{"id":22225,"date":"2020-05-26T14:29:34","date_gmt":"2020-05-26T12:29:34","guid":{"rendered":"http:\/\/redaktori.com\/?p=22225"},"modified":"2020-05-26T14:29:34","modified_gmt":"2020-05-26T12:29:34","slug":"nga-arbria-e-motit-te-madh-ne-shqiperine-e-moteve-te-reja-vizioni-per-atdheun-ne-vargjet-e-arberesheve","status":"publish","type":"post","link":"https:\/\/redaktori.com\/?p=22225","title":{"rendered":"Nga Arbria e Motit t\u00eb Madh n\u00eb Shqip\u00ebrin\u00eb e moteve t\u00eb reja, vizioni p\u00ebr atdheun n\u00eb vargjet e Arb\u00ebresh\u00ebve"},"content":{"rendered":"

Figura t\u00eb kultur\u00ebs t\u00eb diaspor\u00ebs shqiptare<\/strong><\/p>\n

 <\/p>\n

Prof. Nasho Jorgaqi<\/strong><\/p>\n

N\u00eb afreskun e gjer\u00eb e t\u00eb larmish\u00ebm t\u00eb poezis\u00eb arb\u00ebreshe, imazhi i Shqip\u00ebris\u00eb ka z\u00ebn\u00eb gjithmon\u00eb nj\u00eb vend qendror. Ky \u00ebsht\u00eb vizioni i atdheut, t\u00eb cilin arb\u00ebresh\u00ebt e ikur e mor\u00ebn me vete n\u00eb dhe t\u00eb huaj dhe e ruajt\u00ebn, jo vet\u00ebm n\u00eb kujtes\u00ebn historike, po e pasqyruan dhe n\u00eb let\u00ebrsin\u00eb e tyre. Nga kjo pik\u00ebpamje, folklori u b\u00eb shprehja m\u00eb autentike e prejardhjes s\u00eb bashk\u00ebsis\u00eb arb\u00ebreshe.<\/p>\n

\"\"<\/p>\n

Prof. Nasho Jorgaqi<\/p>\n<\/div>\n

N\u00eb poezin\u00eb popullore arb\u00ebreshe, atdheu st\u00ebrgjyshor njihet me emrin Arb\u00ebri, ashtu si\u00e7 thirrej n\u00eb koh\u00ebn kur arb\u00ebresh\u00ebt mor\u00ebn rrug\u00ebt e m\u00ebrgimit. Arb\u00ebria mbeti p\u00ebr ta ngaher\u00eb vendi tek lind dielli, trojet e p\u00ebrjetshme t\u00eb t\u00eb par\u00ebve, atdheu i Sk\u00ebnderbeut, m\u00eb i bukur vis i dheut. Ky vizion poetik i Arb\u00ebris\u00eb, duke q\u00ebndruar n\u00eb kufijt\u00eb e historis\u00eb e t\u00eb legjend\u00ebs, do t\u00eb shtegtoj\u00eb n\u00ebp\u00ebr koh\u00eb. At\u00eb do t\u00eb p\u00ebrcjellin nga nj\u00eb brez n\u00eb tjetrin k\u00ebng\u00ebt e baladat, ritet dhe zakonet. K\u00ebshtu, folklori ndihmoi drejtp\u00ebrdrejt n\u00eb q\u00ebndres\u00ebn arb\u00ebreshe.<\/p>\n

Mbi tradit\u00ebn e lasht\u00eb popullore, q\u00eb kish n\u00eb themel imazhin e atdheut t\u00eb t\u00eb par\u00ebve, u ngrit let\u00ebrsia e kultivuar arb\u00ebreshe. N\u00eb spektrin e k\u00ebtij imazhi t\u00eb fuqish\u00ebm hodhi shtat pastaj poezia madhore e Rilindjes, e cila brendin\u00eb e saj e lidhi me historin\u00eb dhe kujtimet e lashta t\u00eb Arb\u00ebris\u00eb. N\u00eb Arb\u00ebri poet\u00ebt k\u00ebrkonin ngjarjet dhe konfliktet, nxor\u00ebn heronjt\u00eb e tyre. Por vizioni i saj, i krijuar nga De Rada, Santori e Serembe ishte kryesisht fryt i imagjinat\u00ebs dhe intuit\u00ebs artistike. Asnj\u00ebri prej tyre nuk mundi ta shoh\u00eb nga af\u00ebr atdheun e origjin\u00ebs. Prandaj, ata dhan\u00eb nj\u00eb Arb\u00ebri t\u00eb imagjinuar, duke ecur n\u00eb vazhd\u00ebn e tradit\u00ebs popullore. Dhan\u00eb Arb\u00ebrin\u00eb e Motit t\u00eb Madh, figur\u00ebn zot\u00ebruese t\u00eb Sk\u00ebnderbeut, atmosfer\u00ebn e shoq\u00ebris\u00eb feudale t\u00eb koh\u00ebs. Dhe t\u00eb gjitha k\u00ebto, n\u00ebp\u00ebrmjet nj\u00eb vizioni t\u00eb p\u00ebrgjithsh\u00ebm, me ngjyrime idilike e idealizuese, me tipare konvencionale. K\u00ebt\u00eb koncept pasqyrimi e p\u00ebrcaktonte dhe vet\u00eb metoda e romantizmit, me t\u00eb cil\u00ebn krijuan poet\u00ebt arb\u00ebresh\u00eb t\u00eb Rilindjes. K\u00ebshtu Arb\u00ebria u ngushtua e u identifikua kryesisht me epok\u00ebn e Motit t\u00eb Madh.<\/p>\n

Mir\u00ebpo, me koh\u00eb, u ndie nevoja e kap\u00ebrcimit t\u00eb k\u00ebtyre kufijve t\u00eb ngusht\u00eb, n\u00eb m\u00ebnyr\u00eb q\u00eb let\u00ebrsia ta jepte n\u00eb m\u00ebnyr\u00eb m\u00eb reale imazhin e atdheut. Afrimi n\u00eb koh\u00eb ishte dhe afrim n\u00eb hap\u00ebsir\u00eb. Jehona e luft\u00ebs \u00e7lirimtare n\u00eb Shqip\u00ebri shtronte para poet\u00ebve arb\u00ebresh\u00eb q\u00eb, pa harruar historin\u00eb, ta drejtonin v\u00ebmendjen nga aktualiteti bashk\u00ebkohor.<\/p>\n

\"\"<\/p>\n

Zef Serembe<\/p>\n<\/div>\n

Zef Serembe \u00ebsht\u00eb i pari q\u00eb e b\u00ebri k\u00ebt\u00eb. E la Arbrin\u00eb e Motit t\u00eb Madh dhe iu kthye Shqip\u00ebris\u00eb s\u00eb moteve t\u00eb reja. Konceptimi romantik ia la vendin nj\u00eb p\u00ebrfytyrimi poetik m\u00eb af\u00ebr s\u00eb v\u00ebrtet\u00ebs. Megjith\u00ebse mungon imazhi real dhe njohja e drejtp\u00ebrdrejt e atdheut, prap\u00eb ndihet koha, shqet\u00ebsimet e dit\u00ebs. Poeti e afron Shqip\u00ebrin\u00eb sa asnj\u00ebher\u00eb, e sjell prapa detit, p\u00ebr t\u2019u rikujtuar bashkatdhetar\u00ebve t\u00eb tij se ajo, jo vet\u00ebm nuk \u00ebsht\u00eb zhdukur, por q\u00ebndron e lufton si ngaher\u00eb.<\/p>\n

