{"id":13979,"date":"2019-07-16T21:15:01","date_gmt":"2019-07-16T19:15:01","guid":{"rendered":"http:\/\/redaktori.com\/?p=13979"},"modified":"2019-07-16T21:16:18","modified_gmt":"2019-07-16T19:16:18","slug":"profesor-agim-vinca-krijuesi-i-pandalur","status":"publish","type":"post","link":"https:\/\/redaktori.com\/?p=13979","title":{"rendered":"Profesor Agim Vinca, krijuesi i pandalur"},"content":{"rendered":"

Shkruan Jolanda Lila- Tiran\u00eb<\/strong><\/p>\n

Si t\u00eb ruhet dinjiteti i fjal\u00ebs n\u00eb koh\u00ebn e bab\u00ebzis\u00eb; t\u00eb vrapimit pas kamjes, pushtetit, paras\u00eb, lavdis\u00eb? Kjo \u00ebsht\u00eb \u00e7\u00ebshtja. \u00c7\u2019do t\u00eb thot\u00eb t\u00eb jesh shkrimtar dhe intelektual sot? \u00c7\u2019pesh\u00eb ka dija dhe talenti n\u00eb nj\u00eb koh\u00eb kur shkruhet shum\u00eb e lexohet pak; kur sistemi i vlerave \u00ebsht\u00eb n\u00eb kriz\u00eb; kur ka inflacion titujsh, veprash, fjal\u00ebsh, \u00e7mimesh, diplomash; kur \u00e7do gj\u00ebje i dihet \u00e7mimi, por jo vlera? <\/em><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0(Fragment nga publicistika e prof. Agim Vinc\u00ebs)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em><\/p>\n

\u00a0<\/strong><\/p>\n

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72 vjet m\u00eb par\u00eb, pik\u00ebrisht me 22 maj t\u00eb vitit 1947, ka lindur poeti, studiuesi dhe profesori i shum\u00eb brezave universitar\u00eb, Agim Vinca. 52 vjet krijimtari, mbi 30 libra t\u00eb botuar n\u00eb fush\u00ebn e poezis\u00eb, publicistik\u00ebs, studimeve e kritik\u00ebs letrare, mbi 45 vjet lektor dhe titullar i disa l\u00ebnd\u00ebve n\u00eb Fakultetit Filozofik t\u00eb Prishtin\u00ebs; fitues i shum\u00eb \u00e7mimeve komb\u00ebtare e nd\u00ebrkomb\u00ebtare, profesor Agim Vinca vijon t\u00eb kontribuoj\u00eb p\u00ebr zhvillimin dhe p\u00ebrndritjen e kultur\u00ebs shqiptare.<\/p>\n

Dy frontet kryesore t\u00eb pun\u00ebs s\u00eb tij krijuese jan\u00eb k\u00ebrkimi letrar, nga nj\u00ebra an\u00eb dhe krijimi letrar, nga ana tjet\u00ebr. N\u00eb t\u00eb dyja k\u00ebto fronte, profesor Vinca ka v\u00ebn\u00eb vul\u00ebn e origjinalitetit krijues dhe risues n\u00eb let\u00ebrsin\u00eb dhe studimet shqiptare.<\/p>\n

Ai konsiderohet si nj\u00eb figur\u00eb poliedrike, me kontribut t\u00eb shquar n\u00eb fush\u00ebn e poezis\u00eb, t\u00eb kritik\u00ebs letrare, t\u00eb historis\u00eb s\u00eb let\u00ebrsis\u00eb, t\u00eb publicistik\u00ebs, antologjis\u00eb, p\u00ebrkthimit dhe eseistik\u00ebs. \u00cbsht\u00eb autor i m\u00eb shum\u00eb se 30 veprave dhe i qindra shkrimeve letrare e publicistike n\u00eb shtypin periodik shqiptar, duke u renditur k\u00ebshtu si nj\u00eb nd\u00ebr intelektual\u00ebt m\u00eb aktiv\u00eb, jo vet\u00ebm n\u00eb \u00e7\u00ebshtjet profesionale, por edhe p\u00ebr reagimet shoq\u00ebrore dhe problemet e koh\u00ebs. N\u00eb k\u00ebt\u00eb pik\u00ebpamje, sfera e veprimtaris\u00eb s\u00eb tij shtrihet shum\u00eb m\u00eb gjer\u00eb, sepse ai i shkrin pa rezerva aft\u00ebsit\u00eb e veta p\u00ebr t\u2019u b\u00ebr\u00eb z\u00ebdh\u00ebn\u00ebs i njeriut t\u00eb pambrojtur dhe atij q\u00eb p\u00ebrplaset me muret e padrejt\u00ebsis\u00eb, pa guxuar t\u00eb ankohet p\u00ebr d\u00ebshp\u00ebrimin e vet. Profesor Agim Vinca, me nj\u00eb doz\u00eb t\u00eb jasht\u00ebzakonshme energjie, vendosm\u00ebrie, guximi dhe kujdesi ngre problematikat kryesore t\u00eb arealit shqiptar n\u00eb sfer\u00ebn shoq\u00ebrore dhe n\u00eb at\u00eb kulturore, duke ofruar her\u00eb pas her\u00eb edhe alternativa zgjidhjeje.<\/p>\n

