{"id":22098,"date":"2020-05-20T14:18:45","date_gmt":"2020-05-20T12:18:45","guid":{"rendered":"http:\/\/redaktori.com\/?p=22098"},"modified":"2020-05-20T14:18:45","modified_gmt":"2020-05-20T12:18:45","slug":"teatri-i-quajtur-harrese","status":"publish","type":"post","link":"https:\/\/redaktori.com\/?p=22098","title":{"rendered":"Teatri i quajtur Harres\u00eb"},"content":{"rendered":"

Nga Veton Surroi<\/h3>\n

Aborigjin\u00ebt australian\u00eb dhe Roland Barthes n\u00eb Tiran\u00eb<\/h3>\n
1.<\/strong><\/p>\n

M\u00eb lejoni q\u00eb n\u00eb debatin p\u00ebr Teatrin (t\u00ebr\u00eb at\u00eb k\u00ebmbim t\u00eb zjarrt\u00eb rreth godin\u00ebs s\u00eb shembur t\u00eb Teatrit Komb\u00ebtar) t\u00eb ftoj dy personazhe q\u00eb nuk kan\u00eb lidhje me k\u00ebt\u00eb ngjarje, madje nuk jan\u00eb t\u00eb gjall\u00eb. Nj\u00ebri \u00ebsht\u00eb dr.Iren\u00e4us Eibl-Eibesfeldt, shkenc\u00ebtari m\u00eb i njohur i etologjis\u00eb njer\u00ebzore (t\u00eb analiz\u00ebs s\u00eb trash\u00ebgimis\u00eb sociale t\u00eb kafsh\u00ebve tek njer\u00ebzit) dhe Roland Barthes, filozof, gjuh\u00ebtar e, mbi t\u00eb gjitha, semiotik i njohur francez.<\/p>\n

\n

P\u00ebr t\u00eb parin, shkenc\u00ebtarin e njohur austriak, n\u00eb Tiran\u00eb nuk po ndodhte di\u00e7ka e kund\u00ebrt me at\u00eb q\u00eb b\u00ebnin e b\u00ebjn\u00eb shimpanzet\u00eb e pastaj b\u00ebn\u00eb fiset australiane, shenj\u00ebzuan pranin\u00eb \u201ckulturore\u201d.<\/p>\n

P\u00ebr t\u00eb dytin, semiotikun francez, u krijua nj\u00eb grop\u00eb n\u00eb mit, n\u00eb mitin kulturor t\u00eb Tiran\u00ebs.<\/p>\n

2.<\/strong><\/p>\n

T\u00eb shpjegohem m\u00eb shpejt se tashm\u00eb ndiej se ndonj\u00eb lexues ka pasur mund\u00ebsi t\u00eb krijoj\u00eb konstatime t\u00eb shpejta (\u201cpushteti si aborigjen\u00ebt australian\u00eb\u201d, \u201cnj\u00eb grop\u00eb n\u00eb kultur\u00ebn e Tiran\u00ebs\u201d).<\/p>\n

N\u00eb evolucion, njeriu ka marr\u00eb prej shtaz\u00ebve sh\u00ebnjimin e pranis\u00eb s\u00eb vet, shkroi profesori austriak, dhe nj\u00ebra prej formave t\u00eb drejtp\u00ebrdrejta ishte ajo e vendosjes s\u00eb nj\u00eb guri mbi tjetrin, q\u00eb u quajt \u201ctotem\u201d, e q\u00eb m\u00eb von\u00eb n\u00eb fise t\u00eb ndryshme mori forma t\u00eb ndryshme (druri, guri, etj.). N\u00eb evolucionin njer\u00ebzor, kombet dhe shtetet kan\u00eb zhvilluar m\u00eb tutje k\u00ebt\u00eb ide t\u00eb pranis\u00eb s\u00eb tyre dhe kjo m\u00eb s\u00eb shumti shihet n\u00eb nj\u00ebrin prej identiteteve m\u00eb t\u00eb forta kulturore, at\u00eb religjioz. N\u00eb dy mij\u00eb vjet\u00ebt e fundit, posa\u00e7\u00ebrisht me monoteiz\u00ebm, shoq\u00ebrit\u00eb kan\u00eb sh\u00ebnjuar \u201cterritorin e vet\u201d kulturor me kisha, xhami, sinagoga, pagoda e piramida. \u00c7do ngrehin\u00eb, pos kuptimit t\u00eb thell\u00eb shpirt\u00ebror p\u00ebr besimtar\u00ebt, ka pasur shenj\u00ebn totemike t\u00eb bashk\u00ebsis\u00eb, t\u00eb pranis\u00eb s\u00eb saj n\u00eb at\u00eb territor.<\/p>\n

