{"id":14672,"date":"2019-07-29T12:22:53","date_gmt":"2019-07-29T10:22:53","guid":{"rendered":"http:\/\/redaktori.com\/?p=14672"},"modified":"2019-07-29T12:22:53","modified_gmt":"2019-07-29T10:22:53","slug":"pse-shkruan-nje-shkrimtar","status":"publish","type":"post","link":"https:\/\/redaktori.com\/?p=14672","title":{"rendered":"Pse shkruan nj\u00eb shkrimtar?"},"content":{"rendered":"

Nga Bashkim Shehu<\/strong><\/p>\n

Tema e p\u00ebrgjithshme e k\u00ebtij cikli, si\u00e7 e tregon edhe titulli, \u00ebsht\u00eb ajo e raportit nd\u00ebrmjet ligj\u00ebrimit letrar artistik dhe ligj\u00ebrimit filozofik. T\u00eb parin e quaj \u201cletrar artistik\u201d p\u00ebr t\u00eb nxjerr\u00eb n\u00eb pah dallimin e let\u00ebrsis\u00eb nga nj\u00eb pjes\u00eb e madhe e asaj q\u00eb paraqitet dhe botohet si let\u00ebrsi, por q\u00eb p\u00ebrb\u00ebhet nga libra me q\u00ebllime komerciale. K\u00ebta t\u00eb fundit nuk jan\u00eb objekt i k\u00ebtyre leksioneve. P\u00ebr ta vet\u00ebm do t\u00eb thosha se i konsideroj t\u00eb d\u00ebmsh\u00ebm ngaq\u00eb prishin shijen e lexuesve dhe gjithashtu d\u00ebmtojn\u00eb mjedisin, duke shkaktuar prerje pem\u00ebsh t\u00eb shumta n\u00eb k\u00ebmbim t\u00eb prodhimit t\u00eb antivlerave.<\/p>\n

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Mbas k\u00ebtij sqarimi t\u00eb shkurt\u00ebr p\u00ebr titullin, po vazhdoj me nj\u00eb pohim t\u00eb thjesht\u00eb, me pohimin se let\u00ebrsia \u00ebsht\u00eb komunikim. Por \u00e7\u00ebshtja vjen e nd\u00ebrlikohet n\u00ebse n\u00eb lidhje me k\u00ebt\u00eb pohim shtrojm\u00eb nj\u00eb s\u00ebr\u00eb pyetjesh.<\/p>\n

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Pyetja e par\u00eb \u00ebsht\u00eb: kujt i drejtohet ky komunikim? Nj\u00eb legjend\u00eb thot\u00eb se Jonathan Swift-i, p\u00ebr ta dor\u00ebzuar p\u00ebr botim romanin e tij \u201cUdh\u00ebtimet e Guliverit\u201d, e futi n\u00eb nj\u00eb shishe dor\u00ebshkrimin, kaloi me nj\u00eb karroc\u00eb me shpejt\u00ebsi t\u00eb madhe ndan\u00eb redaksis\u00eb dhe, pa u ndalur, e v\u00ebrviti shishen brenda n\u00eb redaksi p\u00ebrmes dritares. Vet\u00eb libri \u201cUdh\u00ebtimet e Guliverit\u201d fillon me gjetjen nj\u00eb shisheje t\u00eb nxjerr\u00eb diku n\u00eb nj\u00eb ranishte nga dallg\u00ebt e detit dhe brenda n\u00eb k\u00ebt\u00eb shishe ishte dor\u00ebshkrimi i \u201cUdh\u00ebtimeve t\u00eb Guliverit\u201d. V\u00ebrtet, kur nj\u00eb autor boton nj\u00eb vep\u00ebr letrare, n\u00eb nj\u00ebfar\u00eb kuptimi hedh n\u00eb det nj\u00eb shishe me dor\u00ebshkrimin e tij: nuk dihet se n\u00eb \u00e7\u2019brigje do t\u00eb dal\u00eb dhe kush do ta lexoj\u00eb, n\u00ebse do ta lexoj\u00eb ndokush. Nd\u00ebrsa Umberto Eco thot\u00eb se autori i nj\u00eb vepre letrare i drejtohet lexuesit ideal.<\/p>\n