N\u00eb k\u00ebt\u00eb rrug\u00eb t\u00eb re u p\u00ebrpoq t\u00eb ec\u00eb m\u00eb pas poezia e fundit e shekullit dhe ajo n\u00eb mes dy luft\u00ebrave. Kryengritjet e fuqishme n\u00eb Shqip\u00ebri, shpallja e Pavar\u00ebsis\u00eb, rreziqet e vazhdueshme q\u00eb i kanoseshin vendit e b\u00ebn\u00eb m\u00eb konkret e m\u00eb t\u00eb af\u00ebrt p\u00ebr arb\u00ebresh\u00ebt atdheun e origjin\u00ebs. Kjo ndikoi dhe u pasqyrua dhe n\u00eb poezin\u00eb e tyre, si te A.Ribeko, K.Serembe, F.Krispi, Gllaviano, T.Guidera, S.Braile, Kadikamo, O.Kapareli etj, e ve\u00e7an\u00ebrisht n\u00eb krijimtarin\u00eb e Zef Skiroit. N\u00eb disa vepra gjejn\u00eb jehon\u00eb ngjarje e figura t\u00eb dit\u00ebs, u ndie t\u00ebrthorazi gjendja e Shqip\u00ebris\u00eb. Por s\u2019mund t\u00eb themi se u arrit t\u00eb jepet fizionomia dhe relievi i atdheut st\u00ebrgjyshor.<\/p>\n

\"\"<\/p>\n

Zef Skiroi<\/p>\n<\/div>\n

Rrethanat e v\u00ebshtira t\u00eb koh\u00ebs, jo vet\u00ebm i mbajt\u00ebn larg arb\u00ebresh\u00ebt nga Shqip\u00ebria, por krijuan dhe situata t\u00eb nd\u00ebrlikuara. Politika antishqiptare e disa rretheve t\u00eb borgjezis\u00eb italiane, demagogjia dhe manovrat djall\u00ebzore t\u00eb fashizmit p\u00ebrftuan nj\u00eb klim\u00eb t\u00eb ftoht\u00eb, p\u00ebr t\u00eb mos th\u00ebn\u00eb mbyt\u00ebse dhe p\u00ebr let\u00ebrsin\u00eb arb\u00ebreshe. P\u00ebr dekada t\u00eb tjera ajo do t\u00eb bjer\u00eb n\u00eb fash\u00eb dhe sado q\u00eb bashk\u00ebsia arb\u00ebreshe do t\u00eb shqet\u00ebsohej p\u00ebr fatin e Shqip\u00ebris\u00eb, z\u00ebri i poet\u00ebve do t\u2019i humbiste tonet madhore. Por kjo ishte \u00e7\u00ebshtje kohe, sepse burimet e let\u00ebrsis\u00eb arb\u00ebreshe nuk do t\u00eb shteren e, p\u00ebr m\u00eb tep\u00ebr, imazhi i atdheut nuk do t\u00eb humbas\u00eb asnj\u00ebher\u00eb.<\/p>\n

E munduar dhe e ligur, let\u00ebrsia arb\u00ebreshe do t\u2019i afrohet gjysm\u00ebs s\u00eb dyt\u00eb t\u00eb shekullit t\u00eb nj\u00ebzet\u00eb me forca krijuese t\u00eb pakta dhe pa ndonj\u00eb l\u00ebvizje t\u00eb v\u00ebrtet\u00eb letrare. Vendin e saj do ta zinte rishtazi folklori, si ngaher\u00eb do t\u00eb vazhdonin t\u00eb k\u00ebndonin bard\u00ebt e katundeve. Muza e poet\u00ebve, e goditur r\u00ebnd\u00eb nga fashizmi dhe lufta imperialiste, nuk do t\u00eb ndihej p\u00ebr vite me radh\u00eb. Bashk\u00ebsis\u00eb arb\u00ebreshe i duhej t\u00eb p\u00ebrballonte, ve\u00e7 t\u00eb tjerash probleme jetike n\u00eb viset e prapambetura t\u00eb Italis\u00eb s\u00eb Jugut e t\u00eb Si\u00e7ilis\u00eb.<\/p>\n

Objektivisht kish nisur nj\u00eb periudh\u00eb e re n\u00eb rrethanat e pasluft\u00ebs. Por let\u00ebrsis\u00eb arb\u00ebreshe iu desh\u00ebn afro tri dekada q\u00eb t\u00eb mblidhte forcat, t\u00eb dilte n\u00eb jet\u00ebn shoq\u00ebrore dhe t\u00eb luante rolin q\u00eb i takonte. Shprehja e saj kryesore do t\u00eb ishte p\u00ebrs\u00ebri poezia, nj\u00eb poezi me identitet t\u00eb qart\u00eb e t\u00eb p\u00ebrcaktuar, baz\u00eb e s\u00eb cil\u00ebs do t\u00eb mbetej imazhi i Shqip\u00ebris\u00eb, atdheu i lasht\u00eb, kjo duket q\u00eb n\u00eb p\u00ebrmbledhjen e par\u00eb poetike t\u00eb let\u00ebrsis\u00eb arb\u00ebreshe t\u00eb pasluft\u00ebs, n\u00eb \u201cBurbuqet e egra\u201d (1946) t\u00eb Dushko Vetmosa. Ajo hapej me vjersh\u00ebn \u201cAtdheu\u201d, ku p\u00ebrmes nj\u00eb apostrofi t\u00eb fuqish\u00ebm, drejtuar Shqip\u00ebris\u00eb dhe me tone solemne shp\u00ebrtheu idea se nga ekzistenca e saj merr kuptim jeta dhe lind q\u00ebllimi i madh p\u00ebr \u00e7do arb\u00ebresh.<\/p>\n

Fjal\u00ebt e poetit ting\u00ebllojn\u00eb si nj\u00eb betim kur thot\u00eb:<\/p>\n

\u201cP\u00ebr ty na, o m\u00ebm\u00eb, jet\u00ebn po dhurojm\u00eb,<\/em><\/p>\n

P\u00ebr ty te lufta nder, lule, madh\u00ebri,<\/em><\/p>\n

k\u00ebrkojm\u00eb, o m\u00ebm\u00eb e dashur Shqip\u00ebri,<\/em><\/p>\n

E prap\u00eb p\u00ebr ty \u00e7do dit\u00eb na rrojm\u00eb.\u201d<\/em><\/p>\n

Evokimi i atdheut t\u00eb lasht\u00eb kthehet n\u00eb nj\u00eb kredo, jo vet\u00ebm p\u00ebr krijimtarin\u00eb e poetit, por p\u00ebr mbar\u00eb poezin\u00eb arb\u00ebreshe q\u00eb nis rishtaz jet\u00ebn e saj n\u00eb rrethana t\u00eb reja historike e shoq\u00ebrore. K\u00ebt\u00eb vazhd\u00eb do t\u00eb ndjek\u00eb krijimtaria m\u00eb e mir\u00eb e poet\u00ebve arb\u00ebresh\u00eb q\u00eb vijn\u00eb m\u00eb pas. Imazhi i Shqip\u00ebris\u00eb do t\u00eb mbetet gjithnj\u00eb i pranish\u00ebm.<\/p>\n

