{"id":1025,"date":"2019-02-10T20:27:28","date_gmt":"2019-02-10T19:27:28","guid":{"rendered":"http:\/\/redaktori.com\/?p=1025"},"modified":"2019-02-10T20:27:28","modified_gmt":"2019-02-10T19:27:28","slug":"121-vjet-me-pare-lindi-themeluesi-i-drames-moderne-epike-bertolt-breht-ja-si-paraqitet-ai-ne-kujtimet-e-gjon-milit","status":"publish","type":"post","link":"https:\/\/redaktori.com\/?p=1025","title":{"rendered":"121 vjet m\u00eb par\u00eb lindi themeluesi i dram\u00ebs moderne epike, Bertolt Breht\/ Ja si paraqitet ai n\u00eb kujtimet e Gjon Milit"},"content":{"rendered":"

Nga Kristaq BALLI<\/strong><\/p>\n

\u00a0<\/strong>N\u00eb aradh\u00ebn e pafundme t\u00eb artist\u00ebve dhe personaliteteve t\u00eb shquar bot\u00ebror\u00eb n\u00eb t\u00eb gjitha fushat e krijimtaris\u00eb intelektuale, fal\u00eb t\u00eb t\u00eb cil\u00ebve fotografi yn\u00eb gjenial Gjon Mili krijoi nj\u00eb prej kulmeve t\u00eb fizionomis\u00eb s\u00eb vet artistike, ishte edhe Bertolt Brecht<\/p>\n

Bertolt Brecht (Breht) (1898-1956)-poet, dramaturg, skenarist, studiues, kritik\u00a0 dhe drejtor teatri gjerman i shek XX k\u00ebt\u00eb vit mbushi\u00a0121-vjetorin e lindjes, pik\u00ebrisht me 10 shkurt. Ai ka dh\u00ebn\u00eb kontribut t\u00eb shquar \u00a0n\u00eb prodhimin dramaturgjik e teatral, kryeherit p\u00ebrmes tureve t\u00eb kompanis\u00eb teatrore t\u00eb pas luft\u00ebs \u201cBerliner Ensemble\u201d q\u00eb drejtohej nga vet\u00eb Brehti dhe gruaja e tij, bashk\u00ebpun\u00ebtore dhe aktore p\u00ebr nj\u00eb koh\u00eb t\u00eb gjat\u00eb, Helene Weigel.<\/p>\n

Ai studioi dram\u00eb me themeluesin e l\u00ebvruesin m\u00eb t\u00eb madh t\u00eb studimeve t\u00eb dramaturgjs\u00eb gjermane, Arthur Kutscher. Filloi t\u00eb shfaqet n\u00eb shtyp me emrin Bert Brecht\u00a0 n\u00eb vitin 1916 me poezi dhe disa artikuj kritik\u00eb rreth teatrit. Dram\u00ebn e par\u00eb t\u00eb plot\u00eb, \u201cBaal\u201d\u00a0 e shkroi m\u00eb 1918, nd\u00ebrsa t\u00eb dyt\u00ebn \u201cTambur\u00ebt e Nat\u00ebs\u201d n\u00eb vitin 1919.<\/p>\n