Merita e tij m\u00eb e madhe n\u00eb fush\u00ebn e shkenc\u00ebs \u00ebsht\u00eb p\u00ebr\u00e7imi i koncepteve shkencore e abstrakte n\u00eb form\u00ebn m\u00eb t\u00eb thjesht\u00ebzuar e t\u00eb qart\u00eb, merit\u00eb q\u00eb vet\u00eb autori ia dedikon p\u00ebrvoj\u00ebs s\u00eb m\u00ebsimdh\u00ebnies universitare dhe bashk\u00ebbisedimeve t\u00eb vazhdueshme me student\u00ebt e tij. Nd\u00ebrsa n\u00eb fush\u00ebn e poezis\u00eb, ai konsiderohet si nj\u00eb nd\u00ebr emrat m\u00eb t\u00eb r\u00ebnd\u00ebsish\u00ebm t\u00eb risimit t\u00eb vargut shqip q\u00eb n\u00eb vitet \u201870, t\u00eb frym\u00ebzimit t\u00eb natyrsh\u00ebm prej l\u00ebnd\u00ebs shqiptare dhe prej pasurimit t\u00eb fjalorit poetik, gj\u00eb q\u00eb shp\u00ebrfaq edhe nivelin e lart\u00eb dhe njohjen e thell\u00eb t\u00eb gjuh\u00ebs shqipe nga ana e autorit.<\/p>\n

Si natyr\u00eb tep\u00ebr korrekte, i gjall\u00eb, i shkath\u00ebt dhe tep\u00ebr i guximsh\u00ebm, ai \u00ebsht\u00eb profesori me autoritet t\u00eb spikatur. Autoritetin<\/span> ie<\/span> tij p\u00ebrvijohet nga formimi i thell\u00eb intelektual dhe nga sensi i drejt\u00ebsis\u00eb, q\u00eb \u00ebsht\u00eb alterego e tij. P\u00ebrkrah\u00ebs e mb\u00ebshtet\u00ebs i s\u00eb mir\u00ebs dhe shpotit\u00ebs i injoranc\u00ebs dhe t\u00eb padrejt\u00ebs, profesor Agim Vinca mbetet profesori jo vet\u00ebm i atyre brezave q\u00eb pat\u00ebn fatin t\u00eb ishin student\u00ebt e tij, por i mbar\u00eb shoq\u00ebris\u00eb shqiptare q\u00eb lexon librat apo artikujt e tij.<\/p>\n

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\u00a0<\/strong><\/p>\n

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\u201cFeniksi\u201d si bazament i shkallareve t\u00eb suksesit n\u00eb poezi<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Vendlindja e Agim Vinces, Veleshta e Strug\u00ebs, \u00ebsht\u00eb b\u00ebr\u00eb subjekt i shum\u00eb vargjeve t\u00eb tij, si p\u00ebr t\u00eb na d\u00ebshmuar gjurm\u00ebt e pashlyera q\u00eb l\u00eb f\u00ebmij\u00ebria n\u00eb jet\u00ebn e njeriut. Ai lindi me 22 maj t\u00eb vitit 1947 n\u00eb nj\u00eb familje atdhetare e arsimdash\u00ebse, ku profesor Agimi ishte f\u00ebmija i tet\u00eb dhe m\u00eb i vogli i prind\u00ebrve.<\/p>\n

Qysh prej vitit 1966, kur ai nisi studimet n\u00eb Fakultetin Filozofik t\u00eb Prishtin\u00ebs, e lidhi jet\u00ebn me let\u00ebrsin\u00eb dhe kultur\u00ebn shqiptare.<\/p>\n

Ai u ngjit n\u00ebp\u00ebr shkallaret e suksesit p\u00ebrmes pun\u00ebs s\u00eb palodhur dhe pasionit t\u00eb pandalur p\u00ebr t\u00eb zhbiriluar n\u00eb kthinat e panjohura t\u00eb let\u00ebrsis\u00eb, por edhe p\u00ebr t\u00eb th\u00ebn\u00eb fjal\u00ebn e vet artistikisht.<\/p>\n