Te poet\u00ebt e brezit t\u00eb par\u00eb t\u00eb pasluft\u00ebs, si Dushko Vetmo, Lluka Perone etj, ky imazh do t\u00eb p\u00ebrt\u00ebrihet me frym\u00ebn dhe tradit\u00ebn e poezis\u00eb s\u00eb Rilindjes, po nj\u00ebkoh\u00ebsisht, do t\u00eb gjall\u00ebrohet, kthjellohet nga k\u00ebndv\u00ebshtrime t\u00eb reja. P\u00ebrs\u00ebri \u00ebsht\u00eb ndjenja e fuqishme e atdhedashuris\u00eb, q\u00eb p\u00ebrfton vizionin Shqip\u00ebris\u00eb, \u00ebsht\u00eb malli i fort\u00eb dhe d\u00ebshira e zjarrt\u00eb p\u00ebr t\u00eb k\u00ebrkuar rr\u00ebnj\u00ebt, krenaria e prejardhjes dhe emocionet e gjuh\u00ebs amtare, t\u00eb cilat do t\u00eb b\u00ebjn\u00eb t\u00eb ndihet n\u00eb poezin\u00eb arb\u00ebreshe figura atdheut t\u00eb lasht\u00eb. Nj\u00eb figur\u00eb kjo kryesisht simbolike, ku mungon p\u00ebrvijimi konkret dhe vendin e tij e z\u00ebn\u00eb dhe t\u00eb sotme. Tipike p\u00ebr k\u00ebt\u00eb \u00ebsht\u00eb poezia e Lluka Perones. Ai p\u00ebrfaq\u00ebson ata poet\u00eb arb\u00ebresh\u00eb q\u00eb shkruan p\u00ebr Shqip\u00ebrin\u00eb pa e njohur at\u00eb drejtp\u00ebrdrejt. P\u00ebrfytyrimin e saj, ata e nxorr\u00ebn nga kujtesa legjendare e popullit, nga vizionet tradicionale arb\u00ebreshe. Ajo p\u00ebrfytyrohet si nj\u00eb m\u00ebm\u00eb e lasht\u00eb, q\u00eb s\u2019i ka harruar asnj\u00ebher\u00eb bijt\u00eb e m\u00ebrguar dhe, k\u00ebt\u00eb t\u00eb fundit, megjith\u00ebse nuk e kan\u00eb par\u00eb, ndjejn\u00eb thell\u00eb dhe e mbajn\u00eb p\u00ebrher\u00eb n\u00eb zem\u00ebr. K\u00ebto gjendje shpirt\u00ebrore rreh t\u00eb na jap\u00eb n\u00eb poezin\u00eb e tij Perone. Arb\u00ebria n\u00eb p\u00ebrfytyrimin e frym\u00ebzuar t\u00eb poetit merr variacione nga m\u00eb t\u00eb bukurat; her\u00eb paraqitet si nj\u00eb dru i lasht\u00eb q\u00eb kurr\u00eb s\u2019u tha e mbetet p\u00ebrher\u00eb i blert\u00eb, her\u00eb si nj\u00eb vend me diell, me vasha e trima, me lule e zogj, si toka ku rri i gjall\u00eb kujtimi i pamort i Sk\u00ebnderbeut. Malli i poetit \u00ebsht\u00eb aq i fort\u00eb sa, kur i mb\u00ebrthen syt\u00eb nga deti, i krijohen mirazhe poetike;<\/p>\n

\u201cnj\u00eb burbuqe e kalt\u00ebr u \u00e7el<\/em><\/p>\n

n\u00eb horizontin ka Arb\u00ebria\u201d<\/em><\/p>\n

(\u201cMoj m\u00ebma Arb\u00ebri\u201d)<\/p>\n

Megjith\u00ebse, n\u00eb p\u00ebrgjith\u00ebsi, te Perone atdheu i t\u00eb par\u00ebve vijon t\u00eb jepet n\u00eb nj\u00eb tis idilik, me nota malli e me thekse trishtimi, gjithnj\u00eb n\u00eb larg\u00ebsi, prap\u00eb, n\u00eb vjershat m\u00eb t\u00eb mira, ndihet se Shqip\u00ebria e sotme ndryshon nga ajo e djeshmja dhe hedh drit\u00eb e optimiz\u00ebm n\u00eb poezin\u00eb e tij.<\/p>\n

Imazhi i Shqip\u00ebris\u00eb n\u00eb poezit\u00eb arb\u00ebreshe do t\u00eb vij\u00eb duke evoluar e ndryshuar. N\u00eb qoft\u00eb se atdheu st\u00ebrgjyshor, p\u00ebr breza t\u00eb t\u00ebr\u00eb poet\u00ebsh mbeti nj\u00eb d\u00ebshir\u00eb e paplot\u00ebsuar dhe u pasqyrua n\u00eb krijimtarin\u00eb e tyre me forc\u00ebn e imagjinat\u00ebs e t\u00eb fantazis\u00eb, n\u00eb k\u00ebto dy dekadat e fundit gjendja ndryshoi. Takimet e poet\u00ebve arb\u00ebresh\u00eb me Shqip\u00ebrin\u00eb realizuan njohjen konkrete, njohjen racionale dhe emocionale, dhe p\u00ebrftuan raporte t\u00eb reja krijuese. Shqip\u00ebria u kthye nga nj\u00eb \u00ebnd\u00ebrr n\u00eb nj\u00eb t\u00eb v\u00ebrtet\u00eb t\u00eb gjall\u00eb, nga nj\u00eb d\u00ebshir\u00eb n\u00eb nj\u00eb mund\u00ebsi t\u00eb pakufishme p\u00ebrjetimi e frym\u00ebzimi, nga nj\u00eb p\u00ebrfytyrim i p\u00ebrgjithsh\u00ebm n\u00eb nj\u00eb realitet social-historik. T\u00eb gjitha k\u00ebto s\u2019kish si t\u00eb mos sillnin nga disa pik\u00ebpamje nj\u00eb situat\u00eb t\u00eb re n\u00eb poezin\u00eb arb\u00ebreshe. Duke zgjuar frym\u00ebzimin disa prej poet\u00ebve t\u00eb saj m\u00eb t\u00eb talentuar, duke u v\u00ebn\u00eb emocionalisht p\u00ebrball\u00eb tok\u00ebs s\u00eb t\u00eb par\u00ebve dhe realitetit shqiptar, krijuan nj\u00eb varg veprash poetike kushtuar Shqip\u00ebris\u00eb. U shkruan vjersha e k\u00ebng\u00eb, cikle poetike deri dhe v\u00ebllime t\u00eb posa\u00e7me me k\u00ebt\u00eb tem\u00eb. Le t\u00eb p\u00ebrmendim Vorea Ujkon me librat \u201cK\u00ebng\u00eb arb\u00ebreshe\u201d e \u201cBurimi\u201d etj, Xhuzepe Skiro di Maxhion me \u201cP\u00ebrtej maleve, prapa kodr\u00ebs\u201d, Xhuzepe del Gaudion me \u201cZem\u00ebr arb\u00ebreshe\u201d, Xhuzepe di Modik\u00ebn me \u201cSegmenti\u201d dhe \u201cP\u00ebrshtypje\u201d, Karmen Kandrev\u00ebn me \u201cShpirti i arb\u00ebrit rron\u201d, Paskal Renden me \u201cShtegu\u201d apo krijime t\u00eb ve\u00e7anta t\u00eb poet\u00ebve si F.Altimari, A.Xhordano, K.Cukara, A.Belush, V.Belmonto, M.Ferraro etj. T\u00ebr\u00eb kjo krijimtari e pasur, do t\u00eb thoshim se p\u00ebrb\u00ebn nj\u00eb udh\u00ebtim kolektiv t\u00eb poezis\u00eb arb\u00ebreshe n\u00eb atdheun e origjin\u00ebs. Me k\u00ebt\u00eb ngjarje merr fund nj\u00eb nga dilemat e k\u00ebsaj let\u00ebrsie shekullore, q\u00eb ishte n\u00eb k\u00ebrkim t\u00eb rr\u00ebnj\u00ebve t\u00eb veta. Sepse, si\u00e7 thot\u00eb poeti Mario Beli\u00e7i:<\/p>\n

