{"id":21930,"date":"2020-05-13T10:13:11","date_gmt":"2020-05-13T08:13:11","guid":{"rendered":"http:\/\/redaktori.com\/?p=21930"},"modified":"2020-05-13T10:13:11","modified_gmt":"2020-05-13T08:13:11","slug":"karl-ove-knausgard-te-kerkosh-kuptimin-e-jetes-permes-te-shkruarit","status":"publish","type":"post","link":"https:\/\/redaktori.com\/?p=21930","title":{"rendered":"Karl Ove Knausgard: T\u00eb k\u00ebrkosh kuptimin e jet\u00ebs, p\u00ebrmes t\u00eb shkruarit"},"content":{"rendered":"

Me \u201cFund\u201d mbyllet veprat e shkrimtarit norvegjez, q\u00eb i ka kushtuar 6 v\u00ebllime nj\u00eb rr\u00ebfimi real, n\u00eb nj\u00eb m\u00ebnyr\u00eb kaq t\u00eb p\u00ebrpikt\u00eb saq\u00eb duket si nj\u00eb imitim. Letersia \u00ebsht\u00eb e rrezikshme, ajo e sfidon iden\u00eb ton\u00eb mbi t\u00eb mir\u00ebn apo t\u00eb keqen. Dhe ka nj\u00eb \u00e7mim p\u00ebr t\u00eb paguar<\/strong><\/p>\n

Nj\u00eb shkrimtar i kultit apo nj\u00eb narcizist i m\u00ebrzitsh\u00ebm? Vepra monumentale e Karl Knausgard, 6 v\u00ebllime dhe mij\u00ebra faqet q\u00eb p\u00ebrshkruajn\u00eb jet\u00ebn e tij t\u00eb p\u00ebrditshme deri n\u00eb detajin m\u00eb t\u00eb im\u00ebt, ka ka ndar\u00eb kritik\u00ebt dhe publikun, por e ka shnd\u00ebrruar at\u00eb n\u00eb nj\u00eb lloj rokstari t\u00eb let\u00ebrsis\u00eb bot\u00ebrore.<\/p>\n

Nj\u00eb karakter i ndrojtur dhe i rezervuar, ai pranon nj\u00eb takim n\u00eb kafene n\u00eb Blackheath, distriktin e larg\u00ebt t\u00eb periferis\u00eb s\u00eb Londr\u00ebs ku jeton tani.<\/p>\n

\u201cBeteja ime\u201d vjen tani n\u00eb Itali me serin\u00eb e fundit. Por e gjith\u00eb vepra, me p\u00ebrpjekjen e tij p\u00ebr t\u00eb p\u00ebrshkruar jet\u00ebn n\u00eb t\u00eb gjitha detajet e saj, t\u00eb kujton e Hart\u00ebn e Perandoris\u00eb, n\u00eb tregimin e famsh\u00ebm t\u00eb Borgesit:q\u00eb e riprodhon realitetin me t\u00eb gjitha ve\u00e7antit\u00eb e tij, aq sa n\u00eb fund rezulton i padobish\u00ebm.<\/p>\n

Edhe ju vet\u00eb e pranoni se n\u00eb fund d\u00ebshtuat. Po \u00e7far\u00eb ndodh m\u00eb pas? Pas d\u00ebshtimit, n\u00eb cilin drejtim do t\u00eb vazhdoni t\u00eb ecni?<\/strong><\/p>\n

I gjith\u00eb arti \u00ebsht\u00eb nj\u00eb d\u00ebshtim. Ai \u00ebsht\u00eb nj\u00eb p\u00ebrpjekje p\u00ebr t\u00eb shkuar diku, por n\u00eb fund nuk ia del dot. Dhe pastaj provon qasje dhe m\u00ebnyra t\u00eb reja. Dhe ajo q\u00eb mbetet \u00ebsht\u00eb arti, dhe jo jeta. Kur mbarova librin \u201cBeteja ime\u201d, doja t\u00eb mos shkruaja m\u00eb, por pastaj vazhdova s\u00ebrish.<\/p>\n