Godina e Teatrit Komb\u00ebtar ka pasur k\u00ebt\u00eb funksion. Ka sh\u00ebrbyer p\u00ebr shfaqje teatrore, e, p\u00ebr fat t\u00eb keq, edhe p\u00ebr gjykime politike pas \u00e7lirimit t\u00eb vendit, por ka qen\u00eb nj\u00ebkoh\u00ebsisht totem i nj\u00eb kohe. P\u00ebr okupator\u00ebt italian\u00eb ka mundur t\u00eb jet\u00eb shenj\u00eb e ep\u00ebrsis\u00eb s\u00eb tyre kulturore, t\u00eb dhuruar nj\u00eb kombi m\u00eb pak t\u00eb edukuar, por gjat\u00eb k\u00ebtyre 80 vjet\u00ebve t\u00eb ekzistenc\u00ebs ka marr\u00eb nj\u00eb dimension tjet\u00ebr, at\u00eb t\u00eb nj\u00eb institucioni t\u00eb nevojsh\u00ebm elitar t\u00eb nj\u00eb kombi n\u00eb zhvillim.<\/p>\n

K\u00ebshtu, Teatri Komb\u00ebtar u shnd\u00ebrrua n\u00eb nj\u00eb mit. Ishte di\u00e7ka p\u00ebr italian\u00ebt, ishte di\u00e7ka tjet\u00ebr p\u00ebr Shqip\u00ebrin\u00eb e okupuar, di\u00e7ka tjet\u00ebr p\u00ebr fatzinjt\u00eb q\u00eb u d\u00ebnuan me pushkatim nga regjimi i Enver Hoxh\u00ebs mu n\u00eb at\u00eb teat\u00ebr, dhe di\u00e7ka krejt tjet\u00ebr p\u00ebr aktor\u00ebt, regjisor\u00ebt e shikuesit q\u00eb u rrit\u00ebn n\u00eb t\u00eb.<\/p>\n

K\u00ebtu na hyn n\u00eb pun\u00eb gjuh\u00ebtari e semiotiku francez Roland Barthes, i cili n\u00eb librin e tij \u201cMitologjit\u00eb\u201d p\u00ebrcakton se miti nuk \u00ebsht\u00eb form\u00eb, \u00ebsht\u00eb p\u00ebrmbajtje. \u00cbsht\u00eb nj\u00eb rr\u00ebfim q\u00eb zhvillohet tutje.<\/p>\n

3.<\/strong><\/p>\n

T\u2019i kombinojm\u00eb p\u00ebr nj\u00eb moment k\u00ebta dy mendimtar\u00eb eminent\u00eb, aty te g\u00ebrmadhat e godin\u00ebs tanim\u00eb t\u00eb rr\u00ebnuar.<\/p>\n

Sipas profesorit austriak, u rr\u00ebnua nj\u00eb totem kulturor, di\u00e7ka q\u00eb fliste p\u00ebr nj\u00eb prani politike e kulturore t\u00eb nj\u00eb shoq\u00ebrie tjet\u00ebr dhe po ngrihet nj\u00eb totem tjet\u00ebr, di\u00e7ka q\u00eb me gjuh\u00ebn e nj\u00eb arkitekti danez duhet t\u00eb flas\u00eb p\u00ebr nj\u00eb shoq\u00ebri q\u00eb jeton n\u00eb bashk\u00ebkoh\u00ebsi.<\/p>\n