\u201cRr\u00ebnj\u00ebt e jet\u00ebs<\/em><\/p>\n

n\u00eb mos i gjej<\/em><\/p>\n

si do t\u00eb b\u00ebj<\/em><\/p>\n

q\u00eb un\u00eb rroj?<\/em><\/p>\n

Si mund t\u00eb rroj pa rr\u00ebnj\u00eb?\u201d<\/em><\/p>\n

(\u201cKristla\u201d)<\/p>\n

Poet\u00ebt arb\u00ebresh\u00eb q\u00eb shkel\u00ebn n\u00eb Shqip\u00ebri vijn\u00eb nga vatra t\u00eb ndryshme t\u00eb diaspor\u00ebs s\u00eb tyre, kan\u00eb formim e nivele t\u00eb ndryshme, si\u00e7 e kan\u00eb t\u00eb ndryshme shkall\u00ebn e njohjes e t\u00eb p\u00ebrvoj\u00ebs, por kan\u00eb nj\u00eb em\u00ebrues t\u00eb p\u00ebrbashk\u00ebt ideoemocional; dashurin\u00eb e sinqert\u00eb p\u00ebr Shqip\u00ebrin\u00eb, etjen e pashuar p\u00ebr ta njohur e g\u00ebzuar nga af\u00ebr, d\u00ebshir\u00ebn e zjarrt\u00eb p\u00ebr t\u2019u \u00e7mallur, k\u00ebrkes\u00ebn e brendshme p\u00ebr t\u2019i k\u00ebrkuar e p\u00ebr t\u00eb hyr\u00eb n\u00eb dialog me t\u00eb. Takimi i drejtp\u00ebrdrejt\u00eb me Shqip\u00ebrin\u00eb, b\u00ebn q\u00eb imazhi i saj t\u00eb mos jet\u00eb m\u00eb \u00e7\u00ebshtje p\u00ebrfytyrimi, qasje ndenj\u00ebsore, apostrofim i p\u00ebrgjithsh\u00ebm, po kontakt ballor e njohje e gjithanshme me vendin dhe njer\u00ebzit. Kjo ka sjell\u00eb q\u00eb atdheu t\u00eb rroket n\u00eb dimensione reale e t\u00eb jepet portreti i tij i gjall\u00eb. N\u00eb konceptin dhe imazhin e poet\u00ebve t\u00eb sot\u00ebm arb\u00ebresh\u00eb, Shqip\u00ebria p\u00ebrb\u00ebn nj\u00eb realitet konkret, t\u00eb shkrir\u00eb n\u00eb hap\u00ebsir\u00eb e n\u00eb koh\u00eb. Ajo \u00ebsht\u00eb tok\u00eb e rr\u00ebnj\u00ebve t\u00eb lashta dhe trualli i nj\u00eb historie t\u00eb lavdishme, vat\u00ebr por dhe si vend i lir\u00eb e i pavarur, simbol q\u00ebndrese. P\u00ebr poetin arb\u00ebresh nj\u00eb atdhe i till\u00eb s\u2019\u00ebsht\u00eb vet\u00ebm burim emocionesh e krenarie, po dhe kusht i domosdosh\u00ebm p\u00ebr ekzistenc\u00ebn burr\u00ebrore t\u00eb bashk\u00ebsis\u00eb s\u00eb tij etnike n\u00eb dhe t\u00eb huaj. Me k\u00ebt\u00eb platform\u00eb patriotike, poezia arb\u00ebreshe nga nj\u00eb an\u00eb e ka konkretizuar e zgjeruar vizionin e saj mbi Shqip\u00ebrin\u00eb, duke vendosur koordinata t\u00eb reja n\u00eb mes vetes dhe realitetit t\u00eb atdheut e, nga ana tjet\u00ebr, ka pasuruar tematik\u00ebn dhe gam\u00ebn e mendimeve t\u00eb veta, ka sjell\u00eb emocione t\u00eb fuqishme dhe k\u00ebndv\u00ebshtrime t\u00eb reja. Kjo ka b\u00ebr\u00eb q\u00eb ajo t\u2019i shmanget shablloneve dhe skematizimit, retorik\u00ebs poetike dhe himnizimeve t\u00eb p\u00ebrgjithshme t\u00eb jet\u00ebs n\u00eb t\u00ebr\u00ebsin\u00eb e vet nj\u00eb k\u00ebng\u00eb origjinale, e sinqert\u00eb dhe e fresk\u00ebt. Poezia e sotme arb\u00ebreshe me tem\u00ebn e Shqip\u00ebris\u00eb \u00ebsht\u00eb ngritur p\u00ebrgjith\u00ebsisht mbi baz\u00ebn e p\u00ebrshtypjeve, t\u00eb emocioneve, t\u00eb p\u00ebrjetimeve dhe situatave psikologjike. N\u00eb v\u00ebshtrim t\u00eb par\u00eb, ajo \u00ebsht\u00eb poezi e befasive t\u00eb fuqishme, e ndjenjave t\u00eb pap\u00ebrmbajtur, e gjendjeve shpirt\u00ebrore trondit\u00ebse, e hutimeve t\u00eb k\u00ebndshme. Duke par\u00eb m\u00eb thell\u00eb, kjo poezi varion n\u00eb nj\u00eb kuad\u00ebr m\u00eb t\u00eb gjer\u00eb, kur p\u00ebrfshin pjes\u00eb nga realiteti shqiptar, kur p\u00ebrvijon me ngjyra t\u00eb g\u00ebzuara cop\u00ebza jete dhe profile njer\u00ebzish. Ajo ngrihet dhe mbi ngjarje t\u00eb koh\u00ebs, pa harruar asnj\u00ebher\u00eb historin\u00eb e, n\u00eb radh\u00eb t\u00eb par\u00eb, Motin e Madh t\u00eb Sk\u00ebnderbeut. \u00cbsht\u00eb n\u00eb natyr\u00ebn e k\u00ebsaj poezie q\u00eb, duke i k\u00ebnduar Shqip\u00ebris\u00eb, ajo sjell p\u00ebrher\u00eb mesazhin e dashuris\u00eb e t\u00eb mallit arb\u00ebresh p\u00ebr v\u00ebllez\u00ebrit e nj\u00eb gjaku.<\/p>\n

Poeti q\u00eb kthehet n\u00eb atdhe \u00ebsht\u00eb intelektuali i koh\u00ebs s\u00eb vet, po edhe fshatari arb\u00ebresh me rr\u00ebnj\u00eb shekullore, t\u00eb cilat shkrihen n\u00eb nj\u00eb kur \u00ebsht\u00eb fjala p\u00ebr t\u00eb k\u00ebnduar e p\u00ebr t\u00eb rr\u00ebfyer p\u00ebr Shqip\u00ebrin\u00eb. Nga k\u00ebto pozita, ai e trajton atdheun e t\u00eb par\u00ebve dhe hyn n\u00eb dialog me t\u00eb, dialog ky sa i dhimbsh\u00ebm aq dhe i g\u00ebzuar, q\u00eb rrok nj\u00eb histori 500-vje\u00e7are.<\/p>\n

Poezia p\u00ebr Shqip\u00ebrin\u00eb ka n\u00eb thelb motivin e katundit, si nj\u00eb atdhe n\u00eb miniatur\u00eb, shtrir\u00eb n\u00eb kufijt\u00eb e gjuh\u00ebs e t\u00eb jet\u00ebs zakonore, por q\u00eb, duke iu drejtuar tani atdheut, rritet n\u00eb p\u00ebrmasa t\u00eb m\u00ebdha, fiton brendi t\u00eb thell\u00eb e mund\u00ebsi p\u00ebrgjith\u00ebsimesh historike e shoq\u00ebrore. Prej k\u00ebtej kan\u00eb lindur dhe nj\u00eb varg motivesh, me t\u00eb cilat poezia e sotme arb\u00ebreshe krijon dhe p\u00ebrcjell tek lexuesi imazhin e Shqip\u00ebris\u00eb.<\/p>\n