Pra, gjet\u00ebt nj\u00eb m\u00ebnyr\u00eb p\u00ebr ta kap\u00ebrcyer at\u00eb d\u00ebshtim ?<\/strong><\/p>\n

Tani shkruaj fiction, dhe jam duke punuar mbi nj\u00eb roman. Jam ende duke e shkruar, por n\u00eb nj\u00eb m\u00ebnyr\u00eb tjet\u00ebr:edhe pse po k\u00ebrkoj t\u00eb nj\u00ebjt\u00ebn gj\u00eb. Kur shkrova \u201cBeteja ime\u201d, isha n\u00eb k\u00ebrkim t\u00eb jet\u00ebs time. Dhe tani po p\u00ebrpiqem ende t\u00eb gjej nj\u00eb kuptim t\u00eb saj.<\/p>\n

Ideja e gjetjes s\u00eb nj\u00eb m\u00ebnyre p\u00ebr t\u00eb p\u00ebrshkruar t\u00ebr\u00ebsisht jet\u00ebn reale, bazohet n\u00eb iden\u00eb e artit si nj\u00eb imitim, sikurse p\u00ebrkufizohej dikur nga Platoni. \u201cBeteja ime\u201d, ishte pika m\u00eb e lart\u00eb e artit mimetic. Por deri n\u00eb \u00e7far\u00eb pik\u00eb arti \u00ebsht\u00eb imitim ?<\/strong><\/p>\n

N\u00eb librin e fundit, ka nj\u00eb pjes\u00eb shum\u00eb e r\u00ebnd\u00ebsishme, gati 60 faqe, mbi nj\u00eb poem\u00eb t\u00eb Pol Selan, q\u00eb fokusohet mbi at\u00eb q\u00eb mund t\u00eb thuhet dhe at\u00eb q\u00eb s\u2019mund t\u00eb thuhet:\u00e7far\u00eb mund t\u00eb thuhet me v\u00ebrtet\u00ebsi mbi Holokaustin, tanim\u00eb q\u00eb duket sikur gjuha ishte shembur.<\/p>\n

Gjuha \u00ebsht\u00eb komunikimi i bazuar n\u00eb nj\u00eb marr\u00ebveshje:por kjo marr\u00ebveshje nuk ekziston m\u00eb, pas asaj q\u00eb ka ndodhur n\u00eb Aushvic. \u00cbsht\u00eb pika ku ndahen gjuha dhe bota. Gjuha \u00ebsht\u00eb lidhje \u2013 lidhje me veten tone \u2013 dhe t\u00eb kuptosh bot\u00ebn do t\u00eb thot\u00eb t\u00eb kuptosh k\u00ebt\u00eb lidhje. Por bota \u00ebsht\u00eb gjithnj\u00eb atje jasht\u00eb, e pagjuh\u00eb.<\/p>\n

Aty mund t\u00eb shkojn\u00eb vet\u00ebm poet\u00ebt, por jo romancier\u00ebt:dhe un\u00eb nuk mundem. Jam shum\u00eb i interesuar mbi k\u00ebt\u00eb ndarje midis gjuh\u00ebs dhe t\u00eb bot\u00ebs, mbi p\u00ebrbashk\u00ebsin\u00eb q\u00eb p\u00ebrfaq\u00ebson gjuha, dhe mbi m\u00ebnyr\u00ebn se si ajo i ndryshon gj\u00ebrat. Le t\u00eb shohim \u00e7far\u00eb ka ndodhur n\u00eb Evrop\u00eb gjat\u00eb 10 viteve t\u00eb fundit, dhe n\u00eb Britanin\u00eb e Madhe 5 vitet e fundit.<\/p>\n

Rritja e populizmit, \u00ebsht\u00eb nj\u00eb problem i gjuh\u00ebs?<\/strong><\/p>\n

Po, n\u00eb kuptimin q\u00eb ka ndryshuar ajo q\u00eb \u00ebsht\u00eb e mundur t\u00eb thuhet.<\/p>\n