Sipas R. Barthes, ky \u00ebsht\u00eb nj\u00eb mit n\u00eb zhvillim. Vet\u00eb akti i rr\u00ebnimit t\u00eb nj\u00eb pjese t\u00eb rr\u00ebfimit p\u00ebr ta z\u00ebvend\u00ebsuar me nj\u00eb rr\u00ebfim tjet\u00ebr \u00ebsht\u00eb krijimi i nj\u00eb miti, nj\u00eb miti t\u00eb ri.<\/p>\n

E zb\u00ebrthyer n\u00eb nj\u00eb fjali t\u00eb zgjatur, m\u00ebngjesin kur u rr\u00ebzua godina e Teatrit, u vendos q\u00eb Tirana (apo Shqip\u00ebria) do ta sh\u00ebnonte identitetin e vet t\u00eb ri me nj\u00eb godin\u00eb krejt\u00ebsisht t\u00eb re; do ta sh\u00ebnonte v\u00ebllaz\u00ebrin\u00eb e vet evropiane e globale me nj\u00eb objekt q\u00eb flet me gjuh\u00ebn e t\u00eb gjith\u00ebve sot, me at\u00eb q\u00eb arkitekti danez flet n\u00eb Kin\u00eb, New York apo Kopenhag\u00ebn. Shqip\u00ebria m\u00eb n\u00eb fund do t\u00eb kalonte prej nj\u00eb miti, at\u00eb t\u00eb postsocializmit, n\u00eb mitin e qyteteve globaliste t\u00eb shekullit XXI.<\/p>\n

Rr\u00ebfimi mitik \u00ebsht\u00eb ai i renderit t\u00eb projektit danez: di\u00e7ka si vajza e djem t\u00eb Shqip\u00ebris\u00eb, me bi\u00e7ikleta, laptop\u00eb Apple, bermuda e flip-flop, di\u00e7ka mes Kalifornis\u00eb, jugut t\u00eb Franc\u00ebs dhe Hong-Kongut. Tirana do t\u00eb shnd\u00ebrrohet n\u00eb pik\u00eb referente globale, k\u00ebt\u00eb do t\u2019ia siguroj\u00eb teatri i ri i projektit danez, i nd\u00ebrtuar mbi g\u00ebrmadhat e atij t\u00eb vjetrit.<\/p>\n

4.<\/strong><\/p>\n

Kjo gj\u00eb nuk \u00ebsht\u00eb e re n\u00eb Shqip\u00ebri, e as n\u00eb ish-Lindjen komuniste. Vendi \u00ebsht\u00eb p\u00ebrplot em\u00ebrtime Shqip\u00ebria e re, Tirana e re, e k\u00ebshtu me radh\u00eb. Parullat e pasvitit 1945 gjithandej shteteve komuniste ishin q\u00eb \u201ct\u00eb rr\u00ebnohet e vjetra p\u00ebr t\u00eb nd\u00ebrtuar t\u00eb ren\u00eb\u201d.<\/p>\n