Pra, lexuesi \u00ebsht\u00eb nj\u00eb nd\u00ebrtim mendor i autorit, i cili nuk mund ta dij\u00eb kush jan\u00eb ata q\u00eb do ta lexoj\u00eb librin e tij. N\u00eb k\u00ebt\u00eb kuptim, t\u00eb shkruarit e nj\u00eb vepre letrare \u00ebsht\u00eb diametralisht i kund\u00ebrt me t\u00eb shkruarit e nj\u00eb letre q\u00eb i drejtojm\u00eb dikujt. Midis dy ekstremeve kemi forma t\u00eb tjera komunikimi shkrimor, sikurse p\u00ebr shembull shkrimi akademik apo ai publicistik. Gjithsesi, n\u00eb v\u00ebshtrimin e autor\u00ebve t\u00eb k\u00ebtyre lloj shkrimeve ekziston nj\u00ebfar\u00eb horizonti receptiv.<\/p>\n

Nj\u00eb historian, apo nj\u00eb filozof, apo nj\u00eb sociolog q\u00eb shkruan nj\u00eb tekst, ka si referenc\u00eb p\u00ebr nj\u00eb t\u00eb till\u00eb horizont bot\u00ebn akademike. Publicistika gjithashtu, dhe p\u00ebrher\u00eb e m\u00eb tep\u00ebr, synon kategori deri diku t\u00eb p\u00ebrcaktuara lexuesish. Pra, n\u00ebse horizonti receptiv i nj\u00eb filozofi, apo i nj\u00eb shkenc\u00ebtari, apo i nj\u00eb gazetari \u00ebsht\u00eb i mjegullt, p\u00ebrsaq\u00eb nuk \u00ebsht\u00eb i personalizuar, horizonti receptiv n\u00eb komunikimin letrar \u00ebsht\u00eb, si t\u00eb thuash, nj\u00eb projeksion i imagjinat\u00ebs autoriale, nj\u00ebfar\u00eb halucinacioni i autorit. Autori i nj\u00eb vepre letrare \u00ebsht\u00eb krejt i vet\u00ebm n\u00eb terminalin e tij t\u00eb procesit komunikativ. Kuptimplot\u00eb nga kjo pik\u00ebpamje m\u00eb duket nj\u00eb shaka e Borges-it, kur m\u00ebsoi se nga libri i tij i par\u00eb me tregime, \u201cHistoria universale e posht\u00ebrsis\u00eb\u201d, qenk\u00ebshin shitur vet\u00ebm tridhjeteshtat\u00eb ekzemplar\u00eb: aq m\u00eb mir\u00eb, tha, k\u00ebshtu do t\u00eb kem rastin t\u2019i njoh t\u00eb gjith\u00eb lexuesit e mi.<\/p>\n

Kjo shaka v\u00eb n\u00eb dukje larg\u00ebsin\u00eb e pamat nd\u00ebrmjet shkrimtarit dhe lexuesit real, e cila, nga ana tjet\u00ebr, nuk \u00ebsht\u00eb thjesht \u00e7\u00ebshtje numri. Mund t\u00eb themi se, p\u00ebr shkrimtarin, lexuesi i tij si lexues ideal \u00ebsht\u00eb po aq fiktiv sa personazhet e fiksionit q\u00eb po shkruan. \u00cbsht\u00eb nj\u00eb personazh i paduksh\u00ebm i fiksionit q\u00eb po shkruan, ashtu sikurse, anasjelltas, autori p\u00ebr lexuesin \u00ebsht\u00eb nj\u00eb nd\u00ebrtim mendor, nj\u00eb personazh i paduksh\u00ebm nd\u00ebrmjet personazheve t\u00eb tjera.<\/p>\n