Ju keni folur p\u00ebr nj\u00eb \u201cndotje\u201d t\u00eb gjuh\u00ebs\u2026<\/strong><\/p>\n

Po, \u00ebsht\u00eb nj\u00eb helmim. Kur ndryshon gjuha, ndryshojn\u00eb edhe veprimet.<\/p>\n

A \u00ebsht\u00eb e mundur kjo p\u00ebrball\u00eb asaj, q\u00eb \u00ebsht\u00eb nj\u00eb \u201cekologji\u201de gjuh\u00ebs ?<\/strong><\/p>\n

K\u00ebtu hyn n\u00eb loj\u00eb let\u00ebrsia. Ajo \u00e7far\u00eb k\u00ebrkon n\u00eb let\u00ebrsi, \u00ebsht\u00eb kompleksiteti dhe diversiteti. Dhe kompleksiteti \u00ebsht\u00eb e kund\u00ebrta e atyre parullave t\u00eb thjesht\u00ebzuara. Problemi \u00ebsht\u00eb se jo shum\u00eb njer\u00ebz lexojn\u00eb romane. Let\u00ebrsia nuk z\u00eb m\u00eb at\u00eb vend, q\u00eb kishte disa breza m\u00eb par\u00eb n\u00eb shoq\u00ebri.<\/p>\n

\u201cBeteja ime\u201d, ka qen\u00eb sfida kryesore p\u00ebr ju. E keni quajtur nj\u00eb \u00e7\u00ebshtje p\u00ebr jet\u00eb a vdekje:n\u00eb \u00e7far\u00eb kuptimi ?<\/strong><\/p>\n

\u00cbsht\u00eb nj\u00eb vep\u00ebr q\u00eb ka nisur me ndjesin\u00eb time se gjith\u00e7ka ishte pa kuptim, se jeta ime nuk kishte asnj\u00eb kuptim. P\u00ebrmes shkrimit, doja q\u00eb t\u00eb ringjallja vet\u00eb jet\u00ebn time.<\/p>\n

Ishte nd\u00ebrkoh\u00eb edhe nj\u00eb p\u00ebrpjekje p\u00ebr t\u00eb njohur veten, n\u00ebp\u00ebrmjet metod\u00ebs sokratike?<\/strong><\/p>\n

Ekziston edhe ky element. Ajo \u00e7far\u00eb ti mendon se di p\u00ebr veten, t\u00eb m\u00ebsuarit e asaj q\u00eb t\u00eb ka ndodhur, ne kemi pra nj\u00eb version. Dhe s\u2019ka asnj\u00eb tjet\u00ebr m\u00ebnyr\u00eb p\u00ebr t\u00eb dh\u00ebn\u00eb nj\u00eb tjet\u00ebr version, p\u00ebrve\u00e7se duke shkruar. Sepse gjuha letrare nuk \u00ebsht\u00eb ti, por nj\u00eb tjet\u00ebr:dhe n\u00ebse zhytesh n\u00eb t\u00eb sheh di\u00e7ka tjet\u00ebr.<\/p>\n

N\u00eb vepr\u00ebn tuaj ka nj\u00eb rol qendror kujtesa, ajo e nd\u00ebrgjegjshme dhe e pand\u00ebrgjegjshme. P\u00ebrve\u00e7 jehon\u00ebs frojdiane, n\u00eb t\u00eb ka nj\u00eb referenc\u00eb t\u00eb dukshme ndaj Marsel Prustit\u2026<\/strong><\/p>\n

Ka shum\u00eb ngjashm\u00ebri me Prustin dhe m\u00ebnyr\u00ebs s\u00eb tij t\u00eb t\u00eb menduarit mbi kujtes\u00ebn. Kam qen\u00eb shum\u00eb i ndikuar prej tij q\u00ebkur isha 20-vje\u00e7. Ka shum\u00eb gj\u00ebra q\u00eb kan\u00eb dal\u00eb n\u00eb procesin e shkrimit, dhe q\u00eb nuk ishin kujtime t\u00eb koh\u00ebve t\u00eb fundit:shkrimi \u00ebsht\u00eb gjithashtu nj\u00eb proces i p\u00ebrkujtimit t\u00eb ngjarjeve t\u00eb vjetra.<\/p>\n