E nisi rrug\u00ebtimin poetik n\u00eb vitin 1972 me botimin e librit t\u00eb par\u00eb me poezi \u201cFeniksi\u201d, p\u00ebr t\u00eb vijuar m\u00eb tej me nj\u00eb varg v\u00ebllimesh t\u00eb tjera, si: \u201cShtegu i malit\u201d, \u201cBuz\u00ebdrinas\u201d, \u201cArna dhe endrra\u201d, \u201cKoh\u00eb e keqe p\u00ebr lirik\u00ebn\u201d, \u201cPsalmet e rr\u00ebnj\u00ebs\u201d, \u201cLet\u00ebr Zotit\u201d, \u201cNostalgji p\u00ebr koh\u00ebrat e rrezikshme\u201d etj.<\/p>\n

Sipas poetit Drit\u00ebro Agolli, \u201cFeniksi\u201d paralajm\u00ebroi se po vinte nj\u00eb poet i v\u00ebrtet\u00eb, me identitet t\u00eb pal\u00ebkundur. Agolli thekson gjithashtu se poezia e Agim Vinc\u00ebs, q\u00eb n\u00eb librin e par\u00eb, shkrin ndjeshm\u00ebrisht dashurin\u00eb p\u00ebr vendlindjen, me t\u00eb dashur\u00ebn, me lumenjt\u00eb, me malet, me qiellin, me ret\u00eb, me njer\u00ebzit, me historin\u00eb dhe me gjith\u00e7ka q\u00eb p\u00ebrb\u00ebn m\u00ebm\u00ebdhen\u00eb.<\/p>\n

Libri, fal\u00eb nj\u00eb klime paksa liberale q\u00eb zot\u00ebronte n\u00eb ato vite, u botua ashtu si\u00e7 e kishte dor\u00ebzuar autori, pra pa nd\u00ebrhyrje, me nj\u00eb p\u00ebrjashtim t\u00eb vet\u00ebm. Nga libri u hoq krejt\u00ebsisht vjersha me titull \u201cLet\u00ebr v\u00ebllait\u201d, e shkruar gjat\u00eb koh\u00ebs q\u00eb autori ishte student n\u00eb Prishtin\u00eb, n\u00eb vitin 1969.<\/p>\n

Heqja e k\u00ebsaj poezie nga libri mbeti enigmatike p\u00ebr gati 40 vjet, deri n\u00eb vitin 2010, kur autorit i ra n\u00eb dor\u00eb dosja e tij policore, ku mes materialeve t\u00eb tjera, deklarata e denoncime ndaj tij si nacionalist dhe irredentist shqiptar, u gjet edhe dor\u00ebshkrimi i vjersh\u00ebs \u201cLet\u00ebr v\u00ebllait\u201d.<\/p>\n

N\u00eb k\u00ebt\u00eb dosje nd\u00ebr t\u00eb tjera, thuhet se autori i vjersh\u00ebs fyen pun\u00ebtor\u00ebt e Sh\u00ebrbimit t\u00eb Sigurimit Shtet\u00ebror, t\u00eb cil\u00ebt i quan \u201cqen q\u00eb lehin e grinden p\u00ebr nj\u00eb kock\u00eb t\u00eb that\u00eb dhe q\u00eb nuk e kan\u00eb t\u00eb gjat\u00eb, sepse do t\u00eb ngordhin s\u00eb shpejti\u201d. Telashet me k\u00ebt\u00eb poezi kishin filluar q\u00eb n\u00eb koh\u00ebn kur ishte shkruar ajo, pra n\u00eb mars t\u00eb vitit 1969, kur p\u00ebr shkak t\u00eb saj ishte ndaluar nj\u00eb num\u00ebr i gazet\u00ebs s\u00eb student\u00ebve \u201cBota e re\u201d n\u00eb Prishtin\u00eb dhe kishin vazhduar, duke u b\u00ebr\u00eb t\u00eb rrezikshme e dramatike, n\u00eb fillim t\u00eb viteve \u201970, kur autori e kishte dor\u00ebzuar p\u00ebr botim librin e tij t\u00eb par\u00eb, p\u00ebrmbledhjen me poezi \u201cFeniksi\u201d.<\/p>\n

Ndalimi i k\u00ebsaj vjershe dhe futja e saj n\u00eb dosjet e UDB-s\u00eb, me rrezikun q\u00eb ndaj autorit t\u00eb nd\u00ebrmerrej masa e arrestimit, tregon se n\u00eb \u00e7far\u00eb kushtesh kan\u00eb jetuar e punuar krijuesit shqiptar\u00eb n\u00eb ish-Jugosllavi, n\u00eb sistemin komunist jugosllav, q\u00eb konsiderohej si \u201cliberal\u201d. V\u00ebllimi me poezi \u201cFeniksi\u201d u ribotua 42 vjet m\u00eb von\u00eb dhe n\u00eb t\u00eb \u00ebsht\u00eb b\u00ebr\u00eb pjes\u00eb edhe vjersha e ndaluar, titulluar \u201cLet\u00ebr v\u00ebllait\u201d.<\/p>\n