At\u00ebher\u00eb, pyetja e par\u00eb na shpie te nj\u00eb tjet\u00ebr: pse shkruan nj\u00eb shkrimtar? Andr\u00e9 Gide, nga romancier\u00ebt francez\u00eb m\u00eb t\u00eb njohur t\u00eb shekullit XX, thot\u00eb: shkruaj q\u00eb t\u00eb m\u00eb lexojn\u00eb. Diametralisht e kund\u00ebrt \u00ebsht\u00eb th\u00ebnia e Benedetto Croce-s, i cili ka pasur shum\u00eb ndikim n\u00eb estetik\u00ebn moderne: sipas tij, autori i nj\u00eb vepre letrare synon q\u00eb me k\u00ebt\u00eb vep\u00ebr t\u2019i jap\u00eb mund\u00ebsi vetes p\u00ebr t\u00eb soditur objektivimin e fantazmave t\u00eb veta. N\u00eb m\u00ebnyr\u00eb t\u00eb ngjashme, Maurice Blanchot thot\u00eb se shkruajm\u00eb librin q\u00eb do t\u00eb donim t\u00eb lexonim. Nd\u00ebrkaq, autori nuk shkruan p\u00ebr ta lexuar vet\u00eb vepr\u00ebn e tij, ndryshe nuk do ta \u00e7onte p\u00ebr ta botuar. Kjo, p\u00ebr mendimin tim, ndodh ngaq\u00eb ai ka shum\u00eb nevoj\u00eb p\u00ebr\u00a0feedback<\/em>, p\u00ebr nj\u00eb konfirmim se fantazmat e tij p\u00ebrnj\u00ebmend jan\u00eb objektivuar, se tashm\u00eb ekzistojn\u00eb si t\u00eb tilla pavar\u00ebsisht prej tij. Do t\u00eb thosha se krijimtaria letrare si proces dhe si p\u00ebrjetim i brendsh\u00ebm i autorit i ngjan nj\u00eb m\u00ebrgimi n\u00eb shkret\u00ebtir\u00eb, nd\u00ebrsa nevoja p\u00ebr tjetrin, tekefundit p\u00ebr di\u00e7ka q\u00eb do t\u00eb mish\u00ebronte mohimin e shkret\u00ebtir\u00ebs absolute, \u00ebsht\u00eb nj\u00eb mirazh q\u00eb i shfaqet autorit n\u00eb mes t\u00eb k\u00ebsaj shkret\u00ebtire ku e ka m\u00ebrguar veten.<\/p>\n

K\u00ebsisoj, p\u00ebrgjigjet ndaj k\u00ebtyre pyetjeve na k\u00ebrkojn\u00eb q\u00eb ta nuancojm\u00eb apo ta relativizojm\u00eb pohimin e thjesht\u00eb fillestar, se let\u00ebrsia \u00ebsht\u00eb komunikim. P\u00ebr k\u00ebt\u00eb do t\u00eb perifrazoja nj\u00eb th\u00ebnie t\u00eb Octavio Paz-it, se let\u00ebrsia e v\u00eb mes thonj\u00ebzash funksionin komunikativ t\u00eb ligj\u00ebrimit ashtu sikurse erotizmi e v\u00eb mes thonj\u00ebzash funksionin biologjik t\u00eb riprodhimit. Dhe k\u00ebtu lind nj\u00eb pyetje e tret\u00eb, q\u00eb e nd\u00ebrlikon \u00e7\u00ebshtjen edhe m\u00eb tep\u00ebr: cili \u00ebsht\u00eb synimi i komunikimit n\u00ebp\u00ebrmjet let\u00ebrsis\u00eb?<\/p>\n