P\u00ebrfshirja e njer\u00ebzve real\u00eb n\u00eb nj\u00eb vep\u00ebr letrare ka ngjallur polemika , t\u00eb cilat ju detyruan t\u00eb hiqnit dor\u00eb nga mbiemri i babait tuaj. N\u00eb fakt \u00e7far\u00eb \u00ebsht\u00eb nj\u00eb em\u00ebr, po t\u00eb shprehemi sipas Shekspirit?<\/strong><\/p>\n

Emrat kan\u00eb qen\u00eb gjithnj\u00eb nj\u00eb tem\u00eb delikate n\u00eb familjen time. Babai im e kishte n\u00eb realitet mbiemrin Pedersen, q\u00eb \u00ebsht\u00eb mbiemri norvegjez m\u00eb i zakonsh\u00ebm. Kur shkoi n\u00eb universitet e ndryshoi n\u00eb Knausgard:\u00ebsht\u00eb nj\u00eb mbiem\u00ebr i shpikur vet\u00ebm p\u00ebr t\u2019u dukur m\u00eb elegant, \u00ebsht\u00eb nj\u00eb mbiem\u00ebr ambicioz. Nj\u00eb mbiem\u00ebr bart shum\u00eb fuqi.<\/p>\n

Pra, mbiemri juaj nuk duhej t\u00eb ishte Knausgard?<\/strong><\/p>\n

Jo, duhet t\u00eb jet\u00eb Pedersen!<\/p>\n

N\u00eb qend\u00ebr t\u00eb k\u00ebtij libri voluminoz ka nj\u00eb ese 400 faqe mbi Hitlerin. Hija e themeluesit t\u00eb nazizmit ndihet q\u00eb n\u00eb fillim, q\u00eb nga titulli i vepr\u00ebs q\u00eb n\u00eb gjuh\u00ebn norvegjeze ka t\u00eb nj\u00ebjtin kuptim me \u201dMein Kampf\u201d . Ju tregoni se si hulumtimi i autenticitetit solli Holokaustin:por \u00ebsht\u00eb i nj\u00ebjti hulumtim q\u00eb ju nxiti edhe ju\u2026<\/strong><\/p>\n

Po, k\u00ebshtu e mendoj. Sepse kam t\u00eb nj\u00ebjt\u00ebn d\u00ebshir\u00eb q\u00eb e kishte edhe Hitleri:\u00e7do gj\u00eb n\u00eb bot\u00ebn ton\u00eb \u00ebsht\u00eb sip\u00ebrfaq\u00ebsore dhe komerciale, dhe kjo \u00e7on n\u00eb \u00ebndrr\u00ebn e nj\u00eb shoq\u00ebrie bazike. P\u00ebr shkak se i ndjej k\u00ebto gj\u00ebra vet\u00eb, kjo m\u00eb b\u00ebn t\u00eb aft\u00eb q\u00eb t\u00eb shkruaj mbi nazizmin:pasi i njoh ato ndjenja, p\u00ebr shkak se i kam d\u00ebgjuar vet\u00eb. Dhe kjo \u00ebsht\u00eb m\u00ebnyra e duhur p\u00ebr t\u2019i p\u00ebrshkruar, p\u00ebrndryshe<\/p>\n

do thuash vet\u00ebm q\u00eb ata ishin njer\u00ebz t\u00eb ligj. N\u00eb fakt duhet shkuar shum\u00eb m\u00eb pran\u00eb, dhe kjo \u00ebsht\u00eb shum\u00eb e frikshme.<\/p>\n

Pjesa e fundit e vepr\u00ebs, merret me ndikimin q\u00eb ka sjell\u00eb libri tek njer\u00ebzit q\u00eb ju rrethojn\u00eb p\u00ebrreth, duke nisur nga bashk\u00ebshortja juaj. A ka let\u00ebrsia pasoja n\u00eb jet\u00ebn reale?<\/strong><\/p>\n

