb v\u00ebllimin \u201c\u00cbnd\u00ebrrimet\u201d poeti yn\u00eb ka p\u00ebrmbledhur 24 vjersha, t\u00eb cilat nga idet\u00eb e sfera e problemeve, nga figura dhe m\u00ebnyra e trajtimit jan\u00eb tipike p\u00ebr faz\u00ebn e par\u00eb t\u00eb krijimtaris\u00eb s\u00eb tij.<\/p>\n

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N\u00eb to, jo vet\u00ebm ndihet ndikimi i drejtp\u00ebrdrejt\u00eb i poezis\u00eb klasike persiane, me gjith\u00eb ndonj\u00eb p\u00ebrpjekje q\u00eb ai b\u00ebn p\u00ebr t\u2019u shk\u00ebputur prej saj, po \u00e7\u2019\u00ebsht\u00eb m\u00eb e r\u00ebnd\u00ebsishme, mungon q\u00ebndrimi aktiv ndaj problemeve t\u00eb m\u00ebdha t\u00eb koh\u00ebs, ajo lidhje e fort\u00eb me l\u00ebvizjen patriotike, q\u00eb do t\u00eb shp\u00ebrthej\u00eb e fuqishme n\u00eb poezin\u00eb e m\u00ebvonshme t\u00eb poetit. Po megjithat\u00eb \u201c\u00cbnd\u00ebrrimet\u201d \u00ebsht\u00eb pasqyr\u00eb e mendimeve dhe interesave t\u00eb tij, \u00ebsht\u00eb nj\u00eb pik\u00eb krahasimi p\u00ebr t\u00eb treguar se \u00e7\u2019krah t\u00eb fort\u00eb i dha poezis\u00eb s\u00eb Naimit vala e madhe e l\u00ebvizjes komb\u00ebtare me ngjarjet e Lidhjes s\u00eb Prizrenit.<\/p>\n

N\u00eb \u201c\u00cbnd\u00ebrrimet\u201d poeti yn\u00eb \u00ebsht\u00eb akoma n\u00eb k\u00ebrkim t\u00eb poezis\u00eb dhe t\u00eb ideve t\u00eb veta, ai ende nuk ka gjetur veten e tij. Temat karakteristike t\u00eb poezis\u00eb persiane, format dhe mjetet e saj t\u00eb njohura, konvencionalizmi, tendenca e t\u00eb filozofuarit dhe mbi t\u00eb gjitha shk\u00ebputja p\u00ebrgjith\u00ebsisht nga jeta e gjall\u00eb shoq\u00ebrore, do t\u00eb gjejn\u00eb shprehje n\u00eb k\u00ebt\u00eb p\u00ebrmbledhje poetike. Shumica e vjershave te \u201c\u00cbnd\u00ebrrimet\u201d jan\u00eb vjersha filozofike-meditative, disa her\u00eb me p\u00ebrsiatje mistike e metafizike, nd\u00ebrsa nj\u00eb pjes\u00eb i kushtohet natyr\u00ebs e dashuris\u00eb, ose jan\u00eb thjesht elegji.<\/p>\n

\u201c\u00cbnd\u00ebrrimet\u201d \u00ebsht\u00eb padyshim pjell\u00eb e koh\u00ebs, e bot\u00ebkuptimit n\u00eb formim e sip\u00ebr t\u00eb poetit, dhe kjo shpjegon faktin q\u00eb n\u00eb v\u00ebllim ndeshemi me aspekte t\u00eb ndryshme t\u00eb ideologjis\u00eb fetare apo me ngjarje e figura nga historia e fes\u00eb. Dihet se Naimi q\u00ebndron n\u00eb pozita idealiste, kur njeh ekzistenc\u00ebn e nj\u00eb fuqie hyjnore n\u00eb krijimin e bot\u00ebs, po duhet th\u00ebn\u00eb se qysh n\u00eb k\u00ebt\u00eb v\u00ebllim, gjejm\u00eb p\u00ebrpjekje p\u00ebr t\u00eb m\u00ebnjanuar rolin absolute t\u00eb fes\u00eb n\u00eb interpretimin e dukurive shoq\u00ebrore e natyrore.<\/p>\n