3 vjet m\u00eb par\u00eb botuesi i mir\u00ebnjohur francez Lyk Vidal, mes shum\u00eb autor\u00ebve shqiptar\u00eb, ka p\u00ebrzgjedhur poezin\u00eb e Agim Vinc\u00ebs\u00a0 p\u00ebr ta b\u00ebr\u00eb t\u00eb njohur p\u00ebr publikun e huaj. V\u00ebllimi me poezi \u201cKamban\u00eb n\u00eb qaf\u00eb\u201d-\u201cUne cloche \u00e0 ton cou\u201d\u00a0p\u00ebrmban 40 poezit\u00eb m\u00eb p\u00ebrfaq\u00ebsuese t\u00eb k\u00ebtij autori dhe \u00ebsht\u00eb botuar n\u00eb dy gjuh\u00eb: shqip e fr\u00ebngjisht, ku vargjet shoq\u00ebrohen me ilustrime t\u00eb piktorit shqiptar Anastas Kostandini-Taso.<\/p>\n

Ky botim shenjon nj\u00eb ngjarje t\u00eb r\u00ebnd\u00ebsishme p\u00ebr poezin\u00eb shqipe bashk\u00ebkohore, e cila komunikon me publikun e huaj, duke afirmuar vlerat dhe ve\u00e7ant\u00ebsit\u00eb e saj. N\u00eb k\u00ebt\u00eb pik\u00ebpamje, poezia e Agim Vinc\u00ebs, konfirmon elementet thelb\u00ebsore t\u00eb poezis\u00eb shqipe, sepse hibridizon ligj\u00ebrimin modern me elementet p\u00ebrfaq\u00ebsuese t\u00eb poezis\u00eb tradicionale, duke ngritur k\u00ebshtu nj\u00eb stil krijues t\u00eb nd\u00ebrmjet\u00ebm, larg skajshm\u00ebrive.<\/p>\n

Epiqend\u00ebr e vargut t\u00eb tij \u00ebsht\u00eb qenia dhe identiteti shqiptare<\/span> nd\u00ebr shekuj, e cila p\u00ebrvijohet p\u00ebrmes kombinimeve t\u00eb ndryshme stilistikore. Mjeti m\u00eb karakterizues i poezis\u00eb s\u00eb Vinc\u00ebs \u00ebsht\u00eb simboli, metonimia, epiteti, por ve\u00e7an\u00ebrisht metafora. Metafora e poezis\u00eb s\u00eb tij nuk gjendet n\u00eb kombinimet brenda nj\u00eb vargu t\u00eb vet\u00ebm, por \u00ebsht\u00eb n\u00eb t\u00ebr\u00ebsin\u00eb e poezis\u00eb.<\/p>\n

Agim Vinca \u00ebsht\u00eb nj\u00eb poet i angazhuar q\u00eb reagon p\u00ebr problemet e koh\u00ebs e t\u00eb shoq\u00ebris\u00eb dhe ai mendon se misioni i poetit \u00ebsht\u00eb historik: poeti \u00ebsht\u00eb i obliguar ta thot\u00eb t\u00eb v\u00ebrtet\u00ebn, ta tregoj\u00eb t\u00eb padrejt\u00ebn, ta mbroj\u00eb t\u00eb voglin, t\u00eb varfrin, ta ngrej\u00eb z\u00ebrin kund\u00ebr pushtuesit dhe t\u00eb gjith\u00eb atyre q\u00eb me pushtet a n\u00eb m\u00ebnyra t\u00eb tjera n\u00ebp\u00ebrk\u00ebmbin k\u00ebdo. K\u00ebt\u00eb tipar karakterizues e ka shfaqur n\u00eb t\u00eb gjitha veprat e tij, pavar\u00ebsisht zhanrit, sepse n\u00eb t\u00eb v\u00ebrtet\u00eb ky \u00ebsht\u00eb tipari q\u00eb e shquan edhe si njeri profesor Agimin. Ai nuk b\u00ebn kompromis me t\u00eb padrejt\u00ebn dhe nuk kursehet n\u00eb kritika.<\/p>\n

Profesor Agim Vinca \u00ebsht\u00eb autor edhe i disa antologjive poetike, t\u00eb tilla si:<\/p>\n

\u201cNga poezia bashk\u00ebkohore shqipe\u201d, \u201cK\u00ebnga e hapur. Antologji e komentuar\u201d- e para e k\u00ebtij lloji n\u00eb let\u00ebrsin\u00eb shqipe dhe \u201cMuza e M\u00ebm\u00ebdheut –\u00a0 Antologji e poezis\u00eb atdhetare shqiptare\u201d, botuar n\u00eb kuad\u00ebr t\u00eb 100-vjetorit t\u00eb Pavar\u00ebsis\u00eb s\u00eb Shqip\u00ebris\u00eb.<\/p>\n