A mund t\u00eb jet\u00eb e aplikueshme kjo formul\u00eb e vjet\u00ebr \u201crevolucionare\u201d tek pushteti n\u00eb Shqip\u00ebri? Q\u00eb t\u00eb jet\u00eb rr\u00ebnuar godina e vjet\u00ebr e nj\u00eb Teatri t\u00eb nj\u00eb Shqip\u00ebrie t\u00eb vjet\u00ebr p\u00ebr t\u00eb nd\u00ebrtuar nj\u00eb godin\u00eb t\u00eb re t\u00eb nj\u00eb Shqip\u00ebrie t\u00eb re? \u00cbsht\u00eb v\u00ebshtir\u00eb t\u00eb pohohet. Madje, \u00ebsht\u00eb mu ky pushtet q\u00eb jo shum\u00eb larg prej aty rivendosi nj\u00eb bunker p\u00ebr t\u00eb treguar n\u00ebp\u00ebrmjet Bunkerart-it nj\u00eb pjes\u00eb t\u00eb trash\u00ebgimis\u00eb s\u00eb err\u00ebt t\u00eb vendit. U hap \u201cSht\u00ebpia e gjetheve\u201d p\u00ebr t\u00eb treguar historin\u00eb e err\u00ebt t\u00eb policis\u00eb sekrete. Vet\u00eb kryeministri, si minist\u00ebr i Kultur\u00ebs, nd\u00ebrmori rip\u00ebrt\u00ebritjen e godinave t\u00eb ministrive q\u00eb ishin buz\u00eb shkat\u00ebrrimit. Do t\u00eb ket\u00eb qen\u00eb fare leht\u00eb m\u00eb e leverdishme ekonomikisht dhe teknikisht t\u00eb ishin rr\u00ebnuar ato godina (t\u00eb regjimeve t\u00eb vjetra) p\u00ebr t\u00eb nd\u00ebrtuar godina bashk\u00ebkohore nj\u00ebzetkat\u00ebshe, q\u00eb do t\u00eb p\u00ebrmbushnin standardet e funksionalitetit administrativ e mbase mund t\u00eb kishin edhe hap\u00ebsira qiradh\u00ebnieje q\u00eb do t\u00eb mbushnin ark\u00ebn e shtetit. Por, ministri i at\u00ebhersh\u00ebm vendosi t\u00eb kund\u00ebrt\u00ebn, duke ruajtur dhe zhvilluar nj\u00eb pjes\u00eb t\u00eb r\u00ebnd\u00ebsishme t\u00eb identitetit t\u00eb Tiran\u00ebs, gjegj\u00ebsisht t\u00eb mitit t\u00eb tij mesdhetar. Nj\u00ebkoh\u00ebsisht, vendosi nj\u00eb standard t\u00eb r\u00ebnd\u00ebsish\u00ebm, t\u00eb bashk\u00ebjetes\u00ebs s\u00eb shtresave t\u00eb ndryshme kulturore n\u00eb nj\u00eb hap\u00ebsir\u00eb t\u00eb ngusht\u00eb t\u00eb Qendr\u00ebs s\u00eb qytetit: Sahatkulla e Xhamia osmane s\u00eb bashku me Galerin\u00eb e arteve socialiste, s\u00eb bashku me ministrit\u00eb italiane, s\u00eb bashku me nj\u00eb qend\u00ebr tregtare xhami t\u00eb shekullit XXI.<\/p>\n

P\u00ebrse at\u00ebher\u00eb duhej kthyer tek rr\u00ebnimi i \u201cs\u00eb vjetr\u00ebs\u201d p\u00ebr t\u00eb nd\u00ebrtuar \u201ct\u00eb ren\u00eb\u201d? P\u00ebrse t\u00eb mos mund\u00ebsohej nj\u00eb teat\u00ebr i ri komb\u00ebtar, n\u00eb nj\u00eb hap\u00ebsir\u00eb shum\u00eb m\u00eb t\u00eb madhe publike e diku tjet\u00ebr, si nj\u00eb qend\u00ebr m\u00eb vete e kultur\u00ebs dhe nj\u00ebkoh\u00ebsisht t\u00eb ruhej kjo godin\u00eb e vjet\u00ebr e Teatrit, si nj\u00eb roj\u00eb kujtese?<\/p>\n

5.<\/strong><\/p>\n

Nuk ka shpjegim t\u00eb leht\u00eb.<\/p>\n

Ai q\u00eb ka ekzistuar me vite ishte i nj\u00eb probabiliteti korruptues, q\u00eb me an\u00eb t\u00eb partneritetit privato-publik, shtyt\u00ebsi i t\u00ebr\u00eb projektit n\u00eb d\u00ebm t\u00eb kujtes\u00ebs t\u00eb jet\u00eb profiti i investitorit dhe provizioni eventual q\u00eb fitojn\u00eb pushtetar\u00ebt. Por kjo mund\u00ebsi ra, meq\u00eb u vendos q\u00eb i t\u00ebr\u00eb projekti t\u00eb jet\u00eb publik, pa partneritet privat.<\/p>\n