N\u00eb vjershat e k\u00ebtij v\u00ebllimi natyra paraqitet si objekt frym\u00ebzimi dhe v\u00ebzhgimi nga ana e poetit. \u00c7do mendim , \u00e7do ide ai do ta lidh\u00eb me natyr\u00ebn; kulti i natyr\u00ebs \u00ebsht\u00eb n\u00eb baz\u00eb t\u00eb poezis\u00eb s\u00eb tij dhe kjo shpjegohet me pik\u00ebpamjet panteiste t\u00eb Naimit, q\u00eb do t\u00eb zhvillohen gjer\u00ebsisht m\u00eb von\u00eb n\u00eb veprat e tij.<\/p>\n

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P\u00ebrmbledhja \u201c\u00cbnd\u00ebrrimet\u201d nuk hapet me vjersh\u00ebn drejtuar zotit, si\u00e7 i hapnin zakonisht v\u00ebllimet e tyre poet\u00ebt arabo-persian\u00eb, po me nj\u00eb vjersh\u00eb kushtuar \u201cQiellit\u201d, q\u00eb shpreh mahnitjen e poetit para madh\u00ebshtis\u00eb s\u00eb natyr\u00ebs. Natyra \u00ebsht\u00eb e mbushur plot t\u00eb fshehta, ajo flet, thot\u00eb Naimi, me gjuh\u00ebn e er\u00ebs, t\u00eb reve, t\u00eb detit, t\u00eb malit, t\u00eb yjeve dhe k\u00ebt\u00eb gjuh\u00eb p\u00ebrpiqen ta zbulojn\u00eb dijetar\u00ebt, ta njoh\u00eb shkenca (\u201cGjuha e zemr\u00ebs\u201d). Ai pranon haptazi mund\u00ebsin\u00eb e njohjes s\u00eb bot\u00ebs dhe entuziazmohet nga mendja e njeriut q\u00eb arrin t\u00eb dep\u00ebrtoj\u00eb n\u00eb thell\u00ebsi t\u00eb natyr\u00ebs. \u00cbsht\u00eb interesant t\u00eb vihet n\u00eb dukje q\u00eb Naimi, duke pohuar mund\u00ebsin\u00eb e njohjes s\u00eb ligjeve t\u00eb natyr\u00ebs, duke e dh\u00ebn\u00eb k\u00ebt\u00eb ide n\u00ebp\u00ebrmjet vargjeve t\u00eb tij p\u00ebrhap pik\u00ebpamje t\u00eb drejta, q\u00eb ngjallin besim n\u00eb forc\u00ebn e mendjes dhe t\u00eb dor\u00ebs s\u00eb njeriut, vihet k\u00ebshtu n\u00eb kund\u00ebrshtim me interpretimin fetar. Kuptimplot\u00eb p\u00ebr k\u00ebt\u00eb \u00ebsht\u00eb vjersha \u201cFilozofi\u201d ku ai orvatet t\u00eb b\u00ebj\u00eb portretin e filozofit, t\u00eb jap\u00eb bot\u00ebn e shqet\u00ebsuar dhe k\u00ebrkimet e tij t\u00eb vazhdueshme p\u00ebr t\u2019i dh\u00ebn\u00eb p\u00ebrgjigje pyetjeve t\u00eb panum\u00ebrta q\u00eb zgjon natyra e q\u00eb kan\u00eb t\u00eb b\u00ebjn\u00eb me ligjet e saj objektive. Propagandimit t\u00eb diturive t\u00eb k\u00ebtilla i sh\u00ebrbejn\u00eb dhe vjershat \u201cLulja\u201d, \u201cDielli\u201d, \u201cH\u00ebna\u201d, etj.<\/p>\n

Vlen t\u00eb sh\u00ebnohet se v\u00ebmendja e poetit drejtohet jo vet\u00ebm nga gjith\u00ebsia, po dhe nga jeta e njer\u00ebzve mbi tok\u00eb, nga gjendja e shoq\u00ebris\u00eb njer\u00ebzore, sado q\u00eb n\u00eb nj\u00eb kuad\u00ebr shum\u00eb t\u00eb ngusht\u00eb. Ai ankohet p\u00ebr jet\u00ebn q\u00eb nuk plot\u00ebson d\u00ebshirat e njer\u00ebzve, e quan at\u00eb zuzare, e p\u00ebrfytyron si det q\u00eb p\u00ebrpin pam\u00ebshir\u00eb njer\u00ebz dhe shpresat e tyre i quan mirazhe (\u201cDurimi dhe shpresa\u201d).<\/p>\n