Motivi m\u00eb i p\u00ebrhapur \u00ebsht\u00eb ai i emocioneve dhe mbresave t\u00eb pap\u00ebrs\u00ebritshme q\u00eb l\u00eb kontakti i par\u00eb me Shqip\u00ebrin\u00eb. Dheu i Arb\u00ebrit, nga nj\u00eb p\u00ebrfytyrim abstrakt, kthehet n\u00eb nj\u00eb realitet konkret. Ndihet menj\u00ebher\u00eb kontrasti n\u00eb mes dheut ton\u00eb e dheut t\u00eb huaj. Kufiri b\u00ebhet real dhe p\u00ebrftohet qart\u00eb imazhi i Shqip\u00ebris\u00eb. Para k\u00ebsaj situate, arb\u00ebreshi i tronditur ndihet f\u00ebmij\u00eb, nj\u00eb f\u00ebmij\u00eb q\u00eb vjen te n\u00ebna pas qindra vjet\u00ebsh largimi dhe s\u2019di si t\u2019i g\u00ebzohet k\u00ebtij \u00e7asti sublim. \u201cBiri lasht\u00eb kthehet te n\u00ebna gjithnj\u00eb e re,-thot\u00eb Di Maxhio,-ulet n\u00eb prehrin e saj, l\u00ebkundet n\u00eb djepin e shekujve, p\u00ebr k\u00ebng\u00ebt e kujtimeve dhe i sjell n\u00ebn\u00ebs karafilin e zemr\u00ebs\u201d. P\u00ebr V.Ujkon ardhja n\u00eb Shqip\u00ebri \u00ebsht\u00eb kthimi i t\u00eb birit shkap\u00ebrdar\u00eb te vatra e vjet\u00ebr. Ai ka ecur 500 vjet dhe m\u00eb n\u00eb fund e ka gjetur burimin, \u201cdheun e lisave e t\u00eb er\u00ebrave\u201d, ku ndihet \u201cv\u00eblla i fshatar\u00ebve e pun\u00ebtor\u00ebve\u201d, \u201cTashti,-thot\u00eb poeti,-kaloi ajo koh\u00eb, koha e pul\u00ebbardhave n\u00eb det\u201d. N\u00eb vend t\u00eb pul\u00ebbardhave vijn\u00eb vet arb\u00ebresh\u00ebt. Del Gaudios \u201ctek shkel n\u00eb tok\u00ebn amtare, ndien se mallin e vjet\u00ebr sot e ka plot\u00ebsuar\u201d, se \u201czemra i dridhet nga gazi\u201d dhe \u201cfrym\u00eb merr lirisht\u201d. Ai vjen si \u201clajm\u00ebtar i dashuris\u00eb\u201d, i atyre q\u00eb jan\u00eb shp\u00ebrndar\u00eb n\u00ebp\u00ebr bot\u00eb. P\u00ebr Kandrev\u00ebn, arb\u00ebreshi sapo zbret n\u00eb Shqip\u00ebri, \u201cmerr nj\u00eb grusht dhe nga dheu i st\u00ebrgjysh\u00ebrve tan\u00eb, mbushur me gjak, me djers\u00eb, me lot\u00eb\u201d. Kurse Di Modika, i tjet\u00ebrsuar nga emocionet e forta th\u00ebrret: \u201cnj\u00eb mij\u00eb k\u00ebng\u00eb t\u00eb pak\u00ebnduara\u2026m\u00eb kan\u00eb plasur n\u00eb kraharor p\u00ebr ty, tok\u00eb e dashur\u201d.<\/p>\n

Poet\u00ebt i drejtohen Shqip\u00ebris\u00eb me gjith\u00eb \u00e7\u2019kan\u00eb t\u00eb shtrenjt\u00eb, e quajn\u00eb zakonisht m\u00ebm\u00eb, po dhe diell e vat\u00ebr, truall i pap\u00ebrs\u00ebritsh\u00ebm e i patjet\u00ebrsuesh\u00ebm, tok\u00eb e shenjt\u00eb, burim tek z\u00eb fill jeta dhe historia e tyre. Motivi i takimit t\u00eb par\u00eb paraqitet me nj\u00eb gam\u00eb ndjenjash dhe variacionesh psikologjike, me vargje t\u00eb \u00e7iltra e plot spontanitet. G\u00ebzimi i takimit \u00ebsht\u00eb i nd\u00ebrsjellt\u00eb, i djalit p\u00ebr n\u00ebn\u00ebn dhe i n\u00ebn\u00ebs p\u00ebr t\u00eb birin. Ve\u00e7an\u00ebrisht n\u00ebnvizohet p\u00ebrt\u00ebritja shpirt\u00ebrore q\u00eb sjell kthimi n\u00eb atdheun e lasht\u00eb. Vlerat e poezis\u00eb arb\u00ebreshe rriten po t\u00eb kemi parasysh se ajo nuk ka mbetur n\u00eb kufijt\u00eb e emocioneve dhe mbresave t\u00eb para.\u00a0 Poet\u00ebt e saj m\u00eb t\u00eb mir\u00eb jan\u00eb p\u00ebrpjekur t\u00eb dep\u00ebrtojn\u00eb m\u00eb thell\u00eb, t\u00eb rrokin Shqip\u00ebrin\u00eb n\u00eb t\u00ebr\u00ebsi, t\u00eb japin vizionin e saj. N\u00eb k\u00ebt\u00eb v\u00ebshtrim, ky vizion i ngjan nj\u00eb mozaiku pamjesh, portretesh, vizatimesh, pik\u00ebzimesh poetike e kontrastesh. Shqip\u00ebria shfaqet para poetit arb\u00ebresh si nj\u00eb binom i pandar\u00eb i s\u00eb shkuar\u00ebs e s\u00eb tashmes, vazhdim logjik i nj\u00ebra-tjetr\u00ebs. K\u00ebshtu \u201ce shkuara, e sotmja, e ardhmja, -thot\u00eb Ujko,-bashkohen me emrin e lavdis\u00eb\u201d. (\u201c \u00c7erdhja\u201d) ose:<\/p>\n

\u201cKoloviten ullinjt\u00eb<\/em><\/p>\n

Mbi heronjt\u2019 e varrosur<\/em><\/p>\n

E un\u00eb d\u00ebgjoj fanfarat e Shqip\u00ebris\u00eb s\u00eb re\u201d<\/em><\/p>\n

(\u201cEra e historis\u00eb\u201d)<\/p>\n

\u201cnga toka t\u00ebr\u00eb e lasht\u00eb<\/em><\/p>\n

dolli vrulli t\u00ebr\u00eb i ri\u201d<\/em><\/p>\n

(\u201cButrinti\u201d)<\/p>\n

Di Maxhio arrin t\u00eb p\u00ebrt\u00ebrij\u00eb n\u00eb vargjet e veta nj\u00eb \u00e7ast epik nga koha e Sk\u00ebnderbeut. Sheh zjarre t\u00eb ndezura n\u00eb k\u00ebshtjellat e luft\u00ebs s\u00eb heroit, n\u00eb Kruj\u00eb e n\u00eb Lezh\u00eb, n\u00eb Berat e n\u00eb Petrel\u00eb, shk\u00eblqejn\u00eb malet e Shqip\u00ebris\u00eb nga zjarret p\u00ebr t\u00eb dh\u00ebn\u00eb sihariqin se arb\u00ebreshi mb\u00ebrriti n\u00eb atdhe: \u201cMir\u00eb se ju gjeta! Ai q\u00eb nuk u nda kurr\u00eb, u kthye!\u201d-pohon poeti (\u201cUdh\u00ebtimi i par\u00eb\u201d). Tek p\u00ebrjeton Shqip\u00ebrin\u00eb e sotme, Del Gaudios i vjen vetvetiu t\u00eb evokoj\u00eb t\u00eb kaluar\u00ebn dhe k\u00ebto t\u00eb dyja i bashkon n\u00eb nj\u00eb kur th\u00ebrret:<\/p>\n