Ky i totemeve, i profesorit Eibl-Eibesfeldt dhe Roland Barthes, mund t\u00eb ket\u00eb legjitimitet t\u00eb plot\u00eb, por n\u00ebse pushteti i deritanish\u00ebm ka qen\u00eb i kujdessh\u00ebm ndaj kujtes\u00ebs p\u00ebrse t\u00eb ndryshoj\u00eb n\u00eb rastin e Teatrit?<\/p>\n

Ndoshta sepse Teatri ishte \u201ctotemi\u201d i fundit kulturor i llojit t\u00eb vet q\u00eb ruan kujtes\u00ebn e gjall\u00eb. Bulevardet dikur boshe u mbush\u00ebn me makina. Sht\u00ebpit\u00eb e pallatet e komunizmit u z\u00ebvend\u00ebsuan me ato t\u00eb transicionit e \u00e7do dit\u00eb me m\u00eb t\u00eb mira se to. Bi\u00e7ikletat u z\u00ebvend\u00ebsuan me makina, librat e sht\u00ebpis\u00eb \u201cNaim Frash\u00ebri\u201d me tablet\u00eb q\u00eb emetojn\u00eb \u201cNetflix\u201d. Shenja kulmore t\u00eb qytetaris\u00eb tiranase e t\u00eb Shqip\u00ebris\u00eb, ajo q\u00eb mblodhi p\u00ebrgjat\u00eb tet\u00ebdhjet\u00eb vjet\u00ebve elit\u00ebn e tiron\u2019sve dhe ardhacak\u00ebve nga t\u00eb gjitha viset e q\u00eb ngjiz\u00ebn nj\u00eb identitet t\u00eb p\u00ebrbashk\u00ebt t\u00eb Shqip\u00ebris\u00eb bashk\u00ebkohore – vet\u00ebm ajo mbeti ashtu si\u00e7 kishte qen\u00eb. Vet\u00ebm n\u00eb t\u00eb mund t\u00eb kujtohej se arritja kulmore kulturore ishte ajo sall\u00eb q\u00eb mblidhte ata njer\u00ebz; vet\u00ebm n\u00eb t\u00eb mund t\u00eb mbahej mend se ul\u00ebset sh\u00ebrbyen p\u00ebr t\u00eb p\u00ebrcjell\u00eb Molierin dhe gjykimin e \u201carmiqve t\u00eb popullit\u201d. Vet\u00ebm n\u00eb t\u00eb ekzistoi vazhdim\u00ebsia e pand\u00ebrprer\u00eb, nj\u00eb gjenerate pas tjetr\u00ebs, e regjisor\u00ebve dhe artist\u00ebve \u2013 gj\u00eb e rrall\u00eb n\u00eb institucione publike, prej Universitetit tek sh\u00ebndet\u00ebsia.<\/p>\n

Nuk di \u00e7far\u00eb ka qen\u00eb motivi. Di q\u00eb n\u00eb fund do t\u00eb dal\u00eb se shkat\u00ebrrimi i godin\u00ebs s\u00eb vjet\u00ebr e identifikoi at\u00eb si Teat\u00ebr t\u00eb harres\u00ebs. Dhe se godina duhet t\u00eb nd\u00ebrtohet q\u00eb t\u00eb krijoj\u00eb nj\u00eb kujtes\u00eb t\u00eb re. Dhe se vet\u00ebm ky akt, pa fadroma, polic\u00eb e arrestim artist\u00ebsh, \u00ebsht\u00eb m\u00eb vete akt dhune. Dhe se, pas nj\u00eb kohe, njer\u00ebzit m\u00ebsohen me totemin e ri duke harruar se ka ekzistuar ndonj\u00ebher\u00eb i vjetri.<\/p>\n<\/div>\n<\/article>\n","protected":false},"excerpt":{"rendered":"