Gjat\u00eb vitit 1922 Brehti t\u00ebrhoqi v\u00ebmendjen e kritikut t\u00eb njohur\u00a0 berlinez, Herbert Ihering: \u201cN\u00eb\u00a024 or\u00eb, shkrimtari Bert (Bertolt) Breht ka ndryshuar fizionomin\u00eb letrare gjermane<\/em>\u201d- shprehej ai me entusiaz\u00ebm p\u00ebr dram\u00ebn e par\u00eb t\u00eb inskenuar t\u00eb Brehtit\u00a0Tambur\u00ebt e Nat\u00ebs; ai ka dh\u00ebn\u00eb koh\u00ebs ton\u00eb\u00a0 nj\u00eb kumbim t\u00eb ri, nj\u00eb melodi t\u00eb re, nj\u00eb vizion t\u00eb ri\u2026Ajo \u00ebsht\u00eb nj\u00eb gjuh\u00eb q\u00eb ju do ta ndjeni n\u00eb gjuh\u00ebn tuaj, n\u00eb vesh\u00ebt tuaj, n\u00eb shtyll\u00ebn tuaj kurrizore.\u201d\u00a0<\/em>\u00a0Po at\u00eb vit atij iu akordua \u00e7mimi prestigjioz Kleist Prize p\u00ebr tre dramat e para (Baal, Tambur\u00ebt e Nat\u00ebs dhe N\u00eb Xhung\u00ebl, megjithse\u00a0 vet\u00ebm Tambur\u00ebt ishte v\u00ebn\u00eb n\u00eb sken\u00eb) Motovacioni ishte ky: \u201cGjuha e Brehtit \u00ebsht\u00eb e gjall\u00eb, pa qen\u00eb q\u00ebllimisht poetike dhe simbolike pa qen\u00eb pothuajse letrare. Breht \u00ebsht\u00eb nj\u00eb dramaturg sepse gjuha e tij ndjehet fizikisht shqeto.\u201d<\/em>\u00a0M\u00eb 1923 Breht shkroi nj\u00eb skenar p\u00ebr nj\u00eb film t\u00eb shkurt\u00ebr, \u201cMisteret e nj\u00eb Berberane\u201d me regji t\u00eb Erich Engel dhe aktor kryesor Karl Valentin. P\u00ebr nga aspekti krijues eksperimental, ai konsiderohet sot si nj\u00eb nga\u00a0 filmat m\u00eb t\u00eb r\u00ebnd\u00ebsish\u00ebm n\u00eb historin\u00eb e filmit gjerman. Po k\u00ebt\u00eb vit u vu n\u00eb sken\u00eb edhe premiera \u201cN\u00eb Xhung\u00ebl\u201d, p\u00ebrs\u00ebri me regji\u00a0 t\u00eb Engel. M\u00eb 1924 pjesa \u201cEduardi II\u201d, nj\u00eb adoptim i romanit me t\u00eb nj\u00ebjtin titull t\u00eb Christopher Marlowe, p\u00ebrb\u00ebn p\u00ebrpjekjen e tij t\u00eb par\u00eb n\u00eb konceptin e tij t\u00eb \u201cteatrit epik\u201d. Fillon t\u00eb studioj\u00eb\u00a0 Marksizmin dhe shprehet se \u201cKur lexova Kapitalin e Marksit, kuptova veprat e mia. Marksi ishte i vetmi spektator q\u00eb mund t\u2019u p\u00ebrshtatej atyre.\u201d I frym\u00ebzuar nga zhvillimet n\u00eb BRSS, ai shkroi nj\u00eb num\u00ebr pjes\u00ebsh agitprop q\u00eb himnizonin kolektivizimin Bolshevik (\u201cNjeriu i barabart\u00eb me Njeriun\u201d) dhe terrorin e kuq (\u201cVendimi\u201d). Tendenca ekstravagante eksperimentuese, her\u00eb e suksesshme, apo jo, ishte motoja krijuese teatrore e pun\u00ebs s\u00eb tij krijuese. K\u00ebshtu nga \u201cteatri epik\u201d ai kaloi n\u00eb konceptin q\u00eb \u201cTeatri Modern \u00ebsht\u00eb Teatri Epik\u201d(1930) (\u201cbetej\u00eb e madhe\u00a0 p\u00ebr supremaci midis fjal\u00ebve, muzik\u00ebs dhe produksionit\u201d). M\u00eb 1930 Brehti u martua me Helene Weigel (gruaja e dyt\u00eb), nj\u00eb aktore dhe drejtuese artistike\u00a0 e njohur gjemane me origjin\u00eb hebreje, e\u00a0 cila ka luajtur role kryesore n\u00eb dramaturgjin\u00eb e Brehtit, sidomos t\u00eb asaj epike. \u201cOpera p\u00ebr tri grosh\u201d, u b\u00eb hiti m\u00eb i madh n\u00eb Berlin edhe nga pikpamja muzikore.<\/p>\n