Po shkruaja v\u00ebllimin e tret\u00eb kur u publikua i pari, dhe v\u00ebmendja e mediave ishte shum\u00eb e madhe. Isha shum\u00eb i frik\u00ebsuar, pasi po shkruaja mbi njer\u00ebz real\u00eb, dhe nuk e dija se \u00e7far\u00eb mund t\u00eb ndodhte. Ishte nj\u00eb eksperiment:mbi ndryshimin midis jet\u00ebs dhe let\u00ebrsis\u00eb. Ishte nj\u00eb loj\u00eb e rrezikshme. Por n\u00eb fakt nuk ishte nj\u00eb loj\u00eb, ishte jeta ime.<\/p>\n

Leksioni fundor, \u00ebsht\u00eb se e v\u00ebrteta e ka nj\u00eb kosto. Cili \u00ebsht\u00eb \u00e7mimi q\u00eb duhet paguar?<\/strong><\/p>\n

Pyetje e mir\u00eb. Nuk e di, \u00ebsht\u00eb nj\u00eb zon\u00eb gri. Njer\u00ebz t\u00eb tjer\u00eb, kan\u00eb paguar nj\u00eb \u00e7mim shum\u00eb m\u00eb t\u00eb lart\u00eb se un\u00eb. Un\u00eb kam zbuluar gj\u00ebra t\u00eb jet\u00ebs sime, por ky ishte nj\u00eb vendim i mi, nd\u00ebrsa p\u00ebr t\u00eb tjer\u00ebt nuk ka qen\u00eb k\u00ebshtu. Let\u00ebrsia \u00ebsht\u00eb e rrezikshme. Ajo na nxit t\u00eb sfidojm\u00eb konceptet tona, mbi at\u00eb \u00ebsht\u00eb e mir\u00eb apo e keqe. Ky \u00ebsht\u00eb edhe roli i let\u00ebrsis\u00eb dhe artit n\u00eb p\u00ebrgjith\u00ebsi. \/ Sette \u2013 Bota.al<\/p>\n","protected":false},"excerpt":{"rendered":"

Me \u201cFund\u201d mbyllet veprat e shkrimtarit norvegjez, q\u00eb i ka kushtuar 6 v\u00ebllime nj\u00eb rr\u00ebfimi real, n\u00eb nj\u00eb m\u00ebnyr\u00eb kaq t\u00eb p\u00ebrpikt\u00eb saq\u00eb duket si nj\u00eb imitim. Letersia \u00ebsht\u00eb e rrezikshme, ajo e sfidon iden\u00eb ton\u00eb mbi t\u00eb mir\u00ebn apo t\u00eb keqen. Dhe ka nj\u00eb \u00e7mim p\u00ebr t\u00eb paguar Nj\u00eb shkrimtar i kultit apo nj\u00eb […]<\/p>\n","protected":false},"author":1,"featured_media":21931,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"footnotes":""},"categories":[6,3,20,21],"tags":[],"yoast_head":"\nKarl Ove Knausgard: T\u00eb k\u00ebrkosh kuptimin e jet\u00ebs, p\u00ebrmes t\u00eb shkruarit - Informohu qart\u00ebsisht!<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/redaktori.com\/?p=21930\" \/>\n<meta property=\"og:locale\" content=\"sq_AL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Karl Ove Knausgard: T\u00eb k\u00ebrkosh kuptimin e jet\u00ebs, p\u00ebrmes t\u00eb shkruarit - Informohu qart\u00ebsisht!\" \/>\n<meta property=\"og:description\" content=\"Me \u201cFund\u201d mbyllet veprat e shkrimtarit norvegjez, q\u00eb i ka kushtuar 6 v\u00ebllime nj\u00eb rr\u00ebfimi real, n\u00eb nj\u00eb m\u00ebnyr\u00eb kaq t\u00eb p\u00ebrpikt\u00eb saq\u00eb duket si nj\u00eb imitim. Letersia \u00ebsht\u00eb e rrezikshme, ajo e sfidon iden\u00eb ton\u00eb mbi t\u00eb mir\u00ebn apo t\u00eb keqen. 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