N\u00eb vjersh\u00ebn \u201cH\u00ebna\u201d poeti e kalon shpejt p\u00ebrshkrimin e bukuris\u00eb e hijeshis\u00eb s\u00eb h\u00ebn\u00ebs, ai e shikon at\u00eb m\u00eb shum\u00eb si d\u00ebshmitare t\u00eb p\u00ebrjetshme t\u00eb vuajtjeve e t\u00eb padrejt\u00ebsive q\u00eb ndodhin mbi tok\u00eb:<\/p>\n

\u201cSa p\u00ebrleshje, moj n\u00eb tok\u00eb ti ke par\u00eb?<\/p>\n

Sa trazime, sa mjerime, sa llahtar\u00eb\u2026 \u201d<\/p>\n

Dhe fill pas tablos\u00eb s\u00eb mjerimeve mbi tok\u00eb, ai gjen rast t\u00eb p\u00ebrmend\u00eb me respekt Rusoin dhe Volterin, k\u00ebta filozof\u00eb t\u00eb iluminizmit europian.<\/p>\n

Poeti pik\u00ebllohet p\u00ebr vuajtjet e jetimit, i cili \u201cdridhet si plepi n\u00eb mes t\u00eb er\u00ebs\u201d, i qan hallin dhe merr an\u00ebn e tij (\u201cJetimi\u201d). Ai i k\u00ebndon pranver\u00ebs, si stin\u00ebs s\u00eb varfanjak\u00ebve (\u201cPranvera\u201d). Por n\u00eb k\u00ebto lloj vjershash ndihet m\u00eb shum\u00eb d\u00ebshira, keqardhja e poetit q\u00eb nuk i kap\u00ebrcen kufijt\u00eb e konstatimit t\u00eb dhimbsh\u00ebm dhe t\u00eb humanizmit fetar.<\/p>\n

Naimin, si \u00e7do poet, e ka t\u00ebrhequr bukuria e peizazhit. Ai na e p\u00ebrshkruan peizazhin n\u00eb form\u00eb t\u00eb p\u00ebrgjithshme, Pa ngjyra konkrete, na e jep at\u00eb n\u00eb dim\u00ebr e n\u00eb pranver\u00eb, nat\u00ebn dhe dit\u00ebn. (\u201cDimri\u201d, \u00a0\u201cBilbili\u201d, \u201cPranvera\u201d, \u201cAn\u00ebs lumit\u201d etj.); Poezia e peizazhit t\u00eb Naimit \u00ebsht\u00eb m\u00eb shum\u00eb meditative se sa p\u00ebrshkruese, ai p\u00ebrmes natyr\u00ebs gjen shkas t\u00eb na zbuloj\u00eb mendimet dhe shqet\u00ebsimet e veta.<\/p>\n

\u201c\u00c7\u2019m\u00eb fsheh zemra e d\u00ebgjoj n\u00eb t\u00ebnden val\u00eb<\/p>\n

T\u00eb shoh ty dhe nyjen time zgjidh ngadal\u00eb!\u201d<\/p>\n

K\u00ebshtu i drejtohet detit Naimi m\u00eb shpirt t\u00eb trazuar, n\u00eb vjersh\u00ebn \u201cN\u00eb breg t\u00eb detit\u201d. Ai i k\u00ebndon me ndjenj\u00eb t\u00eb holl\u00eb bukurive t\u00eb lumit, e b\u00ebn p\u00ebr vete l\u00ebvizja e p\u00ebrhershme e tij dhe thot\u00eb:<\/p>\n