Nga Veton Surroi Aborigjin\u00ebt australian\u00eb dhe Roland Barthes n\u00eb Tiran\u00eb 1. M\u00eb lejoni q\u00eb n\u00eb debatin p\u00ebr Teatrin (t\u00ebr\u00eb at\u00eb k\u00ebmbim t\u00eb zjarrt\u00eb rreth godin\u00ebs s\u00eb shembur t\u00eb Teatrit Komb\u00ebtar) t\u00eb ftoj dy personazhe q\u00eb nuk kan\u00eb lidhje me k\u00ebt\u00eb ngjarje, madje nuk jan\u00eb t\u00eb gjall\u00eb. Nj\u00ebri \u00ebsht\u00eb dr.Iren\u00e4us Eibl-Eibesfeldt, shkenc\u00ebtari m\u00eb i njohur i […]<\/p>\n","protected":false},"author":1,"featured_media":542,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"footnotes":""},"categories":[9,4],"tags":[],"yoast_head":"\nTeatri i quajtur Harres\u00eb - Informohu qart\u00ebsisht!<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/redaktori.com\/?p=22098\" \/>\n<meta property=\"og:locale\" content=\"sq_AL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Teatri i quajtur Harres\u00eb - Informohu qart\u00ebsisht!\" \/>\n<meta property=\"og:description\" content=\"Nga Veton Surroi Aborigjin\u00ebt australian\u00eb dhe Roland Barthes n\u00eb Tiran\u00eb 1. M\u00eb lejoni q\u00eb n\u00eb debatin p\u00ebr Teatrin (t\u00ebr\u00eb at\u00eb k\u00ebmbim t\u00eb zjarrt\u00eb rreth godin\u00ebs s\u00eb shembur t\u00eb Teatrit Komb\u00ebtar) t\u00eb ftoj dy personazhe q\u00eb nuk kan\u00eb lidhje me k\u00ebt\u00eb ngjarje, madje nuk jan\u00eb t\u00eb gjall\u00eb. Nj\u00ebri \u00ebsht\u00eb dr.Iren\u00e4us Eibl-Eibesfeldt, shkenc\u00ebtari m\u00eb i njohur i […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/redaktori.com\/?p=22098\" \/>\n<meta property=\"og:site_name\" content=\"Informohu qart\u00ebsisht!\" \/>\n<meta property=\"article:published_time\" content=\"2020-05-20T12:18:45+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/redaktori.com\/wp-content\/uploads\/2019\/02\/veton-surroi.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"900\" \/>\n\t<meta property=\"og:image:height\" content=\"648\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"http:\/\/redaktori.com\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"http:\/\/redaktori.com\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minuta\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/redaktori.com\/?p=22098\",\"url\":\"https:\/\/redaktori.com\/?p=22098\",\"name\":\"Teatri i quajtur Harres\u00eb - Informohu qart\u00ebsisht!\",\"isPartOf\":{\"@id\":\"https:\/\/redaktori.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/redaktori.com\/?p=22098#primaryimage\"},\"image\":{\"@id\":\"https:\/\/redaktori.com\/?p=22098#primaryimage\"},\"thumbnailUrl\":\"https:\/\/redaktori.com\/wp-content\/uploads\/2019\/02\/veton-surroi.jpg\",\"datePublished\":\"2020-05-20T12:18:45+00:00\",\"dateModified\":\"2020-05-20T12:18:45+00:00\",\"author\":{\"@id\":\"https:\/\/redaktori.com\/#\/schema\/person\/470e9b98b348cb5da953e2daff276aa2\"},\"breadcrumb\":{\"@id\":\"https:\/\/redaktori.com\/?p=22098#breadcrumb\"},\"inLanguage\":\"sq\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/redaktori.com\/?p=22098\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"sq\",\"@id\":\"https:\/\/redaktori.com\/?p=22098#primaryimage\",\"url\":\"https:\/\/redaktori.com\/wp-content\/uploads\/2019\/02\/veton-surroi.jpg\",\"contentUrl\":\"https:\/\/redaktori.com\/wp-content\/uploads\/2019\/02\/veton-surroi.jpg\",\"width\":900,\"height\":648},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/redaktori.com\/?p=22098#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/redaktori.com\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Teatri i quajtur Harres\u00eb\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/redaktori.com\/#website\",\"url\":\"https:\/\/redaktori.com\/\",\"name\":\"http:\/\/redaktori.com - Informohu qart\u00ebsisht!