Kur Hitleri mori pushtetin, m\u00eb 1933, duke parashikuar rrezikun e\u00a0 persekutimit, Brehti me familjen e tij emigruan fillimisht n\u00eb Danimark\u00eb (prej nga ai udh\u00ebtoi shpesh n\u00eb\u00a0 Kopenhagen, Paris, Mosk\u00eb, Nju Jork dhe Lond\u00ebr p\u00ebr projekte dhe bashk\u00ebpunime\u00a0 t\u00eb ndryshme), m\u00eb pas\u00a0 n\u00eb Suedi, Finland\u00eb, dhe, s\u00eb fundi, n\u00eb SHBA. Gjat\u00eb viteve\u00a0 t\u00eb\u00a0 Luft\u00ebs II Bot\u00ebrore Brehti u b\u00eb nj\u00eb shkrimtar i spikatur i let\u00ebrsis\u00eb s\u00eb ekzilit politik. Ai\u00a0 shprehte oponenc\u00ebn e tij ndaj\u00a0 l\u00ebvizjeve Nacional Socialiste dhe Fashiste n\u00eb\u00a0 dramat e tij m\u00eb t\u00eb famshme: \u201cJeta e Galileut\u201d, \u201cN\u00ebn\u00eb Kurajo dhe F\u00ebmij\u00ebt e saj\u201d, \u201cNjeriu i mir\u00eb i Szechwan\u201d, \u201cArturo Ui\u201d, \u201cRrethi prej Shkum\u00ebsi i Kaukazit\u201d, \u201cFrik\u00eb dhe Mjerim i Rajhut t\u00eb Tret\u00eb\u201d dhe shum\u00eb t\u00eb tjera. N\u00eb SHBA ai shkroi t\u00eb vetmin skenar p\u00ebr filmin hollivudian \u201cXhelat\u00ebt gjithashtu vdesin\u201d. Aty ai\u00a0\u00a0 shkroi skenar\u00ebt \u201cVizionet e Simone Makard\u201d, \u201cShvejku n\u00eb Luft\u00ebn II Bot\u00ebrore\u201d dhe\u00a0 \u201cDuka i Malfit\u201d.<\/p>\n

\"\"\u00a0\"\"\u00a0\"\"\u00a0\"\"<\/p>\n

Pas mbarimit t\u00eb Luft\u00ebs II Bot\u00ebrore, pasi ai v\u00ebrtetoi m\u00eb 1947 mes shakave e ironive\u00a0 para nj\u00eb komisioni investigativ n\u00eb SHBA se nuk kishte aderuar ndonj\u00ebher\u00eb n\u00eb Partin\u00eb Komuniste, po k\u00ebt\u00eb vit u kthye n\u00eb Europ\u00eb, fillimisht n\u00eb Zvic\u00ebr e m\u00eb pas, m\u00eb1949 n\u00eb Berlin p\u00ebr t\u00eb vazhduar drejtimin e kompanis\u00eb t\u00eb teatrit t\u00eb tij \u201cBerliner Ensemble\u201d. Ai shkroi shum\u00eb pak gjat\u00eb viteve t\u00eb fundit n\u00eb Berlin. Ai ia dedikoi veten drejtimit t\u00eb dramave talenteve t\u00eb reja t\u00eb nj\u00eb gjenerate tjet\u00ebr t\u00eb regjisor\u00ebve\u00a0 dhe dramaturg\u00ebve t\u00eb rinj. Dialektika marksiste kishte influencuar shum\u00eb tek Brehti n\u00eb t\u00eb dy aspektet teorike\u00a0 e praktike teatrale t\u00eb\u00a0 tij. Brehti mori \u00c7mimin Stalin t\u00eb Paqes m\u00eb 1954.<\/p>\n

Bertolt Breht nd\u00ebrroi jet\u00eb n\u00eb vitin 1956 nga nj\u00eb atak n\u00eb zem\u00ebr n\u00eb mosh\u00ebn 58 vje\u00e7are.<\/p>\n

Bertolt Breht mbetet nj\u00eb shkrimtar, dramarurg estet e drejtues teatri origjinal dhe antikonformist i teatrit t\u00eb deriat\u00ebhersh\u00ebm kontemporan gjerman. Ai zbatoi idet\u00eb e vizionet e tij artistike t\u00eb influencuara edhe nga zhvilimet politike e ekonomike\u00a0 t\u00eb koh\u00ebs duke q\u00ebndruar n\u00eb frontin kund\u00ebr nacional-socializmit dhe nazizmit dhe aleat n\u00eb frontin antikapitalist. Veprat e tij soll\u00ebn nj\u00eb k\u00ebndv\u00ebshtrim t\u00eb ri n\u00eb prodhimtarin\u00eb dramaturgjike gjermane e bot\u00ebrore, sidomos n\u00eb raportet midis synimit t\u00eb artit n\u00eb raport me zhvillimet historike, ekonomike e sociale n\u00eb shoq\u00ebrin\u00eb gjermane gjat\u00eb periudhave t\u00eb social-nacionalizmit, nazizmit e Luft\u00ebs II Bot\u00ebrore, si dhe Luft\u00ebs s\u00eb Ftoht\u00eb.<\/p>\n