Her\u00eb shkon duke dredhur, her\u00eb drejt\u00eb,<\/p>\n

her\u00eb shkon duke \u00e7aluar, her\u00eb shpejt\u00eb,<\/p>\n

her\u00eb rrjedh me kaq naze tat\u00ebpjet\u00eb<\/p>\n

her\u00eb hovsh\u00ebm si t\u00eb ishte nj\u00eb shigjet\u00eb,<\/p>\n

her\u00eb shkon p\u00ebrmes lugaj\u00ebs q\u00eb bleron,<\/p>\n

her\u00eb n\u00ebn t\u00eb drunjtat deg\u00eb gjarp\u00ebron,<\/p>\n

her\u00eb shkon me vrull si kali q\u00eb s\u2019ka fre,<\/p>\n

me rr\u00ebmbim, i shkum\u00ebzuar si vare,<\/p>\n

her\u00eb vjen me k\u00ebng\u00eb, her\u00eb vjen me valle,<\/p>\n

her\u00eb shpejt si zog dhe her\u00eb me ngadal\u00eb.<\/p>\n

Duke i k\u00ebnduar jet\u00ebs mbi tok\u00eb, si jet\u00ebs s\u00eb v\u00ebrtet\u00eb t\u00eb njeriut n\u00eb vjersh\u00ebn \u201cToka dhe njeriu\u201d Naimi, dashur padashur, i kund\u00ebrvihet konceptit sundues t\u00eb koh\u00ebs, sipas t\u00eb cilit jeta e njeriut mbi dhe \u00ebsht\u00eb nj\u00eb gj\u00eb kalimtare dhe se jeta e v\u00ebrtet\u00eb e tij fillon n\u00eb bot\u00ebn e p\u00ebrtejme. P\u00ebr poetin Toka \u00ebsht\u00eb nj\u00eb trup qiellor, nj\u00eb yllth, si gjith\u00eb trupat e tjer\u00eb \u201cbijt\u00eb eterit\u201d, q\u00eb ka si n\u00ebn\u00eb \u201cdiellin zjarrp\u00ebrhap\u00ebs\u201d. Nga drita e diellit lindi jeta mbi tok\u00eb, dol\u00ebn frymor\u00ebt e par\u00eb, prej t\u00eb cil\u00ebve \u201cu shfaq dhe ky njeriu i mbar\u00eb\u201d.<\/p>\n

Naimi, n\u00eb kund\u00ebrshtim me asketizmin fetar, b\u00ebn thirrje: Pran\u00eb tok\u00ebs rri, g\u00ebzohu, o njeri!<\/p>\n

Edhe pse njer\u00ebzit mbi tok\u00eb vdesin e shkojn\u00eb, prap\u00eb na thot\u00eb poeti: \u201cP\u00ebr njerin\u00eb vdekje kurr\u00eb s\u2019do ket\u00eb\u201d<\/p>\n

P\u00ebr Naimin toka \u00ebsht\u00eb e dashur, po \u201cm\u00eb i dashur sa m\u00eb s\u2019ka\u201d \u00ebsht\u00eb atdheu:<\/p>\n

\u201cM\u00eb je m\u00ebm\u00eb, m\u00eb je mot\u00ebr m\u00eb je vlla.<\/em><\/p>\n

Nga \u00e7ka rrotull m\u00eb i shtrenjti ti m\u00eb je!<\/em><\/p>\n

Je m\u00eb i miri nga \u00e7do gj\u00eb q\u00eb ka ky dhe!<\/em><\/p>\n

(\u201cAtdheu\u201d )<\/em><\/p>\n

N\u00eb k\u00ebt\u00eb vjersh\u00eb gjejm\u00eb vargun: \u201cHi u b\u00ebfshin gjithmon\u00eb armiqt\u00eb e tij!<\/em><\/p>\n

Poeti nuk na e thot\u00eb se p\u00ebr cil\u00ebt armiq t\u00eb atdheut e ka fjal\u00ebn p\u00ebr armiqt\u00eb n\u00eb p\u00ebrgjith\u00ebsi apo p\u00ebr ata, kund\u00ebr t\u00eb cil\u00ebve ka filluar t\u00eb angazhohet n\u00eb luft\u00eb bashk\u00eb me t\u00eb v\u00ebllez\u00ebrit. Sidoqoft\u00eb, kjo \u00ebsht\u00eb k\u00ebnga e par\u00eb, me sa dim\u00eb, q\u00eb i k\u00ebndon atdheut poeti yn\u00eb, nj\u00eb k\u00ebng\u00eb pak e p\u00ebrgjithshme, konvencionale, sepse akoma nuk e ka at\u00eb vizion konkret t\u00eb atdheut, q\u00eb do t\u00eb p\u00ebrvijohet m\u00eb von\u00eb aq bukur n\u00eb poezin\u00eb e tij patriotike.<\/p>\n