\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/redaktori.com\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"sq\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/redaktori.com\/#\/schema\/person\/470e9b98b348cb5da953e2daff276aa2\",\"name\":\"http:\/\/redaktori.com\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"sq\",\"@id\":\"https:\/\/redaktori.com\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/5555287f41529e19277415e6cb9cfb4c?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/5555287f41529e19277415e6cb9cfb4c?s=96&d=mm&r=g\",\"caption\":\"http:\/\/redaktori.com\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Teatri i quajtur Harres\u00eb - Informohu qart\u00ebsisht!","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/redaktori.com\/?p=22098","og_locale":"sq_AL","og_type":"article","og_title":"Teatri i quajtur Harres\u00eb - Informohu qart\u00ebsisht!","og_description":"Nga Veton Surroi Aborigjin\u00ebt australian\u00eb dhe Roland Barthes n\u00eb Tiran\u00eb 1. M\u00eb lejoni q\u00eb n\u00eb debatin p\u00ebr Teatrin (t\u00ebr\u00eb at\u00eb k\u00ebmbim t\u00eb zjarrt\u00eb rreth godin\u00ebs s\u00eb shembur t\u00eb Teatrit Komb\u00ebtar) t\u00eb ftoj dy personazhe q\u00eb nuk kan\u00eb lidhje me k\u00ebt\u00eb ngjarje, madje nuk jan\u00eb t\u00eb gjall\u00eb. Nj\u00ebri \u00ebsht\u00eb dr.Iren\u00e4us Eibl-Eibesfeldt, shkenc\u00ebtari m\u00eb i njohur i […]","og_url":"https:\/\/redaktori.com\/?p=22098","og_site_name":"Informohu qart\u00ebsisht!","article_published_time":"2020-05-20T12:18:45+00:00","og_image":[{"width":900,"height":648,"url":"https:\/\/redaktori.com\/wp-content\/uploads\/2019\/02\/veton-surroi.jpg","type":"image\/jpeg"}],"author":"http:\/\/redaktori.com","twitter_card":"summary_large_image","twitter_misc":{"Written by":"http:\/\/redaktori.com","Est. reading time":"8 minuta"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/redaktori.com\/?p=22098","url":"https:\/\/redaktori.com\/?p=22098","name":"Teatri i quajtur Harres\u00eb - Informohu qart\u00ebsisht!","isPartOf":{"@id":"https:\/\/redaktori.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/redaktori.com\/?p=22098#primaryimage"},"image":{"@id":"https:\/\/redaktori.com\/?p=22098#primaryimage"},"thumbnailUrl":"https:\/\/redaktori.com\/wp-content\/uploads\/2019\/02\/veton-surroi.jpg","datePublished":"2020-05-20T12:18:45+00:00","dateModified":"2020-05-20T12:18:45+00:00","author":{"@id":"https:\/\/redaktori.com\/#\/schema\/person\/470e9b98b348cb5da953e2daff276aa2"},"breadcrumb":{"@id":"https:\/\/redaktori.com\/?p=22098#breadcrumb"},"inLanguage":"sq","potentialAction":[{"@type":"ReadAction","target":["https:\/\/redaktori.com\/?p=22098"]}]},{"@type":"ImageObject","inLanguage":"sq","@id":"https:\/\/redaktori.com\/?p=22098#primaryimage","url":"https:\/\/redaktori.com\/wp-content\/uploads\/2019\/02\/veton-surroi.jpg","contentUrl":"https:\/\/redaktori.com\/wp-content\/uploads\/2019\/02\/veton-surroi.jpg","width":900,"height":648},{"@type":"BreadcrumbList","@id":"https:\/\/redaktori.com\/?p=22098#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/redaktori.com\/"},{"@type":"ListItem","position":2,"name":"Teatri