\u00cbsht\u00eb nderuar me disa \u00e7mime p\u00ebr krijimtarin\u00eb e tij, si \u00e7mimi \u201cAzem Shkreli\u201d nga Ministria e Kultur\u00ebs Kosov\u00eb, \u201cDita e minatorit\u201d n\u00eb Mitrovic\u00eb etj. Profesori vijon t\u00eb studioje e t\u00eb krijoj\u00eb n\u00eb studion e tij t\u00eb pun\u00ebs n\u00eb lagjen \u201cUlpian\u00eb\u201d t\u00eb Prishtin\u00ebs.<\/p>\n

\"\"<\/p>\n

(Te varri i poetit palestinez Mahmud Darvish n\u00eb Ramallah)<\/p>\n

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P\u00ebrbashkuesi i hap\u00ebsir\u00ebs kulturore shqiptare<\/strong><\/p>\n

 <\/p>\n

Poezia shqipe e gjysm\u00ebs s\u00eb dyt\u00eb t\u00eb shekullit XX karakterizohet nga nj\u00eb heterogjenitet stilesh e prirjesh krijuese, t\u00eb cilat u zhvilluan nga disa gjenerata poet\u00ebsh, me formime e ndjeshm\u00ebri t\u00eb ndryshme artistike. Tiparet e brendshme evolutive t\u00eb k\u00ebsaj poezie, u ndikuan s\u00eb tep\u00ebrmi edhe nga rrethanat e jashtme, pasi hap\u00ebsira shqiptare ishte e gjymtuar dhe \u00e7do nj\u00ebsi e saj shp\u00ebrfaqte tipare t\u00eb ve\u00e7anta letrare. N\u00eb hap\u00ebsir\u00ebn shqiptare t\u00eb Maqedonis\u00eb, spikat mes shum\u00eb t\u00eb tjer\u00ebsh, edhe veprimtaria krijuese e Agim Vinc\u00ebs, i cili arsimin parauniversitar e mori n\u00eb vendlindjen e tij, Velesht\u00eb t\u00eb Strug\u00ebs, e m\u00eb pas u vendos n\u00eb Kosov\u00eb, ku jeton e punon edhe sot. T\u00eb jetuarit mes dy gjymtyr\u00ebve t\u00eb Shqip\u00ebris\u00eb e nj\u00ebsoi mendimin e tij krijues drejt unifikimit t\u00eb hap\u00ebsir\u00ebs shqiptare, pavar\u00ebsisht diversiteteve e specifikave q\u00eb e karakterizonin secilin mjedis. Pik\u00ebpamjet e veta p\u00ebrbashkuese p\u00ebr arealin shqiptar, ai i ka shfaqur si n\u00eb mendimin kritik e publicistik, ashtu edhe n\u00eb krijimtarin\u00eb poetike.<\/p>\n

N\u00eb monografin\u00eb \u201cStruktura e zhvillimit t\u00eb poezis\u00eb shqipe (1945-1980)\u201d,<\/em> mund t\u00eb pohojm\u00eb pa m\u00ebdyshje se p\u00ebr her\u00eb t\u00eb par\u00eb n\u00eb historin\u00eb e mendimit shkencor, ai e paraqiti n\u00eb m\u00ebnyr\u00eb t\u00eb plot\u00eb dhe t\u00eb integruar poezin\u00eb shqipe, larg shtampave ideologjike t\u00eb trajtimit t\u00eb let\u00ebrsis\u00eb sipas hap\u00ebsirave gjeografike, brenda dhe jasht\u00eb shtetit am\u00eb. K\u00ebt\u00eb koncept e kishin p\u00ebrkrahur edhe shum\u00eb studiues t\u00eb tjer\u00eb, ve\u00e7an\u00ebrisht Rexhep Qosja, por Agim Vinca e konturoi p\u00ebrfundimisht udh\u00ebn e nisur prej tyre, gj\u00eb q\u00eb d\u00ebshmohet edhe n\u00eb ribotimet e her\u00ebpashershme dhe qarkullimit t\u00eb gjer\u00eb t\u00eb vepr\u00ebs s\u00eb tij studimore. Vet\u00eb Rexhep Qosja e pohon k\u00ebt\u00eb standard t\u00eb ri t\u00eb qasjes studimore, kur thot\u00eb: \u201cKritiku dhe historiani i let\u00ebrsis\u00eb, Agim Vinca, prej fillimeve t\u00eb krijimtaris\u00eb ka mbrojtur dhe ka popullarizuar q\u00ebndrimin se let\u00ebrsia shqipe, pavar\u00ebsisht pse krijohet n\u00eb disa shtete n\u00eb t\u00eb cilat pa dashjen e tyre jan\u00eb ndar\u00eb dikur shqiptar\u00ebt, \u00ebsht\u00eb nj\u00eb e t\u00ebr\u00eb dhe si e till\u00eb, si nj\u00eb let\u00ebrsi komb\u00ebtare, edhe duhet t\u00eb studiohet<\/em>\u201d.<\/p>\n