Motivi erotik prek n\u00eb \u201c\u00cbnd\u00ebrrimet\u201d vet\u00ebm dy vjersha: \u201cDashurija\u201d dhe \u201cVasha nazemadhe me t\u00eb ecur t\u00eb k\u00ebndsh\u00ebm\u201d. \u00a0N\u00eb rast se n\u00eb t\u00eb par\u00ebn i k\u00ebndon ndjenj\u00ebs s\u00eb zjarrt\u00eb t\u00eb dashuris\u00eb, duke e pleksur me pik\u00ebpamjet panteiste, n\u00eb t\u00eb dyt\u00ebn, kemi nj\u00eb vjersh\u00eb t\u00eb frym\u00ebzuar drejtp\u00ebrdrejt nga jeta, me vargje optimiste, q\u00eb rr\u00ebfejn\u00eb p\u00ebr g\u00ebzimin e jet\u00ebs mbi tok\u00eb. Poeti na vizaton portretin delikat t\u00eb vajz\u00ebs nazike, duke i q\u00ebndruar besnik konceptit dhe mjeteve figurative, karakteristike p\u00ebr poezin\u00eb orientale t\u00eb koh\u00ebs. Ai i k\u00ebndon me frym\u00ebzim tipareve fizike t\u00eb vajz\u00ebs, q\u00eb p\u00ebrb\u00ebjn\u00eb bukurin\u00eb dhe nurin e saj dhe shpreh n\u00eb fund keqardhjen qw kjo bukuri nuk \u00ebsht\u00eb e p\u00ebrjetshme.<\/p>\n

\u201cS\u2019jan\u00eb sy, por dy yje ata dy,<\/em><\/p>\n

\u00ebsht\u00eb h\u00ebn\u00eb, s\u2019\u00ebsht\u00eb ball\u00eb ai mbi ty<\/em><\/p>\n

ajo goj\u00ebz, ato faqet sy e flok\u00eb<\/em><\/p>\n

drit\u00eb qiejsh jan\u00eb r\u00ebn\u00eb te kjo tok\u00eb<\/em>\u201c.<\/p>\n

Jet\u00ebn e poetit, ve\u00e7 t\u00eb tjerash e trondit\u00ebn dhe disa fatkeq\u00ebsi familjare, t\u00eb cilat nuk kaluan pa l\u00ebn\u00eb jehon\u00eb dhe n\u00eb poezin\u00eb\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 e tij. N\u00eb \u201c\u00cbnd\u00ebrrimet\u201d gjejm\u00eb disa vjersha t\u00eb shkruara n\u00eb\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 vdekje t\u00eb v\u00ebllez\u00ebrve, t\u00eb motrave e t\u00eb bijave t\u00eb tij. Ato jan\u00eb t\u00eb vetmet krijime me adres\u00eb t\u00eb caktuar n\u00eb jet\u00ebn e poetit ton\u00eb n\u00eb k\u00ebt\u00eb faz\u00eb. N\u00eb vjershat \u201cMbi varret e motrave dhe v\u00ebllez\u00ebrve\u201d dhe \u201cMbi varrin e sime motre\u201d duke marr\u00eb shtytje nga fatkeq\u00ebsia, Naimi, me ton elegjiak shpreh dhimbjen e thell\u00eb dhe jep mendime mbi jet\u00ebn dhe vdekjen, q\u00eb arrijn\u00eb deri n\u00eb shfaqje t\u00eb hapura mistiko-fetare.<\/p>\n

Nj\u00eb pik\u00ebllim t\u00eb fort\u00eb ka zgjuar te Naimi vdekja e s\u00eb bij\u00ebs, t\u00eb cil\u00ebn ai e shpreh theksh\u00ebm, me vargje t\u00eb vetvetishme e plot sinqeritet, sa t\u00eb kujton vajtimin e popullit:<\/p>\n

\u201cMjeri un\u00eb, vaj moj bij\u00eb, mjeri un\u00eb!<\/p>\n

Moj e dashur, moj e \u00ebmb\u00ebla aq shum\u00eb!\u201d<\/p>\n

Zemra e babait \u00ebsht\u00eb shum\u00eb e tronditur dhe n\u00eb k\u00ebt\u00eb gjendje, ai shp\u00ebrthen n\u00eb mallkime t\u00eb fuqishme, duke mos i kursyer edhe kund\u00ebr qiellit:<\/p>\n

\u201cPa ty mbeta,\u00a0 pa ty mbeta, moj me lot\u00eb!<\/p>\n

U shkretofsh, o qiell, moj zuzarja bot\u00eb!\u201d<\/p>\n

(\u201cMbi trupin e bij\u00ebs sime t\u00eb vdekur\u201d).<\/p>\n

Po k\u00ebt\u00eb q\u00ebndrim t\u00eb poetit shohim dhe te vjersha \u201cNe vdekje t\u00eb v\u00ebllait\u201d kur p\u00ebrs\u00ebri i drejtohet qiellit me varg t\u00eb rrept\u00eb, plot zem\u00ebrat\u00eb:<\/p>\n