i quajtur Harres\u00eb"}]},{"@type":"WebSite","@id":"https:\/\/redaktori.com\/#website","url":"https:\/\/redaktori.com\/","name":"http:\/\/redaktori.com - Informohu qart\u00ebsisht!","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/redaktori.com\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"sq"},{"@type":"Person","@id":"https:\/\/redaktori.com\/#\/schema\/person\/470e9b98b348cb5da953e2daff276aa2","name":"http:\/\/redaktori.com","image":{"@type":"ImageObject","inLanguage":"sq","@id":"https:\/\/redaktori.com\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/5555287f41529e19277415e6cb9cfb4c?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/5555287f41529e19277415e6cb9cfb4c?s=96&d=mm&r=g","caption":"http:\/\/redaktori.com"}}]}},"jetpack_featured_media_url":"https:\/\/redaktori.com\/wp-content\/uploads\/2019\/02\/veton-surroi.jpg","blog_post_layout_featured_media_urls":{"thumbnail":["https:\/\/redaktori.com\/wp-content\/uploads\/2019\/02\/veton-surroi-150x150.jpg",150,150,true],"full":["https:\/\/redaktori.com\/wp-content\/uploads\/2019\/02\/veton-surroi.jpg",900,648,false]},"categories_names":{"9":{"name":"Analiz\u00eb","link":"https:\/\/redaktori.com\/?cat=9"},"4":{"name":"Opinion","link":"https:\/\/redaktori.com\/?cat=4"}},"tags_names":[],"comments_number":"0","wpmagazine_modules_lite_featured_media_urls":{"thumbnail":["https:\/\/redaktori.com\/wp-content\/uploads\/2019\/02\/veton-surroi-150x150.jpg",150,150,true],"cvmm-medium":["https:\/\/redaktori.com\/wp-content\/uploads\/2019\/02\/veton-surroi.jpg",300,216,false],"cvmm-medium-plus":["https:\/\/redaktori.com\/wp-content\/uploads\/2019\/02\/veton-surroi.jpg",288,207,false],"cvmm-portrait":["https:\/\/redaktori.com\/wp-content\/uploads\/2019\/02\/veton-surroi.jpg",400,288,false],"cvmm-medium-square":["https:\/\/redaktori.com\/wp-content\/uploads\/2019\/02\/veton-surroi.jpg",600,432,false],"cvmm-large":["https:\/\/redaktori.com\/wp-content\/uploads\/2019\/02\/veton-surroi.jpg",900,648,false],"cvmm-small":["https:\/\/redaktori.com\/wp-content\/uploads\/2019\/02\/veton-surroi.jpg",130,95,false],"full":["https:\/\/redaktori.com\/wp-content\/uploads\/2019\/02\/veton-surroi.jpg",900,648,false]},"_links":{"self":[{"href":"https:\/\/redaktori.com\/index.php?rest_route=\/wp\/v2\/posts\/22098"}],"collection":[{"href":"https:\/\/redaktori.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/redaktori.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/redaktori.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/redaktori.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=22098"}],"version-history":[{"count":1,"href":"https:\/\/redaktori.com\/index.php?rest_route=\/wp\/v2\/posts\/22098\/revisions"}],"predecessor-version":[{"id":22099,"href":"https:\/\/redaktori.com\/index.php?rest_route=\/wp\/v2\/posts\/22098\/revisions\/22099"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/redaktori.com\/index.php?rest_route=\/wp\/v2\/media\/542"}],"wp:attachment":[{"href":"https:\/\/redaktori.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=22098"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/redaktori.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=22098"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/redaktori.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=22098"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}