Po mjaftohem t\u00eb them se nuk \u00ebsht\u00eb ai i dh\u00ebnies s\u00eb informacionit sikurse p\u00ebr shembull n\u00eb fush\u00ebn e gazetaris\u00eb, apo n\u00eb shkencat empirike, apo n\u00eb fush\u00ebn e teknik\u00ebs dhe nuk \u00ebsht\u00eb as ai i argumentimit, sikurse n\u00eb ligj\u00ebrimin filozofik apo n\u00eb ligj\u00ebrimin teoriko-shkencor. Se \u00e7far\u00eb funksioni ka ky lloj specifik i komunikimit, komunikimi n\u00ebp\u00ebrmjet ligj\u00ebrimit letrar, kjo nuk mund t\u00eb thuhet me pak fjal\u00eb. Kjo \u00ebsht\u00eb di\u00e7ka s\u00eb cil\u00ebs besoj se mund t\u2019i afrohemi apo t\u2019i japim p\u00ebrgjigje me p\u00ebraf\u00ebrsi n\u00eb mbarim t\u00eb k\u00ebtij cikli.<\/p>\n

Fol\u00ebm, pra, p\u00ebr emetuesin e mesazhit dhe p\u00ebr skajin tjet\u00ebr n\u00eb k\u00ebt\u00eb proces komunikimi, p\u00ebr horizontin receptiv. Tani do t\u00eb ndalemi te natyra e mesazhit p\u00ebr t\u00eb cilin e pat\u00ebm fjal\u00ebn.<\/p>\n

Materiali q\u00eb p\u00ebrdor autori i nj\u00eb vepre letrare, m\u00eb sakt\u00eb i nj\u00eb vepre letrare artistike, \u00ebsht\u00eb gjuha. \u00cbsht\u00eb po ai material q\u00eb p\u00ebrdoret edhe n\u00eb ligj\u00ebrimet e tjera, me funksione t\u00eb tjera, pra edhe n\u00eb ligj\u00ebrimin filozofik. Regjistrat stilistik\u00eb t\u00eb let\u00ebrsis\u00eb jan\u00eb nga m\u00eb t\u00eb ndryshmit: q\u00eb nga stili i lart\u00eb ditirambik, ve\u00e7an\u00ebrisht n\u00eb poezin\u00eb klasike, dhe q\u00eb nga stili i sofistikuar figurativ, i ngarkuar me trope, si n\u00eb rastin e simbolizmit apo t\u00eb surrealizmit, e deri te nj\u00eb stil minimalist q\u00eb i ngjan thjeshtligj\u00ebrimit n\u00eb jet\u00ebn e p\u00ebrditshme, p\u00ebr \u00e7ka mund t\u00eb p\u00ebrmendim si shembull proz\u00ebn m\u00eb t\u00eb mir\u00eb amerikane t\u00eb fillimshekullit XX, ose, ndoshta si shembullin m\u00eb t\u00eb shquar, Albert Camus.<\/p>\n

N\u00eb k\u00ebt\u00eb spekt\u00ebr, diku midis dy skajeve t\u00eb tij, p\u00ebrfshihet edhe ai regjist\u00ebr stilistik q\u00eb i ngjan ligj\u00ebrimit filozofik, si\u00e7 do ta shohim ve\u00e7an\u00ebrisht n\u00eb leksionin e fundit. Nd\u00ebrkaq, i nj\u00ebjti regjist\u00ebr apo e nj\u00ebjta tipologji stilistike, t\u00eb nj\u00ebjtat fjal\u00eb apo fjali n\u00eb nj\u00eb vep\u00ebr letrare, jan\u00eb t\u00eb ndryshme nga ekzistenca e tyre n\u00eb nj\u00eb ligj\u00ebrim t\u00eb tjet\u00ebrllojt\u00eb. Borges-i, n\u00eb mos gabohem, thot\u00eb se let\u00ebrsia lind aty ku takohen dy fjal\u00eb q\u00eb nuk kan\u00eb qen\u00eb asnj\u00ebher\u00eb bashk\u00eb dhe kur duket sikur kan\u00eb qen\u00eb gjithmon\u00eb pran\u00eb nj\u00ebra-tjetr\u00ebs.<\/p>\n