\u201cO Shqip\u00ebri, se nj\u00ebher\u00eb ti qe<\/em><\/p>\n

Mbrojt\u00ebse e Evrop\u00ebs dhe lavdia,<\/em><\/p>\n

k\u00ebshtu t\u00eb shoh\u00eb dhe sot\u201d<\/em><\/p>\n

(\u201cO Shqip\u00ebri\u201d)<\/p>\n

Njohja nga af\u00ebr me Shqip\u00ebrin\u00eb, kontaktet me njer\u00ebzit, p\u00ebrjetimi i atmosfer\u00ebs s\u00eb atdheut kan\u00eb zgjuar frym\u00ebzimin e poet\u00ebve arb\u00ebresh\u00eb dhe kan\u00eb krijuar poezi t\u00eb ndjera. K\u00ebto jan\u00eb cop\u00ebza nga jeta shqiptare, profile t\u00eb tok\u00ebs s\u00eb p\u00ebrt\u00ebrir\u00eb, akuarele me ngjyrat e natyr\u00ebs arb\u00ebrore. Nj\u00eb vizion plot drit\u00eb, me tone t\u00eb g\u00ebzuara i atdheut t\u00eb rigjetur, \u00ebsht\u00eb vendi ku, sipas V.Ujkos, \u201cNata iku nga krismat, nga\u00a0 cilindrat e furrnaltave\u2026nga varvashkat e ndezura prej njer\u00ebzve t\u00eb liris\u00eb\u2026(\u201cNata iku\u201d) Motivi i drit\u00ebs p\u00ebrshkon poezin\u00eb dhe vet\u00eb shpirtin e poet\u00ebve kur \u00ebsht\u00eb fjala p\u00ebr Shqip\u00ebrin\u00eb. Tabloja e saj b\u00ebhet m\u00eb e qart\u00eb dhe i afrohet m\u00eb shum\u00eb syve t\u00eb malluar t\u00eb arb\u00ebresh\u00ebve sa her\u00eb vizatohen njer\u00ebzit e pun\u00ebs. Di Maxhio ndihet aq i lidhur me ta, sa e sheh veten n\u00eb syt\u00eb e pun\u00ebtor\u00ebve dhe t\u00eb fshatar\u00ebve. Tek puna nd\u00ebrtimtare poeti sheh \u201cfest\u00ebn e Shqip\u00ebris\u00eb\u201d dhe d\u00ebshir\u00ebn t\u00eb jet\u00eb pun\u00ebtor n\u00eb mes t\u00eb pun\u00ebtor\u00ebve t\u00eb saj. I ngarkuar plot e p\u00ebrplot me emocione nga t\u00eb gjith\u00eb sa p\u00ebrjeton n\u00eb atdhe, ai th\u00ebrret:<\/p>\n

\u201cshpat\u00ebn e et\u00ebrve m\u00eb jep<\/em><\/p>\n

q\u00eb dhe un\u00eb<\/em><\/p>\n

me t\u00eb dy duar t\u00eb t\u00eb mbroj\u00eb,<\/em><\/p>\n

sepse un\u00eb arb\u00ebresh<\/em><\/p>\n

t\u00eb dua t\u00eb begatshme,<\/em><\/p>\n

t\u00eb lumtur t\u00eb dua<\/em><\/p>\n

midis kombeve krenare<\/em><\/p>\n

e ne krenar\u00eb p\u00ebr ty,<\/em><\/p>\n

m\u00ebm\u00ebdheu i lasht\u00eb\u201d.<\/em><\/p>\n

(\u201cUdh\u00ebtimi i par\u00eb\u201d)<\/p>\n

Poeti arb\u00ebresh sh\u00ebtit lirisht kodrave dhe fushave, af\u00ebr detit e sip\u00ebr maleve dhe mahnitet nga bukurit\u00eb shqiptare. Ai kupton se, \u201cn\u00eb k\u00ebt\u00eb vend, bukuria m\u00eb e madhe \u00ebsht\u00eb populli, q\u00eb di t\u00eb luftoj\u00eb, t\u00eb punoj\u00eb, t\u00eb dashuroj\u00eb si askush n\u00eb bot\u00eb\u201d (Del Gaudio \u201cE bukur je, Shqip\u00ebri\u201d). Kurse K. Kandreva e v\u00ebshtron Shqip\u00ebrin\u00eb si nj\u00eb vend \u201cku mbijn\u00eb lule lirie\u201d dhe si kantier pune dhe ndihet krenar q\u00eb \u00ebsht\u00eb bir i saj:<\/p>\n

\u201cnjer\u00ebz n\u00eb l\u00ebvizje<\/em><\/p>\n

plot p\u00ebrmendore lirie n\u00eb l\u00ebvizje\u201d<\/em><\/p>\n

Poezia e sotme arb\u00ebreshe ng\u00ebrthen \u00e7aste interesante meditimi, situata psikologjike dometh\u00ebn\u00ebse, gjendje shpirt\u00ebrore q\u00eb kan\u00eb zgjuar te poet\u00ebt q\u00ebndrimi n\u00eb Shqip\u00ebri. Mund t\u00eb jen\u00eb k\u00ebto g\u00ebzime e mall\u00ebngjime t\u00eb p\u00ebrditshme, po dhe momente solemmne t\u00eb pap\u00ebrs\u00ebritshme, p\u00ebrgj\u00ebrime t\u00eb thella, premtime e betime drejtuar atdheut t\u00eb rigjetur. Tonet e k\u00ebsaj poezie l\u00ebviznin n\u00eb var\u00ebsi nga rrethanat dhe impulset krijuese, gjithnj\u00eb me prirje p\u00ebr t\u00eb afirmuar jet\u00ebn dhe historin\u00eb shqiptare.<\/p>\n

K\u00ebshtu, Shqip\u00ebria i zgjon aq dashuri poetit sa ai ndihet i pafuqish\u00ebm ta marr\u00eb t\u00eb gjith\u00ebn me vete. Atij i dyfishohen shqisat kur m\u00ebm\u00ebdheu e mb\u00ebshtjell me frym\u00ebn e tij dhe ai \u00ebsht\u00eb i g\u00ebzuar q\u00eb gjendet brenda tij. Her\u00eb t\u00eb tjera, \u00ebsht\u00eb aq i lumtur n\u00eb mes shqiptar\u00ebve sa i vjen t\u00eb ul\u00ebrij\u00eb, por hesht: \u201cOh, sa ul\u00ebrinte ajo heshtje plot mirazhe dashurie.\u201d (Di Maxhio)<\/p>\n

Poeti gdhend fytyrat e v\u00ebllez\u00ebrve e i merr me vete dhe zemr\u00ebn e l\u00ebnduar e le n\u00eb Shqip\u00ebri. (Di Modika)<\/p>\n

Mjaft nga vjershat e Del Gaudios me k\u00ebt\u00eb motiv ting\u00ebllojn\u00eb si rr\u00ebfime t\u00eb \u00e7iltra, plot shp\u00ebrthime ndjenjash e mendimesh. Ai nuk di t\u00eb fsheh\u00eb asgj\u00eb, e hap zemr\u00ebn kat e kat dhe nuk druhet t\u00eb pohoj\u00eb se jet\u00ebn ia ka kushtuar atdheut t\u00eb lasht\u00eb. Si nj\u00eb lajtmotiv p\u00ebrs\u00ebritet nga nj\u00eb poezi n\u00eb tjetr\u00ebn mendimi: \u201cArb\u00ebri m\u00eb e fort\u00eb m\u00eb e zjarrta e m\u00eb e forta dashuri!\u201d Poetin e karakterizon vazhdimisht nj\u00eb ndjeshm\u00ebri e lart\u00eb.<\/p>\n