\u201cKu e ke, o qiell vall\u00eb drejt\u00ebsin\u00eb?<\/p>\n

Ku e ke m\u00ebshir\u00ebn, hirin, bujarin\u00eb?\u201d<\/p>\n

Me \u201c\u00cbnd\u00ebrrimet\u201d, Naimi b\u00ebri hapin e par\u00eb n\u00eb fush\u00ebn e poezis\u00eb, prandaj ishte e natyrshme q\u00eb kjo p\u00ebrmbledhje barti, nga nj\u00eb an\u00eb kufizimet e faz\u00ebs s\u00eb hershme t\u00eb jet\u00ebs s\u00eb poetit, po nga ana tjet\u00ebr tregoi qart\u00eb talentin e tij, pasqyroi p\u00ebrpjekjet p\u00ebr t\u2019u shk\u00ebputur nga tradita sunduese. K\u00ebt\u00eb shk\u00ebputje sikund\u00ebr dihet, ai do ta realizoj\u00eb m\u00eb von\u00eb me veprat e tij madhore, pik\u00ebrisht kur do t\u00eb b\u00ebhet kryek\u00ebng\u00ebtari i l\u00ebvizjes p\u00ebr \u00e7lirimin komb\u00ebtar.<\/p>\n

\u00a0AN\u00cbS LUMIT..<\/em><\/p>\n

\u00c7\u2019m\u00eb t\u00ebrheq, o lum\u00eb, m\u00ebrm\u00ebrimi yt,<\/em><\/p>\n

Lajkat, lodrat dhe e fshehta, vaji yt!<\/em><\/p>\n

Dhe pse zemr\u00ebn ma l\u00ebndon ti me k\u00ebto,<\/em><\/p>\n

Nga l\u00ebndimi e k\u00ebnditur1<\/sup>\u00a0\u00ebsht\u00eb kjo.<\/em><\/p>\n

N\u00ebp\u00ebr gur\u00ebt shkon si reshme,2<\/sup>\u00a0shkon me nxit,<\/em><\/p>\n