Gjithashtu, edhe n\u00eb krijimtarin\u00eb e tij poetike spikat unifikimi i hap\u00ebsir\u00ebs shqiptare. K\u00ebt\u00eb trajt\u00eb p\u00ebrbashkuese e konstatojm\u00eb:<\/p>\n

S\u00eb pari<\/em>, n\u00eb planin e teknik\u00ebs s\u00eb t\u00eb shkruarit, ku poezia e k\u00ebtij autori shenjon nj\u00eb trajt\u00eb krijuese q\u00eb nuk ndryhet n\u00eb gjuh\u00ebn e abstraksionit e t\u00eb eksperimentimeve q\u00eb b\u00ebnin disa poet\u00eb n\u00eb Kosov\u00eb, por as nuk bie n\u00eb nivelin e ligj\u00ebrimit propagandues, si\u00e7 ishte prirja mbizot\u00ebruese e bashk\u00ebkoh\u00ebsve t\u00eb vet n\u00eb Shqip\u00ebrin\u00eb am\u00eb. Duke mos qen\u00eb pjes\u00eb e skajshm\u00ebrive krijuese, ai p\u00ebrfaq\u00ebson nj\u00eb individualitet poetik, q\u00eb hibridizon ligj\u00ebrimin modern me elementet thelb\u00ebsore t\u00eb poezis\u00eb tradicionale shqipe, duke ngritur k\u00ebshtu nj\u00eb stil t\u00eb nd\u00ebrmjet\u00ebm krijues, stil q\u00eb ka z\u00ebrin dhe ngroht\u00ebsin\u00eb e vet origjinale.<\/p>\n

S\u00eb dyti<\/em>, frym\u00ebn p\u00ebrbashkuese e ndeshim n\u00eb pik\u00ebpamje t\u00eb p\u00ebrmbajtjes poetike, ku substanca etnike integrohet n\u00eb \u00e7do qeliz\u00eb t\u00eb tekstit poetik, si n\u00eb referencat vendore, ashtu edhe n\u00eb ato kohore, referenca q\u00eb estetizohen n\u00eb shenja poetike dhe q\u00eb kan\u00eb gjithnj\u00eb nj\u00eb em\u00ebrues t\u00eb p\u00ebrbashk\u00ebt, her\u00eb t\u00eb n\u00ebnkuptuar, e her\u00eb t\u00eb shprehur hapur, si n\u00eb rastin e vargut:<\/p>\n

Se un\u00eb, p\u00ebrs\u00ebri,<\/em><\/p>\n

Ngado q\u00eb t\u00eb nisem do t\u00eb arrij tek ti,<\/em><\/p>\n

Shqip\u00ebri!<\/em><\/p>\n

Rrug\u00eb tjet\u00ebr s\u2019di.<\/em><\/p>\n

 <\/p>\n

Pavar\u00ebsisht vendndodhjes, a pik\u00ebnisjes, destinacioni \u00ebsht\u00eb p\u00ebrher\u00eb i artikuluar qart\u00eb, madje \u00ebsht\u00eb rruga e vetme q\u00eb njeh subjekti lirik vincjan. Ky destinacion e p\u00ebrt\u00ebrin unin poetik, duke i kap\u00ebrcyer t\u00eb gjith\u00eb kufijt\u00eb e kronotoposit p\u00ebrmes p\u00ebrdorimit t\u00eb ndajfoljeve \u201cp\u00ebrs\u00ebri\u201d, si sh\u00ebnjuese e pakoh\u00ebsis\u00eb dhe ndajfoljes \u201cngado\u201d si sh\u00ebnjuese e pahap\u00ebsirshm\u00ebris\u00eb.<\/p>\n