S\u2019\u00ebsht\u00eb p\u00ebr t\u2019u \u00e7uditur q\u00eb te disa poet\u00eb arb\u00ebresh\u00eb kontaktet e gjalla me Shqip\u00ebrin\u00eb krijojn\u00eb n\u00eb raste t\u00eb caktuara gjendje shpirt\u00ebrore madhore. Kuptimplot\u00eb \u00ebsht\u00eb betimi i tyre se jan\u00eb gati t\u00eb b\u00ebjn\u00eb dhe sakrific\u00ebn m\u00eb sublime p\u00ebr atdheun: \u201cP\u00ebr ty, Shqip\u00ebri, jap dhe jet\u00ebn\u201d (V.Ujko)\u201d Dhe un\u00eb, biri yt p\u00ebr ty dua t\u00eb vdes\u201d (Del Gaudio), \u201cTani mund t\u00eb vdisja q\u00eb e pash\u00eb Arb\u00ebrin\u00eb\u201d (E.Matrangolo) etj.<\/p>\n

Lidhjet e poetit me Shqip\u00ebrin\u00eb e sotme nuk jan\u00eb t\u00eb karakterit romantik e aq m\u00eb tep\u00ebr ekzotike. Duke e njohur atdheun e rilindur nga af\u00ebr, duke e p\u00ebrjetuar k\u00ebt\u00eb realitet, ai e sheh me sy realist, entuziazmohet dhe krenohet me dinjitetin e Shqip\u00ebris\u00eb. Kjo \u00ebsht\u00eb arsyeja q\u00eb poeti i jep asaj fjal\u00ebn se do t\u2019i q\u00ebndroj\u00eb besnik, se do ta ruaj\u00eb bes\u00ebn p\u00ebr ty, Shqip\u00ebri. (V.Ujko). Bile aq shum\u00eb ndihet i lidhur me atdheun e lasht\u00eb, sa e tundon d\u00ebshira q\u00eb t\u00eb mbetet k\u00ebtu:<\/p>\n

\u201cq\u00eb t\u00eb rr\u00ebnohen t\u00eb gjitha urat<\/em><\/p>\n

q\u00eb t\u00eb mos kish mund\u00ebsi t\u00eb kthehesh prapa<\/em><\/p>\n

dhe q\u00eb asnj\u00eb engjull<\/em><\/p>\n

t\u00eb mos m\u00eb merrte mbi krah<\/em><\/p>\n

e trenat, anijet, aeroplan\u00ebt:<\/em><\/p>\n

koha t\u00eb kish vite vones\u00eb\u201d.<\/em><\/p>\n

(V.Ujko \u201cK\u00ebtu me ju\u201d)<\/p>\n

Nd\u00ebrsa Di Maxhio ka p\u00ebr nder t\u00eb b\u00ebhet pun\u00ebtor p\u00ebr nd\u00ebrtimin e Shqip\u00ebris\u00eb, Di Modika i premton atdheut se \u201cN\u00eb mbrojtje arb\u00ebresh\u00ebt i ke ushtar\u00eb\u201d.<\/p>\n

Te poet\u00ebt e sot\u00ebm arb\u00ebresh\u00eb Shqip\u00ebria, disa her\u00eb, arrin t\u00eb jepet p\u00ebrmes konceptesh politike t\u00eb p\u00ebrparuara bashk\u00ebkohore. Kjo do t\u00eb thot\u00eb q\u00eb poezia e tyre frym\u00ebzohet jo vet\u00ebm nga motive patriotike, po dhe nga ideale t\u00eb larta humane. P\u00ebr ta, ky vend \u00ebsht\u00eb sa atdheu i prejardhjes, aq edhe vendi i pun\u00ebs . (Di Modika, Di Maxhio, Rende, Kandreva, Matrangolo etj).<\/p>\n

\u00cbsht\u00eb nj\u00eb fenomen i ri n\u00eb poezin\u00eb arb\u00ebreshe t\u00eb viteve \u201970-\u201980 fakti q\u00eb po trajtohen motive nga vet\u00eb jeta shqiptare, q\u00eb jan\u00eb tipike nga disa pik\u00ebpamje, ose t\u00eb p\u00ebraf\u00ebrta me ato t\u00eb poezis\u00eb t\u00eb sotme shqiptare.Nga kjo pik\u00ebpamje, motive m\u00eb i p\u00ebrparuar \u00ebsht\u00eb ai i d\u00ebshmor\u00ebve t\u00eb Luft\u00ebs Nacional\u00e7lirimtare, por nuk mungojn\u00eb, nga ana tjet\u00ebr, dhe vjersha p\u00ebr heroizmin partizan, p\u00ebr pun\u00ebn nd\u00ebrtimtare, p\u00ebr figura e ngjarje historike, par\u00eb nga koha e sotme etj. Kontributi i poet\u00ebve arb\u00ebresh\u00eb, n\u00eb k\u00ebt\u00eb rast, \u00ebsht\u00eb trajtimi origjinal i k\u00ebtyre motive, k\u00ebndv\u00ebshtrimi vetiak, fryma e thell\u00eb lirike.<\/p>\n

Imazhi i Shqip\u00ebris\u00eb n\u00eb poezin\u00eb arb\u00ebreshe nuk do t\u00eb dilte aq i qart\u00eb dhe komunikues, n\u00eb qoft\u00eb se nuk do t\u00eb jepej n\u00eb gjuh\u00ebn letrare bashk\u00ebkohore. P\u00ebrpjekjet e poet\u00ebve m\u00eb t\u00eb talentuar n\u00eb k\u00ebt\u00eb drejtim jan\u00eb plot fryte. Gjuha letrare i ka zgjeruar mund\u00ebsit\u00eb shpreh\u00ebse t\u00eb poezis\u00eb, i ka rritur vlerat e saj stilistike dhe ka ndihmuar p\u00ebr nj\u00eb integrim t\u00eb saj n\u00eb rrjedhat e poezis\u00eb shqipe. Trajtimi i gjer\u00eb i tem\u00ebs shqiptare, e n\u00eb radh\u00eb t\u00eb par\u00eb, i imazhit t\u00eb Shqip\u00ebris\u00eb, nuk e ka penguar zhvillimin e lirsh\u00ebm t\u00eb individualiteteve artistike n\u00eb poezin\u00eb e sotme arb\u00ebreshe. P\u00ebrkundrazi, nj\u00eb praktik\u00eb e till\u00eb ka \u00e7elur horizonte t\u00eb reja krijuese dhe hap\u00ebsira tematike, ka sensibilizuar poezin\u00eb dhe ka sjell\u00eb freski mendimi dhe shprehjeje. Bilanci n\u00eb k\u00ebt\u00eb drejtim \u00ebsht\u00eb mjaft dometh\u00ebn\u00ebs. N\u00eb qoft\u00eb se poezia e V.Ujkos, n\u00eb p\u00ebrgjith\u00ebsi, karakterizohet nga nota dramatike p\u00ebr vet\u00eb pozit\u00ebn dhe problemet shqet\u00ebsuese t\u00eb bashk\u00ebsis\u00eb arb\u00ebreshe, poezit\u00eb p\u00ebr Shqip\u00ebrin\u00eb jan\u00eb t\u00eb mbushura plot me optimiz\u00ebm, ndihet risia shpirt\u00ebrore q\u00eb ka p\u00ebsuar autori dhe qart\u00ebsia e mendimit. Talenti i Di Maxhios, q\u00eb, n\u00eb t\u00ebr\u00ebsin\u00eb e vet, nuk mund t\u00eb kuptohet pa ironin\u00eb dhe frym\u00ebn sarkastike, n\u00eb trajtimin e tem\u00ebs s\u00eb Shqip\u00ebris\u00eb ka fituar cil\u00ebsi t\u00eb reja. Aty ai \u00ebsht\u00eb b\u00ebr\u00eb m\u00eb lirik, m\u00eb human e m\u00eb i vetvetish\u00ebm. N\u00eb vend t\u00eb tonit polemik e ironik kemi hove ndjenjash e mbresa t\u00eb holla, q\u00ebndrime poetike afirmative. Shpirti i tij prej artisti sikur gjen nj\u00eb shtrat t\u00eb ri krijues n\u00eb t\u00eb cilin ai mbetet si gjithnj\u00eb poeti i sintez\u00ebs dhe ideve t\u00eb guximshme.<\/p>\n