I shushatur, plot me lot\u00eb ligj\u00ebrit.<\/em><\/p>\n

Her\u00eb shkon duke dredhuar, her\u00eb drejt,<\/em><\/p>\n

Her\u00eb shkon duke \u00e7aluar, her\u00eb shpejt,<\/em><\/p>\n

Her\u00eb rrjedh me kaq\u00eb naze, tat\u00ebpjet\u00eb,<\/em><\/p>\n

Her\u00eb hovsh\u00ebm si t\u00eb ishe nj\u00eb shigjet\u00eb,<\/em><\/p>\n

Her\u00eb shkon p\u00ebrmes lugin\u00ebs q\u00eb bleron,<\/em><\/p>\n

Her\u00eb n\u00ebn t\u00eb drunjve deg\u00eb gjarp\u00ebron,<\/em><\/p>\n

Her\u00eb shkon me vrull si kali q\u00eb s\u2019ka fre,<\/em><\/p>\n

Me rr\u00ebmbim, i shkum\u00ebzuar, si vore,<\/em><\/p>\n

Her\u00eb vjen me k\u00ebng\u00eb, her\u00eb vjen me valle,<\/em><\/p>\n

Her\u00eb shpejt si zog dhe her\u2019 dalengadale.<\/em><\/p>\n

Q\u00eb kur ike nga i dashur zem\u00ebrdlirti,<\/em><\/p>\n

P\u00ebr at\u00eb q\u00eb aq\u00eb fort ta donte shpirti,<\/em><\/p>\n

Ti nxiton pa k\u00ebmb\u2019 e kok\u00eb\u2026 si kusari,<\/em><\/p>\n

Her \u2019i qeshur, her\u2019 i shkrir\u00eb krejt s\u00eb qari.<\/em><\/p>\n

Zjarr\u2019 i diellit ty t\u00eb ndau nga ai,<\/em><\/p>\n

Re e krism\u00eb u b\u00eb ahu yt i zi.<\/em><\/p>\n

Dhe nga ahu i ndarjes sate, o qyqar,<\/em><\/p>\n

Dhe nga lot\u00ebt q\u00eb t\u00eb rrjedhin kalivar,<\/em><\/p>\n

Re t\u00eb zeza e mbulojn\u00eb gjith\u00eb qiellin<\/em><\/p>\n

Dhe e z\u00ebn\u00eb, dhe e fshehin fare diellin.<\/em><\/p>\n

Anemban\u00eb ngryset, nxihet hap\u00ebsira<\/em><\/p>\n

Posi zemrat plot m\u00ebkate t\u00eb p\u00ebshtira.<\/em><\/p>\n

Dhe papritur n\u00ebp\u00ebr qiellin si sk\u00ebterr\u00eb<\/em><\/p>\n

Vet\u00ebtima shkreptijn\u00eb me poter\u00eb.<\/em><\/p>\n

Flak\u00eb ndizet tani qielli anemban\u00eb,<\/em><\/p>\n

Dridhet bota nga llahtara q\u00eb ka pran\u00eb.<\/em><\/p>\n

Nuk shikon ve\u00e7 re t\u00eb zeza, shi, rr\u00ebmuj\u00eb,<\/em><\/p>\n

\u00a0Nuk shikon ve\u00e7 shkreptima, tym e uj\u00eb.<\/em><\/p>\n

Dhe k\u00ebshtu me k\u00ebto lodra, me stuhi,<\/em><\/p>\n

Ti n\u00eb tok\u2019, o nazemadh, vjen p\u00ebrs\u00ebri,<\/em><\/p>\n

Q\u00eb ajo t\u00eb \u00e7elet shpejt nga hiri yt,<\/em><\/p>\n

Me gaz t\u00eb vishet\u00eb nga takimi yt.<\/em><\/p>\n

Digjen lulet q\u00eb t\u00eb shohin vet\u00ebm ty,<\/em><\/p>\n

Dor\u00ebn t\u00ebnde shoh kudo me k\u00ebta sy.<\/em><\/p>\n

Tok\u2019 e \u00e7elur nga ti \u00e7elet e merr jet\u00eb,<\/em><\/p>\n

B\u00ebhet kopsht edhe lulishte e v\u00ebrtet\u00eb.<\/em><\/p>\n

Er\u2019 e ngjyr\u00eb sjell nga qielli ti k\u00ebtu,<\/em><\/p>\n

Si parajs\u00eb e b\u00ebn dheun ti k\u00ebshtu.<\/em><\/p>\n

Her\u00eb b\u00ebhesh bor\u00eb, her\u00eb shi e re,<\/em><\/p>\n

Her\u00eb b\u00ebhesh uj\u00eb, avull e rrufe,<\/em><\/p>\n

Her\u00eb shkon nga qielli, her\u00eb posht\u00eb zbret,<\/em><\/p>\n

B\u00ebhesh lum\u00eb dhe me kaq v\u00ebrtik rr\u00ebshqet.<\/em><\/p>\n

\u00a0Si ke ngjallur e pastruar dhen\u2019 e thar\u00eb<\/em><\/p>\n

\u00a0Dhe mbasi kaq male e fush\u00ebza ke \u00e7ar\u00eb,<\/em><\/p>\n

Pran\u00eb mikut shkon tani ti i g\u00ebzuar,<\/em><\/p>\n

Pa u ndalur, me nxitim, duke k\u00ebnduar.<\/em><\/p>\n

Gjersa t\u00eb mos kesh takuar mikn\u2019 e ndjer\u00eb,<\/em><\/p>\n

\u00a0N\u00eb r\u00ebnkim do jesh e vaj ti kurdoher\u00eb.<\/em><\/p>\n

\u00a0<\/em><\/p>\n

1). i k\u00ebnditur \u2014 i ngopur.<\/em><\/p>\n

2). reshme \u2013 ortek bore.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Prof. Nasho Jorgaqi \u201c\u00cbnd\u00ebrrimet\u201d (\u201cTejahylat\u201d) u shkrua nga poeti yn\u00eb n\u00eb persisht dhe u botua n\u00eb Stamboll m\u00eb 1884, kur ai ishte n\u00eb mosh\u00ebn 38 vje\u00e7are. Persishten Naimi e pat m\u00ebsuar shpejt. Q\u00eb fare i ri u njoh e u lidh shpirt\u00ebrisht me poezin\u00eb klasike persiane. Dihet se Saadiu dhe Hafizi ishin poet\u00ebt e tij […]<\/p>\n","protected":false},"author":1,"featured_media":984,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"footnotes":""},"categories":[10,11,14],"tags":[],"yoast_head":"\n\u201c\u00cbnd\u00ebrrimet\u201d \u2013 p\u00ebrmbledhja e par\u00eb poetike e Naimit - Informohu qart\u00ebsisht!<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/redaktori.com\/?p=983\" \/>\n<meta property=\"og:locale\" content=\"sq_AL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201c\u00cbnd\u00ebrrimet\u201d \u2013 p\u00ebrmbledhja e par\u00eb poetike e Naimit - Informohu qart\u00ebsisht!