Do ta plot\u00ebsoja k\u00ebt\u00eb ide, duke th\u00ebn\u00eb se let\u00ebrsia lind edhe aty ku takohen dy fjal\u00eb q\u00eb kan\u00eb qen\u00eb shpeshher\u00eb bashk\u00eb dhe kur duket sikur jan\u00eb takuar p\u00ebr her\u00eb t\u00eb par\u00eb. Kjo ndodh ve\u00e7an\u00ebrisht n\u00eb proz\u00eb, ku i nj\u00ebjti material, gjuha, plazmohet ngjashm\u00ebrisht me ligj\u00ebrime t\u00eb tjet\u00ebrllojta. Dhe kjo \u00ebsht\u00eb arsyeja pse n\u00eb k\u00ebt\u00eb cik\u00ebl, p\u00ebr ta dalluar prej tyre ligj\u00ebrimin letrar, do t\u00eb fokusohem te proza artistike. Po k\u00ebshtu, nj\u00eblloj sikurse materiali q\u00eb p\u00ebrdor let\u00ebrsia nuk \u00ebsht\u00eb specifikisht i saj, let\u00ebrsia nuk ka ndonj\u00eb gam\u00eb tematike specifikisht t\u00eb vet\u00ebn. Anasjelltas, ajo i rrok t\u00eb gjitha temat q\u00eb trajtojn\u00eb ligj\u00ebrimet e tjera, p\u00ebr sa k\u00ebto tema kan\u00eb t\u00eb b\u00ebjn\u00eb me qenien njer\u00ebzore: tekefundit, let\u00ebrsia \u00ebsht\u00eb koekstensive tematikisht me jet\u00ebn ton\u00eb, me ekzistenc\u00ebn njer\u00ebzore n\u00eb kuptimin m\u00eb t\u00eb gjer\u00eb t\u00eb fjal\u00ebs.<\/p>\n

Ligj\u00ebrimi letrar do t\u00eb p\u00ebrqaset n\u00eb k\u00ebt\u00eb cik\u00ebl me ligj\u00ebrimin filozofik: do t\u00eb shohim ku takohen, ku divergojn\u00eb, pse divergojn\u00eb dhe pse takohen. \/Gazeta Liberale<\/p>\n","protected":false},"excerpt":{"rendered":"

Nga Bashkim Shehu Tema e p\u00ebrgjithshme e k\u00ebtij cikli, si\u00e7 e tregon edhe titulli, \u00ebsht\u00eb ajo e raportit nd\u00ebrmjet ligj\u00ebrimit letrar artistik dhe ligj\u00ebrimit filozofik. T\u00eb parin e quaj \u201cletrar artistik\u201d p\u00ebr t\u00eb nxjerr\u00eb n\u00eb pah dallimin e let\u00ebrsis\u00eb nga nj\u00eb pjes\u00eb e madhe e asaj q\u00eb paraqitet dhe botohet si let\u00ebrsi, por q\u00eb p\u00ebrb\u00ebhet […]<\/p>\n","protected":false},"author":1,"featured_media":14673,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"footnotes":""},"categories":[14,19],"tags":[],"yoast_head":"\nPse shkruan nj\u00eb shkrimtar? - Informohu qart\u00ebsisht!<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/redaktori.com\/?p=14672\" \/>\n<meta property=\"og:locale\" content=\"sq_AL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pse shkruan nj\u00eb shkrimtar? - Informohu qart\u00ebsisht!\" \/>\n<meta property=\"og:description\" content=\"Nga Bashkim Shehu Tema e p\u00ebrgjithshme e k\u00ebtij cikli, si\u00e7 e tregon edhe titulli, \u00ebsht\u00eb ajo e raportit nd\u00ebrmjet ligj\u00ebrimit letrar artistik dhe ligj\u00ebrimit filozofik. 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