\u00a0<\/strong><\/p>\n

Lokalja si shenjim i universales <\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Studiues t\u00eb ndrysh\u00ebm q\u00eb jan\u00eb marr\u00eb me poezin\u00eb e Agim Vinc\u00ebs (kemi parasysh studiuesit Rexhep Qosja, Sali Byty\u00e7i, Natasha Lako), kan\u00eb drit\u00ebsuar pranin\u00eb e madhe t\u00eb em\u00ebrvendeve apo toponimeve shqiptare n\u00eb poezin\u00eb e tij, por edhe t\u00eb em\u00ebrnjer\u00ebzve nga sfera t\u00eb ndryshme shoq\u00ebrore, kulturore e historike. Gjith\u00eb kjo prani referent\u00ebsh konkret\u00eb lidhet para s\u00eb gjithash me funksionin kryesor q\u00eb bart lirika e tij, pik\u00ebrisht qart\u00ebsin\u00eb. Kjo qart\u00ebsi p\u00ebrvijon trajt\u00ebn identitare dhe autoktone t\u00eb shpirtit t\u00eb njeriut shqiptar, me historin\u00eb, dram\u00ebn dhe \u00ebndrrat e tij.<\/p>\n

N\u00eb dhjet\u00eb v\u00ebllime poetike t\u00eb botuara prej tij p\u00ebrgjat\u00eb kat\u00ebr dekadave (disa prej tyre me ribotime poezish t\u00eb zgjedhura), vihet re se dy prej k\u00ebtyre v\u00ebllimeve shenjohen me titujt toponimik \u201cBuz\u00ebdrinas <\/em>dhe Dri<\/em>\u2019. Drini nuk \u00ebsht\u00eb thjesht nj\u00eb vend, por \u00ebsht\u00eb simboli q\u00eb udh\u00ebheq thelbin e tij poetik. Dy deg\u00ebt e k\u00ebtij lumi, jan\u00eb nyja e ndarjes s\u00eb padrejt\u00eb q\u00eb u jan\u00eb b\u00ebr\u00eb trojeve shqiptare.<\/p>\n

Poeti Sharl Bodleri thot\u00eb se, n\u00ebse d\u00ebshirojm\u00eb t\u00eb kuptojm\u00eb shpirtin e nj\u00eb poeti, duhet t’i k\u00ebrkojm\u00eb dhe t’i gjejm\u00eb fjal\u00ebt q\u00eb hasen m\u00eb s\u00eb shpeshti n\u00eb vepr\u00ebn e tij. N\u00eb rastin e Agim Vinc\u00ebs, konstatojm\u00eb se shpirti i tij ka qen\u00eb gjithnj\u00eb n\u00eb l\u00ebvizje, n\u00eb var\u00ebsi t\u00eb zhvillimeve historiko-shoq\u00ebrore, ai ka jetuar me dramat, g\u00ebzimet, shqet\u00ebsimet e zhg\u00ebnjimet e vendit t\u00eb vet. Poezia e tij ka trajt\u00ebn e ditarit, q\u00eb shpreh jo vet\u00ebm bot\u00ebn e tij t\u00eb brendshme, por edhe p\u00ebrvoj\u00ebn universale t\u00eb qenies njer\u00ebzore, gj\u00eb q\u00eb arrihet p\u00ebrmes p\u00ebrgjith\u00ebsimit artistik.<\/p>\n

\"\"<\/p>\n

 <\/p>\n

Puna studimore, boshti kryesor i jet\u00ebs s\u00eb profesor Agim Vinc\u00ebs<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Profesor Agim Vinca, q\u00eb n\u00eb vitet e para t\u00eb jet\u00ebs s\u00eb vet universitare filloi t\u00eb merrej me pun\u00eb studimore. T\u00eb shumta jan\u00eb kontributet e tij n\u00eb shkenc\u00eb, por kontributi m\u00eb i madh i tij mbetet studimi i poezis\u00eb shqipe bashk\u00ebkohore dhe v\u00ebzhgimi e krahasimi i saj me poezin\u00eb evropiane. Si studiues i poezis\u00eb, profesori \u00ebsht\u00eb ngritur mbi shijet personale, duke studiuar, si ata poet\u00eb q\u00eb i takojn\u00eb “shko\u00adll\u00ebs” tradicionale, ashtu edhe ata q\u00eb u p\u00ebrka\u00adsin “shkollave” moderne e avangarde, duke i trajtuar nj\u00ebsoj e jo sipas “etiket\u00ebs” q\u00eb mund t’i ngjisin reklamuesit e tyre – recensen\u00adt\u00ebt a botuesit, por sipas vler\u00ebs dhe cil\u00ebsis\u00eb objektive q\u00eb bartin.<\/p>\n