\" \/>\n<meta property=\"og:description\" content=\"Prof. Nasho Jorgaqi \u201c\u00cbnd\u00ebrrimet\u201d (\u201cTejahylat\u201d) u shkrua nga poeti yn\u00eb n\u00eb persisht dhe u botua n\u00eb Stamboll m\u00eb 1884, kur ai ishte n\u00eb mosh\u00ebn 38 vje\u00e7are. Persishten Naimi e pat m\u00ebsuar shpejt. Q\u00eb fare i ri u njoh e u lidh shpirt\u00ebrisht me poezin\u00eb klasike persiane. Dihet se Saadiu dhe Hafizi ishin poet\u00ebt e tij […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/redaktori.com\/?p=983\" \/>\n<meta property=\"og:site_name\" content=\"Informohu qart\u00ebsisht!\" \/>\n<meta property=\"article:published_time\" content=\"2019-02-10T17:18:42+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/redaktori.com\/wp-content\/uploads\/2019\/02\/naim-frasheri.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"896\" \/>\n\t<meta property=\"og:image:height\" content=\"482\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"http:\/\/redaktori.com\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"http:\/\/redaktori.com\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"13 minuta\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/redaktori.com\/?p=983\",\"url\":\"https:\/\/redaktori.com\/?p=983\",\"name\":\"\u201c\u00cbnd\u00ebrrimet\u201d \u2013 p\u00ebrmbledhja e par\u00eb poetike e Naimit - Informohu qart\u00ebsisht!\",\"isPartOf\":{\"@id\":\"https:\/\/redaktori.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/redaktori.com\/?p=983#primaryimage\"},\"image\":{\"@id\":\"https:\/\/redaktori.com\/?p=983#primaryimage\"},\"thumbnailUrl\":\"https:\/\/redaktori.com\/wp-content\/uploads\/2019\/02\/naim-frasheri.jpg\",\"datePublished\":\"2019-02-10T17:18:42+00:00\",\"dateModified\":\"2019-02-10T17:18:42+00:00\",\"author\":{\"@id\":\"https:\/\/redaktori.com\/#\/schema\/person\/470e9b98b348cb5da953e2daff276aa2\"},\"breadcrumb\":{\"@id\":\"https:\/\/redaktori.com\/?p=983#breadcrumb\"},\"inLanguage\":\"sq\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/redaktori.com\/?p=983\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"sq\",\"@id\":\"https:\/\/redaktori.com\/?p=983#primaryimage\",\"url\":\"https:\/\/redaktori.com\/wp-content\/uploads\/2019\/02\/naim-frasheri.jpg\",\"contentUrl\":\"https:\/\/redaktori.com\/wp-content\/uploads\/2019\/02\/naim-frasheri.jpg\",\"width\":896,\"height\":482},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/redaktori.com\/?p=983#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/redaktori.com\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"\u201c\u00cbnd\u00ebrrimet\u201d \u2013 p\u00ebrmbledhja e par\u00eb poetike e Naimit\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/redaktori.com\/#website\",\"url\":\"https:\/\/redaktori.com\/\",\"name\":\"http:\/\/redaktori.com - Informohu qart\u00ebsisht!\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/redaktori.com\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"sq\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/redaktori.com\/#\/schema\/person\/470e9b98b348cb5da953e2daff276aa2\",\"name\":\"http:\/\/redaktori.com\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"sq\",\"@id\":\"https:\/\/redaktori.com\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/5555287f41529e19277415e6cb9cfb4c?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/5555287f41529e19277415e6cb9cfb4c?s=96&d=mm&r=g\",\"caption\":\"http:\/\/redaktori.com\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"\u201c\u00cbnd\u00ebrrimet\u201d \u2013 p\u00ebrmbledhja e par\u00eb poetike e Naimit - Informohu qart\u00ebsisht!","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/redaktori.com\/?p=983","og_locale":"sq_AL","og_type":"article","og_title":"\u201c\u00cbnd\u00ebrrimet\u201d \u2013 p\u00ebrmbledhja e par\u00eb poetike e Naimit - Informohu qart\u00ebsisht!","og_description":"Prof. Nasho Jorgaqi \u201c\u00cbnd\u00ebrrimet\u201d (\u201cTejahylat\u201d) u shkrua nga poeti yn\u00eb n\u00eb persisht dhe u botua n\u00eb Stamboll m\u00eb 1884, kur ai ishte n\u00eb mosh\u00ebn 38 vje\u00e7are. 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