Del Gaudio, duke e b\u00ebr\u00eb Shqip\u00ebrin\u00eb tem\u00eb qendrore n\u00eb poezin\u00eb e tij t\u00eb viteve t\u00eb fundit, e ka rritur m\u00eb tej frym\u00ebn e mendimit shoq\u00ebror e patriotik dhe i \u00ebsht\u00eb shmangur notave t\u00eb trishtimit dhe mbylljes n\u00eb vetvete. Tradita e rapsodive arb\u00ebreshe, q\u00eb ndihet aq shum\u00eb n\u00eb poezin\u00eb e K. Kandrev\u00ebs, me trajtimin e tem\u00ebs s\u00eb Shqip\u00ebris\u00eb merr thekse t\u00eb nj\u00eb poezie qytetare dhe shquhet p\u00ebr thjesht\u00ebsi e sinqeritet. Te Di Modika, poezia p\u00ebr atdheun e t\u00eb par\u00ebve ka b\u00ebr\u00eb t\u00eb mundur g\u00ebrshetimin e motiveve patriotike me ato shoq\u00ebrore-politike dhe kjo ka lejuar t\u00eb p\u00ebrcjell\u00eb mendime t\u00eb avancuara t\u00eb koh\u00ebs.<\/p>\n

Poezia arb\u00ebreshe me imazhin e Shqip\u00ebris\u00eb paraqitet kryesisht si poezi lirike dhe zakonisht n\u00eb kuadrin e nj\u00eb lirike t\u00eb shkurt\u00ebr. Ndihen n\u00eb to dhe nota e thekse epike, si jehon\u00eb e historis\u00eb dhe jet\u00ebs s\u00eb sotme shqiptare. Por, n\u00eb p\u00ebrgjith\u00ebsi, ajo \u00ebsht\u00eb poezi e mbresave t\u00eb forta, e shp\u00ebrthimeve shpirt\u00ebrore, e mendimeve t\u00eb menj\u00ebhershme. Megjith\u00ebse na prezantohet n\u00eb lloje t\u00eb ndryshme, si lirik\u00eb patriotike-politike, meditative, tregimtare apo peizazhi, n\u00eb t\u00ebr\u00ebsi, kjo poezi i ngjan nj\u00eb monologu lirik, ku poeti dhe heroi plot\u00ebsojn\u00eb e p\u00ebrfaq\u00ebsojn\u00eb nj\u00ebri-tjetrin. Nj\u00eb rol t\u00eb ve\u00e7ant\u00eb n\u00eb k\u00ebt\u00eb mes luan detaji, q\u00eb zakonisht \u00ebsht\u00eb i gjetur e i natyrsh\u00ebm, i larmish\u00ebm e mbi t\u00eb gjitha me ngarkes\u00eb t\u00eb fort\u00eb ideoemocionale. Lirika arb\u00ebreshe me tem\u00ebn e atdheut karakterizohet nga nj\u00eb v\u00ebshtrim i detajuar dhe metaforik i realitetit shqiptar dhe kjo ka sjell\u00eb jo vet\u00ebm informacion t\u00eb gjall\u00eb jet\u00ebsor, po dhe perceptime t\u00eb goditura figurative. Nga ana tjet\u00ebr, l\u00ebnda poetike \u00ebsht\u00eb derdhur n\u00eb trajta t\u00eb hijshme e t\u00eb fresk\u00ebta. P\u00ebr k\u00ebt\u00eb kan\u00eb sh\u00ebrbyer vargu i lir\u00eb, sistemi i gjall\u00eb metrik, g\u00ebrshetimi i tradit\u00ebs poetike me poezin\u00eb moderne, tonalitete origjinale, laryshia e ritmeve e shprehja kon\u00e7ize.<\/p>\n

S\u2019ka dyshim se me trajtimin e tem\u00ebs shqiptare, cil\u00ebsive t\u00eb njohura t\u00eb poezis\u00eb arb\u00ebreshe i jan\u00eb shtuar cil\u00ebsi t\u00eb reja ideo-artistike. N\u00eb radh\u00eb t\u00eb par\u00eb, ato duhen v\u00ebshtruar n\u00eb brendin\u00eb e saj. Nga kjo pik\u00ebpamje, mund t\u00eb themi se imazhi i Shqip\u00ebris\u00eb ka p\u00ebrforcuar identitetin e poezis\u00eb arb\u00ebreshe, si shprehje e thelbit t\u00eb bashk\u00ebsis\u00eb etnike e nj\u00ebkoh\u00ebsisht ka krijuar mund\u00ebsi t\u00eb reja p\u00ebr t\u00eb p\u00ebrcjell\u00eb n\u00eb atdhe mesazhin e dashuris\u00eb, t\u00eb besimit e t\u00eb mallit t\u00eb bijve t\u00eb m\u00ebrguar p\u00ebr tok\u00ebn e t\u00eb par\u00ebve.<\/p>\n","protected":false},"excerpt":{"rendered":"

Figura t\u00eb kultur\u00ebs t\u00eb diaspor\u00ebs shqiptare   Prof. Nasho Jorgaqi N\u00eb afreskun e gjer\u00eb e t\u00eb larmish\u00ebm t\u00eb poezis\u00eb arb\u00ebreshe, imazhi i Shqip\u00ebris\u00eb ka z\u00ebn\u00eb gjithmon\u00eb nj\u00eb vend qendror. Ky \u00ebsht\u00eb vizioni i atdheut, t\u00eb cilin arb\u00ebresh\u00ebt e ikur e mor\u00ebn me vete n\u00eb dhe t\u00eb huaj dhe e ruajt\u00ebn, jo vet\u00ebm n\u00eb kujtes\u00ebn historike, […]<\/p>\n","protected":false},"author":1,"featured_media":22228,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"footnotes":""},"categories":[14,15],"tags":[],"yoast_head":"\nNga Arbria e Motit t\u00eb Madh n\u00eb Shqip\u00ebrin\u00eb e moteve t\u00eb reja, vizioni p\u00ebr atdheun n\u00eb vargjet e Arb\u00ebresh\u00ebve - Informohu qart\u00ebsisht!<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/redaktori.com\/?p=22225\" \/>\n<meta property=\"og:locale\" content=\"sq_AL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nga Arbria e Motit t\u00eb Madh n\u00eb Shqip\u00ebrin\u00eb e moteve t\u00eb reja, vizioni p\u00ebr atdheun n\u00eb vargjet e Arb\u00ebresh\u00ebve - Informohu qart\u00ebsisht!\" \/>\n<meta property=\"og:description\" content=\"Figura t\u00eb kultur\u00ebs t\u00eb diaspor\u00ebs shqiptare   Prof. Nasho Jorgaqi N\u00eb afreskun e gjer\u00eb e t\u00eb larmish\u00ebm t\u00eb poezis\u00eb arb\u00ebreshe, imazhi i Shqip\u00ebris\u00eb ka z\u00ebn\u00eb gjithmon\u00eb nj\u00eb vend qendror. 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