Librat e tij studimor\u00eb t\u00eb shkruara nd\u00ebr vite jan\u00eb ribotuar disa her\u00eb, p\u00ebr shkak t\u00eb k\u00ebrkesave t\u00eb student\u00ebve, m\u00ebsuesve dhe studiuesve t\u00eb fush\u00ebs s\u00eb mendimit letrar. Disa nga librat kryesor jan\u00eb: \u201cAspekte t\u00eb kritik\u00ebs son\u00eb\u201d, \u201cQasje\u201d,\u00a0 \u201cOr\u00ebt e poezis\u00eb\u201d, \u201cAlternativa letrare shqiptare\u201d, \u201cKurs i teorive letrare\u201d, \u201cFija t\u00eb pak\u00ebputura\u201d, \u201cPoetika e fjal\u00ebs\u201d e deri tek studimi monografik \u201cStruktura e zhvillimit t\u00eb poezis\u00eb shqipe (1945-1980)\u201d, <\/em>i cili \u00ebsht\u00eb ribotuar her\u00eb pas here dhe \u00ebsht\u00eb nd\u00ebr veprat e tij studimore q\u00eb vijon t\u00eb qarkulloj\u00eb gjer\u00ebsisht.<\/p>\n

Q\u00eb prej vitit 1992, profesor Agim Vinca ka botuar disa libra eseistik\u00eb dhe publicistik\u00eb, ku p\u00ebrmendim \u201cPopulli i ndaluar\u201d, \u201cShqiptar\u00ebt mes mitit dhe realitetit\u201d, \u201cArti i reagimit\u201d etj. N\u00eb p\u00ebrmbajtje t\u00eb k\u00ebtyre eseve jan\u00eb probleme jo vet\u00ebm t\u00eb sfer\u00ebs s\u00eb kultur\u00ebs, por edhe \u00e7\u00ebshtje t\u00eb politik\u00ebs e t\u00eb spektrit social n\u00eb p\u00ebrgjith\u00ebsi.<\/p>\n

Ngritja e problemeve q\u00eb kumbojn\u00eb theksh\u00ebm n\u00eb shoq\u00ebrin\u00eb shqiptare e ka gjithnj\u00eb nj\u00eb hara\u00e7 nga pas. Profesor Vinca nderohet nga opinioni i gjer\u00eb publik, dhe ve\u00e7an\u00ebrisht nga njer\u00ebz t\u00eb sfer\u00ebs akademike dhe t\u00eb kultur\u00ebs. Por p\u00ebr \u00e7udi, pavar\u00ebsisht se \u00ebsht\u00eb nominuar disa her\u00eb p\u00ebr titullin \u201cakademik\u201d, Akademia e Shkencave dhe e Arteve t\u00eb Kosov\u00ebs ia ka mbyllur dyert k\u00ebtij njeriu, q\u00eb me vepr\u00ebn e tij do t\u2019i b\u00ebnte nder \u00e7do akademie n\u00eb bot\u00eb. Pavar\u00ebsisht p\u00ebrfshirjes apo jo n\u00eb Akademi, vepra e shum\u00ebfisht\u00eb e Profesor Agim Vinc\u00ebs, vijon t\u00eb lexohet e vler\u00ebsohet gjer\u00ebsisht. Ai mbetet modeli i krijuesit skrupuloz dhe i intelektualit t\u00eb mir\u00ebfillt\u00eb shqiptar, i cili me fjal\u00ebn dhe vepr\u00ebn e tij \u00ebsht\u00eb i pranish\u00ebm n\u00eb mbar\u00eb hap\u00ebsir\u00ebn shqiptare, prandaj i urojm\u00eb jet\u00eb t\u00eb gjat\u00eb dhe krijimtari t\u00eb mbar\u00eb profesorit.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Shkruan Jolanda Lila- Tiran\u00eb Si t\u00eb ruhet dinjiteti i fjal\u00ebs n\u00eb koh\u00ebn e bab\u00ebzis\u00eb; t\u00eb vrapimit pas kamjes, pushtetit, paras\u00eb, lavdis\u00eb? Kjo \u00ebsht\u00eb \u00e7\u00ebshtja. \u00c7\u2019do t\u00eb thot\u00eb t\u00eb jesh shkrimtar dhe intelektual sot? \u00c7\u2019pesh\u00eb ka dija dhe talenti n\u00eb nj\u00eb koh\u00eb kur shkruhet shum\u00eb e lexohet pak; kur sistemi i vlerave \u00ebsht\u00eb n\u00eb kriz\u00eb; kur […]<\/p>\n","protected":false},"author":1,"featured_media":3823,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"footnotes":""},"categories":[14,19,1],"tags":[],"yoast_head":"\nProfesor Agim Vinca, krijuesi i pandalur - Informohu qart\u00ebsisht!<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/redaktori.com\/?p=13979\" \/>\n<meta property=\"og:locale\" content=\"sq_AL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Profesor Agim Vinca, krijuesi i pandalur - Informohu qart\u00ebsisht!\" \/>\n<meta property=\"og:description\" content=\"Shkruan Jolanda Lila- Tiran\u00eb Si t\u00eb ruhet dinjiteti i fjal\u00ebs n\u00eb koh\u00ebn e bab\u00ebzis\u00eb; t\u00eb vrapimit pas kamjes, pushtetit, paras\u00eb, lavdis\u00eb? 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