Gjon Milit, n\u00eb vitin 1963 i duhej t\u00eb fotografonte n\u00eb Berlinin Lindor disa shfaqje dramatike t\u00eb Bertolt Brehtt-it t\u00eb performuara nga kompania Berliner Ensemble q\u00eb ishte themeluar dhe e drejtuar nga vet\u00eb autori deri n\u00eb vdekjen e tij. Sipas fjal\u00ebve t\u00eb Gjon Milit:\u00a0\u201cNj\u00eb person m\u00eb shp\u00ebtoi nga situata: Helene Weigel, e veja e dramaturgut, \u201cN\u00ebna Kurajo\u201d, e famshme nd\u00ebrkomb\u00ebtarisht dhe drejtuese e kompanis\u00eb q\u00eb nga vdekja e tij. I p\u00ebrs\u00ebritja\u00a0 lutjet me shum\u00eb kujdes\u00a0 p\u00ebr t\u2019i b\u00ebr\u00eb nj\u00eb foto-portret fisnik, por\u00a0 ajo refuzonte. Ishte dita ime e fundit n\u00eb Berlinin Lindor. N\u00eb mbr\u00ebmje, pas p\u00ebrfundimit t\u00eb shfaqjes \u201cOpera p\u00ebr Tre Grosh\u201d takova Madam Weigel dhe koleg\u00ebt e saj n\u00eb bufen\u00eb e ansamblit p\u00ebr nj\u00eb pije ceremoniale para lamtumir\u00ebs. Kur ne u ngrit\u00ebm t\u00eb largoheshim, un\u00eb insistova t\u00eb paguaja, por sigurisht ajo kishte t\u00eb nj\u00ebjt\u00ebn ide e nuk pranoi. Un\u00eb isha i vendosur t\u00eb b\u00ebja zgjidhjen time. Zgjata dor\u00ebn p\u00ebr t\u00eb rr\u00ebmbyer fatur\u00ebn, e cila ishte vendosur n\u00eb nj\u00eb pjat\u00eb dhe iu ofrua Madam\u00ebs p\u00ebr ta firmuar, e shukosa, e futa n\u00eb goj\u00eb dhe e p\u00ebrtypa sakaq. T\u00eb gjith\u00eb shp\u00ebrthyen n\u00eb t\u00eb qeshura, nd\u00ebrkoh\u00eb q\u00eb rivalja ime me nj\u00eb buz\u00ebqeshje k\u00ebnaq\u00ebsie q\u00eb luante n\u00eb fytyr\u00ebn e saj, me shum\u00eb takt u ngrit e u largua. Kur arrita n\u00eb hotel, gjeta k\u00ebt\u00eb mesazh: \u201cMadam Weigel ka k\u00ebnaq\u00ebsin\u00eb t\u00eb pozoj\u00eb p\u00ebr ju\u00a0 n\u00eb or\u00ebn dhjet\u00eb para dite\u201d.<\/em>(Gjon Mili, Photographs & Recollection, p. 94).<\/p>\n","protected":false},"excerpt":{"rendered":"

Nga Kristaq BALLI \u00a0N\u00eb aradh\u00ebn e pafundme t\u00eb artist\u00ebve dhe personaliteteve t\u00eb shquar bot\u00ebror\u00eb n\u00eb t\u00eb gjitha fushat e krijimtaris\u00eb intelektuale, fal\u00eb t\u00eb t\u00eb cil\u00ebve fotografi yn\u00eb gjenial Gjon Mili krijoi nj\u00eb prej kulmeve t\u00eb fizionomis\u00eb s\u00eb vet artistike, ishte edhe Bertolt Brecht Bertolt Brecht (Breht) (1898-1956)-poet, dramaturg, skenarist, studiues, kritik\u00a0 dhe drejtor teatri gjerman […]<\/p>\n","protected":false},"author":1,"featured_media":1026,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"footnotes":""},"categories":[6,14],"tags":[],"yoast_head":"\n121 vjet m\u00eb par\u00eb lindi themeluesi i dram\u00ebs moderne epike, Bertolt Breht\/ Ja si paraqitet ai n\u00eb kujtimet e Gjon Milit - Informohu qart\u00ebsisht!<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/redaktori.com\/?p=1025\" \/>\n<meta property=\"og:locale\" content=\"sq_AL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"121 vjet m\u00eb par\u00eb lindi themeluesi i dram\u00ebs moderne epike, Bertolt Breht\/ Ja si paraqitet ai n\u00eb kujtimet e Gjon Milit - 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